Allan D’Arcangelo
1930–1998
Selected Works
Biography
Allan D’Arcangelo was born in 1930, in Buffalo, New York. He studied at the University of Buffalo from 1948–1953, where he received his bachelor’s degree in history. After college, he moved to Manhattan studied at the New School of Social Research and the City University of New York, City College. During this time he encountered the work of the Abstract Expressionist painters who were in vogue. After joining the army in the mid 1950s, he used the GI Bill to study painting at Mexico City College from 1957–59. In 1959, D’Arcangelo returned to New York City in search of the unique American experience. It was at this time that his painting assumed a cool, removed aesthetic reminiscent of Roy Lichtenstein and Andy Warhol.
By the 1970s, D’Arcangelo had received significant recognition in the art world. He was well known for his paintings of the iconic American highway, along with his depictions of desolate, industrial landscapes. D’Arcangelo’s compositions relate to Pop Art; however, they are also functions of his career-long fascination with archetypes of the built environment, both emblematic and monumental. The artist once described himself as searching for “icons that mattered.” His use of vernacular imagery seems motivated by a desire, not to glorify the contemporary landscape, but to bring the spiritual significance of art to a more familiar context.
Throughout his career, D’Arcangelo had solo-exhibitions at many prominent institutions, including: Fischbach Gallery (1963, 1964, 1965, 1967, and 1969, New York); Ileana Sonnabend Gallery (1965, Paris); Dwan Gallery (1966, Los Angeles); Marlborough Gallery (1971, 1975, New York); Institute of Contemporary Art (1971, Philadelphia); Neuberger Museum of Art, State University of New York (1978, Purchase); Virginia Museum of Fine Arts (1979, Richmond); Burchfield Center (1979, Buffalo); Grace Borgenicht Gallery (1982, New York); and Mitchell-Innes & Nash (2009, New York). In 2005, a retrospective of his work opened in Modena, Italy at the Palizzina dei Giardini.
D’Arcangelo’s paintings are featured in the collections of many museums, including: the Albright-Knox Art Gallery, Buffalo; Art Institute of Chicago; Burchfield-Penney Art Center, Buffalo; Centre Georges Pompidou, Paris; Cornell Fine Arts Museum, Rollins College, Winter Park, Florida; Dallas Museum of Art; Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C.; Museum of Modern Art; National Gallery of Art, Washington, D.C.; Solomon R. Guggenheim Museum, New York; Tate; Virginia Museum of Fine Arts, Richmond; the Walker Art Center, Minneapolis; and the Whitney Museum of American Art.
Exhibitions
Press
July 15, 2019
“36 Works on Paper” Featured in Artnews (opens in new tab)
November 18, 2018
Allan D’Arcangelo Featured in CTPost
June 4, 2018
Allan D’Arcangelo Featured in Artnews
January 18, 2018
Allan D’Arcangelo Featured in Creative Boom
January 17, 2018
Allan D’Arcangelo Featured on Artnet
January 16, 2018
Allan D’Arcangelo Featured on Art News
January 15, 2018
Allan D’Arcangelo Featured in Art Daily
December 7, 2017
Allan D’Arcangelo, Rosalyn Drexler, and Nicholas Krushenick Featured on BLOUIN ARTINFO
August 22, 2017
Allan D’Arcangelo Reviewed on BLOUIN ARTINFO
April 21, 2017
Allan D’Arcangelo Featured on Artforum
Publications
June Moon 1963, 1969
Screenprint. 23.5 × 25 in.
Urban Landscape #3, 1976–1977
Graphite on paper. 23.125 × 29 in.
Untitled (American Landscape), 1967
Acrylic on canvas. 69 × 84 in.
Proposition #20, 1966
Acrylic on canvas. 40.125 × 40.125 in.
Pi in the Sky, 1981–1982
Acrylic on canvas. 48 × 66 in.
Untitled, c. 1992
Acrylic on canvas. 72 × 58 in.
Mr. and Mrs. Moby Dick, 1974
Acrylic on canvas. 72 × 102 in.
Untitled, 1974
Mixed media on paper. 23.75 × 18.75 in.
Wing One, or 16A, 1982
Acrylic on canvas. 48 × 66 in.
Madonna and Child, 1963
Acrylic on canvas. 68.625 × 60.375 in.
Constellation #111, 1971
Dry pigment on raw canvas. 84 × 84 in.
Untitled, 1969
Print - mixed media on paper collage. 21 × 25.5 in.
Hypostasis, 1974
Acrylic on canvas. 72.125 × 72.125 in.
A Modern Super Highway Carried Through the Countryside 1965, 1969
Screenprint. 21 3/16 × 25 1/2 inches Whitney Museum of American Art