Neal Ambrose-Smith
b. 1966
Selected Works
Biography
Based in Santa Fe, New Mexico, Neal Ambrose-Smith is a descendent of the Confederated Salish and Kootenai Nation. A renowned painter, sculptor, Ambrose-Smith formerly served as professor and department chair at the Institute of American Indian Arts in Santa Fe.
Threaded throughout Ambrose-Smith’s technically skilled work is an intensely personal maximalist reflection on contemporary culture, politics, and society. Borrowing from the strategies of postmodern collage, his work juxtaposes Native motifs, passages of gestural abstraction, and mass media imagery lifted from vintage comic books, clip art, and television screens. A rotating cast of characters—from Batman and Darth Vader to the Coyote trickster—act as allegorical ciphers, sardonically evoking themes of racism, environmental destruction, and the legacy of colonialism.
Beginning in the 1990s, Ambrose-Smith collaborated with his mother, the internationally recognized Native artist Jaune Quick-to-See Smith, on several significant sculptures and exhibitions. He has also developed an app, Artist Ideas, designed to stimulate creative thinking.
Ambrose-Smith’s work is featured in the collections of many major museums, including the Boise Art Museum; Denver Art Museum; Eiteljorg Museum of American Indians and Western Art, Indianapolis; Flint Institute of Arts; Georgia O’Keeffe Museum, Santa Fe; Library of Congress, Washington DC; Minneapolis Institute of Arts; New York Public Library; Salish Kootenai College, Pablo, Montana; School of Art Institute, Chicago; University of Colorado, Boulder; University of Nevada, Reno; Whitney Museum of American Art.
Press
Big Medicine, 2025
Acrylic, oil and collage on canvas. Each Panel: 48 × 84 × 2 in.
American Gothic, 2024
Ruby red neon, transformers, tipi, wall mount. 97 × 71 × 5 in.
Coyote says “I want to make it with chu'”, 2025
Acrylic, oil and collage on canvas. 60 × 48 × 2 in.
That Sinking Feeling, 2019
Oil, acrylic and collage. 36 × 36 in.
Coyote Explains to Max, 2019
Acrylic, ink, charcoal, and graphite on paper. 33.75 × 26.125 in.
Strange Traits Bred in Darkness, 2012
Monotype, drawing and collage on paper. 69.5 × 44.375 in.
Coyote Says “Hurray No More Toxic Fish”, 2019
Graphite in paper. 34 × 26.25 in.
Romance is Where You Find it, it's Just a Matter of Wearing it All the Time, 2019
Graphite on paper. 33.125 × 25.5 in.
č̓če̓n ̓u kwes xwúyi (Where are you going?), 2021
Neon, wood, transformers, timer. 120 × 180 × 48 in.
Language of Identity, 2024
Oil, acrylic and collage. 48 × 36 in.
It Gives Me the Cavity Creeps, 2019
Acrylic, oil and collage on canvas. 36 × 36 in.
Salish Power Blanket: Adam Coming to Terms with White Guilt, 2022
Oil on paper. 54 × 54 in.