Howardena Pindell, born in 1943, has been a painter from the start but one of exceptional stylistic variety. Her early abstract pictures, their surfaces sprinkled with glitter and caked with punched-out, confetti-like paper dots, were some of the most beautiful paintings of the 1970s. After a traumatizing auto accident in 1979, the work turned figurative, intensely focused on autobiography and African-American politics. For followers of her career, the changes have been fascinating, as should be evident in her first major retrospective, “Howardena Pindell: What Remains to Be Seen,” at the Museum of Contemporary Art Chicago. (Feb. 24-May 20)
–Holland Cotter
nytimes.com