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Rosalyn Drexler

1926–2025

  • Selected Works
  • Biography
  • Exhibitions
  • Press
  • Publications
  • CV (opens in new tab)

Selected Works

Biography

Rosalyn Drexler (1926–2025) was an artist born in the Bronx, New York.

Part of the original generation of American Pop artists, Drexler began using commercial imagery in her paintings in 1961—the same year as Andy Warhol and Roy Lichtenstein. In her work, Drexler appropriated images from magazines, newspapers, and movie posters, weaving together the prosaic and the iconic. She painted over her collaged images with bright pigments, eliminating the visual trace of the underlying, mechanically reproduced source material.

Graphically intense and thematically dark, Drexler’s artworks channel the sinister undercurrents of American life, summoning themes of sexuality, fame, and violence. In her work, she presented a farrago of tabloids, history, and social issues presented in the vernacular of American 1940s Film Noir and French Nouvelle Vague. Her paintings depicted infinite admixtures of brutality, desire, pathos, power, desolation and playfulness, reflecting her Shakespearian taste for the variety and range of human qualities. Drexler’s imagery was complex and more difficult to immediately recall than that of her contemporaries: her paintings are iconic in incident as well as image.

In addition to her work as a visual artist, Drexler was also an accomplished novelist and playwright. She published her first play in 1963 and her first novel in 1965. She was the recipient of three Obie Awards, as well as an Emmy Award for her work on Lily Tomlin’s television special Lily (co-written with Richard Pryor).

Notable exhibitions include: Reuben Gallery (1960, New York), Kornblee Gallery (1964, 1965, 1966, New York), Grey Art Gallery, (1986, New York) Pace Gallery (2007, New York), and Garth Greenan Gallery (2015, 2017, 2019, 2023, New York). A survey exhibition, Rosalyn Drexler and the Ends of Man, took place in 2006 at Rutgers University’s Paul Robeson Gallery (Newark, New Jersey). A retrospective exhibition, Rosalyn Drexler: Who Does She Think She Is?, took place at the Rose Art Museum at Brandeis University (2016, Waltham, Massachusetts); it traveled to the Albright-Knox Art Gallery in October 2016 and the Mildred Lane Kemper Art Museum in February 2017.

Throughout the 1960s and 1970s, Drexler’s paintings were featured in many important museum exhibitions, such as Pop Art USA (1963, Oakland Art Museum, California), The Painter and the Photograph (1964, Rose Art Museum, Brandeis University), American Pop Art (1974, Whitney Museum of American Art), and Another Aspect of Pop Art, (1978, P.S. 1, Institute for Art and Urban Resources). Since 2010, her work figured prominently in Sid Sachs’ landmark exhibition Seductive Subversion: Women Pop Artists, 1958–1968 (2010, University of the Arts), Power Up: Female Pop Art (2010 Kunsthalle Wien), Pop to Popism (2014, Australia’s Art Gallery of New South Wales), International Pop, (2015–2016, Walker Art Center, Dallas Museum of Art, Philadelphia Museum of Art), and Human Interest, (2016–2017, Whitney Museum of American Art).

Drexler’s paintings are in the collections of many museums, including: the Albright-Knox Art Gallery; the Allen Memorial Art Gallery, Oberlin College; the Colby College Museum of Art; Cornell Fine Arts Museum, Rollins College, Winter Park, Florida; the Grey Art Gallery, New York University; the Hirshhorn Museum and Sculpture Garden, Smithsonian Institution; the Museum of Modern Art, New York; the Rose Art Museum, Brandeis University; the Wadsworth Athenaeum; the Walker Art Center; and the Whitney Museum of American Art.

