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Gladys Nilsson

b. 1940

  • Selected Works
  • Biography
  • Exhibitions
  • Press
  • Publications
  • CV (opens in new tab)

Selected Works

Biography

Born in Chicago in 1940, Gladys Nilsson studied painting at the School of the Art Institute of Chicago. She first came to prominence in 1966, when she joined five other recent Art Institute graduates (Jim Falconer, Art Green, Jim Nutt, Suellen Rocca, and Karl Wirsum) for the first of a series of group exhibitions called the Hairy Who. In 1973, she became one of the first women to have a solo-exhibition at the Whitney Museum of American Art. In 1990, she accepted a teaching position at the School of the Art Institute of Chicago, where she is now a professor.

Nilsson is known for her densely layered and meticulously constructed watercolors and collages. Like many of the Hairy Who artists, Nilsson employed a type of horror vacui; many of her works feel filled to the brim with winding, playful imagery. Her work often focuses on aspects of human sexuality and its inherent contradictions.

Since 1966, Nilsson’s work has been the subject of over 50 solo exhibitions, including sixteen at Phyllis Kind Gallery (1970–1979, 1981–1983, 1987, 1991, and 1994, Chicago and New York), and two at The Candy Store (1971 and 1987, Folsom, California). She is the subject of Gladys Nilsson: Gleefully Askew, a major retrospective currently on view at the Crocker Art Museum (2026) and traveling to the Madison Museum of Contemporary Art (2027). Her work has also been featured in many important museum exhibitions, such as: Human Concern/Personal Torment (1969, Whitney Museum of American Art); Who Chicago? (1981, Camden Art Center, London); Parallel Visions: Modern Artists and Outsider Art (1992, Los Angeles County Museum of Art); and Chicago Imagists (2011, Madison Museum of Contemporary Art, Wisconsin); and What Nerve! Alternative Figures in American Art, 1960 to the Present (2014, Museum of Art, Rhode Island School of Design, Providence).

Nilsson’s work is featured in the collections of major museums around the world, including: the Art Institute of Chicago; the Courtauld Gallery, London, United Kingdom; the Crocker Art Museum, Sacramento, California; the Los Angeles County Museum of Art; the Madison Museum of Contemporary Art, Wisconsin; the Milwaukee Art Museum; the Morgan Library, New York; the Museum Moderner Kunst, Vienna; the Museum of Contemporary Art, Chicago; the Museum of Modern Art; the Pennsylvania Academy of the Fine Arts, Philadelphia; the Philadelphia Museum of Art; the Smithsonian American Art Museum, Washington, D.C.; the Whitney Museum of American Art; and the Yale University Art Gallery, New Haven, Connecticut.

Portrait of Gladys Nilsson
Photograph by Alexa Viscius, 2020

Exhibitions

The Armory Show

The Armory Show

New Works in Watercolor

Gladys Nilsson, New Works in Watercolor

Honk! Fifty Years of Painting

Gladys Nilsson, Honk! Fifty Years of Painting

36 Works on Paper

36 Works on Paper

The 1980s

Gladys Nilsson, The 1980s

Paper

Paper

Gladys Nilsson

Gladys Nilsson, Gladys Nilsson

Press

October 8, 2026

Gladys Nilsson Retrospective Reviewed in the New York Review of Books (opens in new tab)

October 7, 2026

Gladys Nilsson Profiled in the Chicago Reader

August 12, 2026

Gladys Nilsson Retrospective Reviewed in Observer

July 29, 2026

Gladys Nilsson Retrospective Featured in Harper’s Bazaar

July 15, 2026

Gladys Nilsson in Vogue

June 1, 2026

Gladys Nilsson: Gleefully Askew Featured in Artforum

December 30, 2025

Gladys Nilsson in the Chicago Sun Times

September 5, 2025

Gladys Nilsson at The Menil Drawing Institute

February 4, 2025

Gladys Nilsson in Elephant Magazine

November 20, 2024

Gladys Nilsson Awarded “Anonymous Was A Woman” Grant

October 22, 2024

Gladys Nilsson in the Boston Art Review

June 24, 2024

Alive & Kicking: Fantastic Installations by Thomas Lanigan-Schmidt, Catalina Schliebener Muñoz, and Gladys Nilsson

