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Sadao Hasegawa

1945–1999

  • Selected Works
  • Biography
  • Press
  • CV (opens in new tab)

Selected Works

Biography

Sadao Hasegawa was a draftsman, illustrator, and painter born in the Tōkai region of Japan in 1945. Hasegawa spent his early adulthood in Tokyo, immersed in the city’s gay nightlife. Largely self-taught, he published illustrations in gay magazines including Barazoku, Sabu, The Adon, MLMW, and Samson. The most significant Japanese fetish artist of his generation, Hasegawa created oeuvre of boundary-pushing, erotic art that forged new horizons of beauty and desire.

Initially, his work closely followed the precedent of Tom of Finland and, especially, the Japanese fetish artist Go Mishima, but, through the 1980s, a series of transformative trips to Indonesia and Thailand led to profound changes in his approach. Through the final years of his life, the artist’s work became enveloped with quasi-psychedelic profusions of Tantric symbols and Southeast Asian landscapes, Buddhist statuary and cosmic backdrops, jungle animals and tropical plants. These ecstatic, skillfully rendered scenes of overlapping motifs limn a pan-Asian paradise where the erotic and spiritual commingle and become one.

Hasegawa’s work was the subject of just one known solo show during his lifetime, Sadao Hasegawa’s Alchemism-Meditation for 1973, at SEIBU Shibuya department store, Tokyo. Though his work was distributed internationally in the gay press, he declined to send his work abroad, fearful Japanese customs authorities would seize it upon its return. As such, physical examples of his art have rarely been seen outside of Japan.

Posthumous solo exhibitions have been presented at TOGA TRIANGLE (2024, Tokyo), and at Gallery Naruyama (2024, 2023, 2014, 2000, Tokyo). Recent group exhibitions include Echoes of Mishima, Galerie Pepe (2023, Mexico City); Myth Makers—Spectrosynthesis III, Tai Kwun Contemporary (2022, Hong Kong); G, Gallery Naruyama (2017, Tokyo); and Naked Men 1876–2016, Gallery Naruyama (2016, Tokyo). His works are held in the collections of the Spencer Museum of Art, Lawrence, KS; the Sunpride Foundation, Hong Kong; and the Tom of Finland Foundation, Los Angeles, CA.

Press

November 11, 2025

Announcing Representation: Sadao Hasegawa

Toucan

Toucan, 1978

Acrylic on board. 13 × 21 in.

Untitled

Untitled, 1978

Acrylic on canvas. 12.8 × 17.5 in.

In Compensation for Darkness

In Compensation for Darkness, 1980

Acrylic and collage on canvas board. 17 × 13 in.

Untitled

Untitled, 1990

Pencil, ink, and gouache on paper. 18.1 × 14.8 in.

Snowman

Snowman, 1982

Pencil, ink, and gouache on paper. 17.333 × 14.6 in.

Untitled

Untitled, c. 1985

Pencil, ink, and gouache on paper. 12.2 × 9 in.

Untitled

Untitled

1970s Ink and screen tone on illustration board. 10.375 × 7.625 in.

Untitled

Untitled, 1994

Pencil, ink, mixed media, and gouache on paper. 8.9 × 9 in.

Untitled

Untitled, 1983

Pencil and gouache on paper. 12.25 × 9 in.

Untitled (30 Dec. 1993)

Untitled (30 Dec. 1993), 1993

Ink and pencil on paper. 9.25 × 9.625 in.

Untitled

Untitled

1980s Pencil, gouache, and stickers on paper. Each sheet 14.125 × 10.25 in.

Untitled

Untitled, 1976

Acrylic on canvas. 21 × 17.083 in.

Untitled

Untitled, 1980

Acrylic and bird feather on canvas. 13 × 9 in.

The Lattice Carving Labyrinth - The Monument of Lips by Yukio Mishima

The Lattice Carving Labyrinth - The Monument of Lips by Yukio Mishima, 1978

Acrylic and collage on canvas board. 10.875 × 8.625 in.

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New York, NY 10013

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Contact

info@garthgreenan.com
212.929.1351

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