Portrait of Rosalyn Drexler

Exhibitions

Independent 20th Century

Rosalyn Drexler, Independent 20th Century

My Life Has a Life of Its Own

Rosalyn Drexler, My Life Has a Life of Its Own

Happy Dance

Rosalyn Drexler, Happy Dance

36 Works on Paper

36 Works on Paper

The Greatest Show on Earth

Rosalyn Drexler, The Greatest Show on Earth

Occupational Hazard

Rosalyn Drexler, Occupational Hazard

Paper

Paper

Vulgar Lives

Rosalyn Drexler, Vulgar Lives

Pop Abstraction

Allan D’Arcangelo, Rosalyn Drexler, Paul Feeley, Ralph Humphrey, Nicholas Krushenick, Pop Abstraction

Press

October 16, 2026

Rosalyn Drexler featured in The New Yorker

October 15, 2026

Rosalyn Drexler: My Life Has a Life of Its Own featured in The New York Times

September 16, 2026

Rosalyn Drexler: My Life Has a Life of Its Own Featured in Cultured (opens in new tab)

September 11, 2026

Rosalyn Drexler: My Life Has a Life of Its Own Reviewed in ARTnews

September 1, 2026

Rosalyn Drexler Featured in Vogue

March 11, 2026

Garth Greenan Gallery to Move to Two New Spaces in SoHo this September

September 3, 2025

In Memoriam: Rosalyn Drexler

May 20, 2025

Rosalyn Drexler’s “To Smithereens” Reviewed in the New York Times

March 24, 2023

Rosalyn Drexler Reviewed in The New York Times

December 7, 2022

Rosalyn Drexler, Cannupa Hanska Luger, and Howardena Pindell Featured in NYT‘s Best Art of 2022

March 26, 2021

Rosalyn Drexler Featured in Artsy

January 1, 2021

Rosalyn Drexler Featured in Orange Crush

December 5, 2019

Rosalyn Drexler Featured in TWM

July 15, 2019

“36 Works on Paper” Featured in Artnews (opens in new tab)

March 23, 2019

Rosalyn Drexler Featured in The Village Voice

March 22, 2019

Rosalyn Drexler Featured in The Village Voice

February 19, 2019

Rosalyn Drexler Featured in Artnet

February 18, 2019

Rosalyn Drexler Featured in Artnews

February 15, 2019

Rosalyn Drexler Featured in Artforum “Must See” List

September 27, 2018

Rosalyn Drexler Featured in Harper’s Bazaar

December 15, 2017

Rosalyn Drexler Featured in the Village Voice

December 7, 2017

Allan D’Arcangelo, Rosalyn Drexler, and Nicholas Krushenick Featured on BLOUIN ARTINFO