February 1, 2023

Gladys Nilsson Reviewed in Artforum

November 23, 2022

Gladys Nilsson Reviewed in New City Art

August 28, 2020

Gladys Nilsson Interviewed on The Woven Tale Press

March 5, 2020

Gladys Nilsson Featured in Isthmus

March 1, 2020

Gladys Nilsson Interviewed in The Brooklyn Rail

February 26, 2020

Gladys Nilsson Reviewed in the New York Times

February 26, 2020

Gladys Nilsson Reviewed in The New Yorker

February 21, 2020

Gladys Nilsson Interviewed in Interview Magazine

February 21, 2020

Gladys Nilsson Reviewed on Artnet News

February 15, 2020

Gladys Nilsson Reviewed on Hyperallergic

February 3, 2020

Gladys Nilsson Reviewed in The Art Newspaper

January 30, 2020

Gladys Nilsson Interviewed in The New York Times

November 26, 2019

Gladys Nilsson Featured in New City Brazil News

July 5, 2019

Gladys Nilsson Featured in The New York Times

June 10, 2019

Jaune Quick-to-See Smith and Gladys Nilsson Featured in UC Davis News

March 29, 2019

Gladys Nilsson Featured in Studio International

March 27, 2019

Art Green and Gladys Nilsson Featured in Cool Hunting

March 22, 2019

Art Green and Gladys Nilsson Featured in Frieze Magazine

March 18, 2019

Art Green and Gladys Nilsson Featured in The Guardian

March 15, 2019

Art Green and Gladys Nilsson Featured in the Art Newspaper

March 15, 2019

Art Green and Gladys NIlsson Featured in Contemporary Art Society

February 15, 2019

Gladys Nilsson Featured in The Brooklyn Rail

December 13, 2018

Art Green and Gladys Nilsson Featured in New York Times

December 1, 2018

Art Green and Gladys Nilsson Featured in Hyperallergic

October 30, 2018

Art Green and Gladys Nilsson Featured in Chicago Magazine

October 23, 2018

Art Green and Gladys Nilsson Featured in The Daily Gazette

October 4, 2018

Art Green and Gladys Nilsson Featured in The Chicago Maroon

October 1, 2018

Art Green and Gladys Nilsson Featured in ArtNews

September 29, 2018

Art Green and Gladys Nilsson Featured in the Chicago Reader

September 26, 2018

Art Green and Gladys Nilsson Featured in Artsy

September 26, 2018

Art Green and Gladys Nilsson Featured in the Chicago Reader

September 25, 2018

Art Green and Gladys Nilsson Featured in TimeOut Chicago

September 24, 2018

Art Green and Gladys Nilsson Featured in the Art Newspaper

September 22, 2018

Art Green and Gladys Nilsson Featured in the Chicago Sun Times

August 30, 2018

Gladys Nilsson Featured in New City Art

July 3, 2018

Gladys Nilsson Reviewed in LA Times

March 2, 2018

Gladys Nilsson Featured in Artnet

January 30, 2018

Gladys Nilsson and Howardena Pindell Featured in Wall Street Journal

January 29, 2018

Gladys Nilsson Featured in The Art Newspaper

October 18, 2017

Art Green and Gladys Nilsson Featured on BLOUIN ARTINFO

April 4, 2017

Art Green and Gladys Nilsson Featured on Artnet

April 4, 2017

Gladys Nilsson Featured in Artnet News

April 3, 2017

Art Green and Gladys Nilsson Featured in The New York Times

April 1, 2017

Gladys Nilsson: The 1980s Reviewed in Art in America

April 1, 2017

Gladys Nilsson: The 1980s Reviewed in ArtReview

February 27, 2017

Gladys Nilsson and Art Green Featured in Smithsonian Magazine

February 5, 2017

Gladys Nilsson Reviewed on Hyperallergic

January 17, 2017

Gladys Nilsson Featured in Art News

January 13, 2017

Gladys Nilsson Featured on TimeOut

January 4, 2017

Gladys Nilsson Featured on Artspace

June 15, 2016

Garth Greenan Gallery Announces Relocation

January 6, 2015

Gladys Nilsson Featured in The Huffington Post

December 22, 2014

Gladys Nilsson Reviewed on Art Monkey Wrench

December 11, 2014

Gladys Nilsson Reviewed in The New York Times

December 10, 2014

Gladys Nilsson Reviewed in The Huffington Post

November 24, 2014

Gladys Nilsson Interviewed in The Paris Review

November 23, 2014

Gladys Nilsson Reviewed on Hyperallergic

September 25, 2014

Gladys Nilsson Featured in The New York Times

Publications

Gladys Nilsson

Gladys Nilsson

In the Sun

In the Sun, 1974

Watercolor on paper. 22.5 × 30.5 in.

Blue Glass

Blue Glass, 1985

Watercolor on paper. 29.75 × 41.75 in.

Grazing

Grazing, 1980

Acrylic on canvas. 32 × 50 in.

Arytystic Pairanoiya

Arytystic Pairanoiya, 1978

Watercolor and pencil on paper. 25 1/8 × 40 3/8 in.

Not Easily Pared

Not Easily Pared, 1987

Watercolor on paper. 40 × 60 in.

A Girl in the Arbor #2

A Girl in the Arbor #2, 2013

Mixed media on paper. 41 1/2 × 29 3/4 in.

Lycanthropie Drawing

Lycanthropie Drawing, 1969

Ink on paper 27 5/8 × 19 3/4 in.

Dipped Dick: Adam and Eve After Cranach

Dipped Dick: Adam and Eve After Cranach, 1971

Acrylic on canvas with artist's frame. 85.5 × 99 in.

Pond (A Splitdytch)

Pond (A Splitdytch), 2022

Watercolor, gouache, and pencil on paper. 60 × 42 in.

Dipped Dick: Adam and Eve After Cranach

Dipped Dick: Adam and Eve After Cranach, 1971

Acrylic on canvas with artist's frame. 85 1/2 × 99 in.

Space Drawing #5

Space Drawing #5, 1967

Ink on paper collage 14 × 11 in.

Being Beamed

Being Beamed, 1984

Watercolor on paper. 29.75 × 42 in.

Starry Stage Ladies (Starrie Stage Ladies)

Starry Stage Ladies (Starrie Stage Ladies), 1967

Watercolor on paper. Acrylic on Plexiglas 18.75 × 24.375 in.

Subterrachial Bop Boop (Subterrainien Bop Boop)

Subterrachial Bop Boop (Subterrainien Bop Boop), 1969

Watercolor on paper. 30 × 22 1/2 in.

Big Floor Show

Big Floor Show, 1967

Watercolor on paper 16 × 13 1/2 in.

Pynk Whorse

Pynk Whorse, 1969

Watercolor on paper 22 × 30 in.

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25 Greene Street
New York, NY 10013

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Contact

info@garthgreenan.com
212.929.1351

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