October 11, 2017

Rosalyn Drexler Featured in the Gulf News

October 1, 2017

Rosalyn Drexler Featured in Frieze

October 1, 2017

Rosalyn Drexler: Occupational Hazard Reviewed in the Brooklyn Rail

September 27, 2017

Rosalyn Drexler Featured on Artnet

September 19, 2017

Rosalyn Drexler Featured on Broadway World

September 11, 2017

Rosalyn Drexler: Occupational Hazard Reviewed on Time Out

September 10, 2017

Rosalyn Drexler: Occupational Hazard Reviewed on Hyperallergic

September 7, 2017

Rosalyn Drexler: Occupational Hazard Reviewed on Artnet

September 6, 2017

Rosalyn Drexler Featured in the Village Voice

June 1, 2017

Rosalyn Drexler Featured on Artforum

May 22, 2017

Rosalyn Drexler Featured on Hyperallergic

March 8, 2017

Rosalyn Drexler: Who Does She Think She Is? Reviewed on St. Louis Post-Dispatch

February 16, 2017

Rosalyn Drexler: Who Does She Think She Is? Reviewed on St. Louis Magazine

February 10, 2017

Rosalyn Drexler: Who Does She Think She Is? Reviewed on Alive Magazine

February 9, 2017

Rosalyn Drexler: Who Does She Think She Is? Reviewed on Riverfront Times

January 12, 2017

Rosalyn Drexler: Who Does She Think She Is? Reviewed on The Source

December 21, 2016

Rosalyn Drexler: Who Does She Think She Is? Featured on Amherst Bee

December 2, 2016

Rosalyn Drexler Featured on Artsy

December 1, 2016

Rosalyn Drexler: Who Does She Think She Is? Reviewed in The Village Voice

November 17, 2016

Rosalyn Drexler: Who Does She Think She Is? Reviewed on Blouin ArtInfo

September 1, 2016

Rosalyn Drexler Featured in Art in America

September 1, 2016

Rosalyn Drexler Featured in Art News

June 1, 2016

Rosalyn Drexler: Who Does She Think She Is? Reviewed in Harper’s

May 17, 2016

Rosalyn Drexler: Who Does She Think She Is? Reviewed on Hyperallergic

April 6, 2016

Rosalyn Drexler Featured in Human Interest at the Whitney Museum of American Art

March 18, 2016

Rosalyn Drexler Featured on The Arts Fuse

March 11, 2016

Rosalyn Drexler Reviewed in The Jewish Advocate

February 20, 2016

Rosalyn Drexler Featured on Artnet

February 19, 2016

Rosalyn Drexler Reviewed in The Boston Globe

February 12, 2016

Rosalyn Drexler at the Rose Art Museum

February 8, 2016

Rosalyn Drexler Interviewed on 500 Words, Artforum

January 20, 2016

Rosalyn Drexler Featured on Artfix Daily

January 13, 2016

Rosalyn Drexler Featured on Broadway World

December 7, 2015

Roslyn Drexler Featured on Artlyst

December 3, 2015

Rosalyn Drexler Featured on Hyperallergic

December 3, 2015

Rosalyn Drexler Featured on The Frisky

November 30, 2015

Rosalyn Drexler Featured on the Observer

November 30, 2015

Rosalyn Drexler Featured in the Financial Times

November 24, 2015

Rosalyn Drexler Featured on Gotham Magazine

October 11, 2015

Rosalyn Drexler Featured in International Pop at the Dallas Museum of Art

May 15, 2015

Rosalyn Drexler Featured in T Magazine

May 1, 2015

Rosalyn Drexler: Vulgar Lives Reviewed in Artforum

May 1, 2015

Rosalyn Drexler: Vulgar Lives Reviewed in Art in America

April 8, 2015

Rosalyn Drexler Featured in The New York Times

March 19, 2015

Rosalyn Drexler: Vulgar Lives Reviewed on the Design Observer

March 18, 2015

Rosalyn Drexler: Vulgar Lives Reviewed on the artblog

March 18, 2015

Rosalyn Drexler: Vulgar Lives Reviewed in Time Out New York

March 15, 2015

Rosalyn Drexler: Vulgar Lives Reviewed on Hyperallergic

Publications

Rosalyn Drexler: Vulgar Lives

Rosalyn Drexler: Vulgar Lives

Must Be Painted Over

Must Be Painted Over, 1958

Acrylic, metal, and plaster. 8.5 × 15 × 2 in.

Lovers

Lovers, 1963

Acrylic and paper collage on canvas. 55.25 × 52 in.

Untitled

Untitled, 1963

Acrylic and paper collage on canvas. 23 × 26 in.

Tryst

Tryst, 1963

Acrylic and paper collage on canvas board. 8.25 × 10.125 in.

The Defenders

The Defenders, 1963

Acrylic and paper collage on canvas. 40 × 50 in.

Untitled (Airplane Kiss)

Untitled (Airplane Kiss), 1965

Ink on paper. 9 × 12 in.

You Know (Anthony Quinn)

You Know (Anthony Quinn), 1962

Acrylic and paper collage on canvas. 40 × 30 in.

The Dream

The Dream, 1963

Acrylic and paper collage on canvas. 40 × 30 in.

Marilyn Pursued by Death

Marilyn Pursued by Death, 1963

Acrylic and paper collage on canvas. 50 × 40 in.

Romance (Emilio Cruz Could Be Tender), 1991

Acrylic and paper collage on canvas. 50 × 36 in.

Untitled (Venus Figure)

Untitled (Venus Figure), 1960

Mixed media. 13 × 3 × 3 in.

Love and Violence

Love and Violence, 1963

Acrylic, oil, and paper collage on canvas. 67.75 × 60.75 in.

Tony, Rosalyn, and John

Tony, Rosalyn, and John, 1967

Acrylic and paper collage on canvas. 30 × 40 in.

Our Lady of Doves

Our Lady of Doves, 1988

Acrylic and paper collage on canvas. 50 × 40 in.

Untitled (Arrest)

Untitled (Arrest), 1965

Acrylic and ink on paper collage. 11 × 8.5 in.

Visit

10 Greene Street
New York, NY 10013

25 Greene Street
New York, NY 10013

Tuesday–Saturday
11 AM–6 PM

Contact

info@garthgreenan.com
212.929.1351

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