![Allan D'Arcangelo: Some Propositions](https://img.artlogic.net/w_740,h_556,c_lfill/exhibit-e/57ab21f484184ea8138b4568/2267a2719354b6b9f295340e7aa51f5a.jpeg)
Allan D’Arcangelo was born in 1930, in Buffalo, New York. He studied at the University of Buffalo from 1948–1953, where he received his bachelor's degree in history. After college, he moved to Manhattan studied at the New School of Social Research and the City University of New York, City College. During this time he encountered the work of the Abstract Expressionist painters who were in vogue. After joining the army in the mid 1950s, he used the GI Bill to study painting at Mexico City College from 1957–59. In 1959, D’Arcangelo returned to New York City in search of the unique American experience. It was at this time that his painting assumed a cool, removed aesthetic reminiscent of Roy Lichtenstein and Andy Warhol.
By the 1970s, D'Arcangelo had received significant recognition in the art world. He was well known for his paintings of the iconic American highway, along with his depictions of desolate, industrial landscapes. D’Arcangelo’s compositions relate to Pop Art; however, they are also functions of his career-long fascination with archetypes of the built environment, both emblematic and monumental. The artist once described himself as searching for “icons that mattered.” His use of vernacular imagery seems motivated by a desire, not to glorify the contemporary landscape, but to bring the spiritual significance of art to a more familiar context.
Throughout his career, D’Arcangelo had solo-exhibitions at many prominent institutions, including: Fischbach Gallery (1963, 1964, 1965, 1967, and 1969, New York); Ileana Sonnabend Gallery (1965, Paris); Dwan Gallery (1966, Los Angeles); Marlborough Gallery (1971, 1975, New York); Institute of Contemporary Art (1971, Philadelphia); Neuberger Museum of Art, State University of New York (1978, Purchase); Virginia Museum of Fine Arts (1979, Richmond); Burchfield Center (1979, Buffalo); Grace Borgenicht Gallery (1982, New York); and Mitchell-Innes & Nash (2009, New York). In 2005, a retrospective of his work opened in Modena, Italy at the Palizzina dei Giardini.
D’Arcangelo’s paintings are featured in the collections of many museums, including: the Albright-Knox Art Gallery, Buffalo; Art Institute of Chicago; Burchfield-Penney Art Center, Buffalo; Centre Georges Pompidou, Paris; Cornell Fine Arts Museum, Rollins College, Winter Park, Florida; Dallas Museum of Art; Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C.; Museum of Modern Art; National Gallery of Art, Washington, D.C.; Solomon R. Guggenheim Museum, New York; Tate; Virginia Museum of Fine Arts, Richmond; the Walker Art Center, Minneapolis; and the Whitney Museum of American Art.
1930
Born in Buffalo, New York
1998
Died in New York, New York
EDUCATION
1948–1953
University of Buffalo, Buffalo, New York
1953
New School of Social Research, New York, New York
1954–1955
City University of New York, City College, New York, New York
1957–1959
Mexico City College, Mexico City, Mexico
TEACHING
1963–1968,
School of Visual Arts, New York, New York
1973–1992
Brooklyn College, Brooklyn, New York
1982–1992
School of Visual Arts, New York, New York
SELECTED SOLO EXHIBITIONS
1958
Allan D’Arcangelo: Oleos y Dibujos, Galeria Genova, Mexico City, Mexico, August 1–19
1961
Allan D’Arcangelo, Long Island University Galleries, Brooklyn, New York, November 8–December 1
1963
Fischbach Gallery, New York, New York, April 30–May 25
1964
Fischbach Gallery, New York, New York, February 25– March 21
1965
Ileana Sonnabend Gallery, Paris, France, January 20– February
Fischbach Gallery, New York, New York, May–June
Gallery Müller, Stuttgart, Germany
Hans Neuendorf Gallery, Hamburg, Germany
1966
Dwan Gallery, Los Angeles, California, January 18– February 12
1967
Fischbach Gallery, New York, New York, February 14– March 4
Galerie Ricke, Kassel, Germany, March 4–April 5
Obelisk Gallery, Boston, Massachusetts, November
Minami Gallery, Tokyo, Japan, November 22–December 9
Württembergischer Kunstverein, Stuttgart, Germany
1968
Allan D’Arcangelo: Recent Paintings, Franklin Siden Gallery, Detroit, Michigan, February 13–March 9
Lambert Gallery, Paris, France
1969
Allan D’Arcangelo, Gegenverkehr, Aachen, Germany, January 16–February 6
Fischbach Gallery, New York, New York, February 1–20
Franklin Siden Gallery, Detroit, Michigan
1970
Obelisk Gallery, Boston, Massachusetts, March
Skylite Gallery, Wisconsin State University, Eauclaire, Wisconsin, September 20–October 6
1971
Allan D’Arcangelo, Paintings 1963–1970, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, Pennsylvania, March 10–April 16; Albright-Knox Art Gallery, Buffalo, New York, May 16–June 27; Museum of Contemporary Art, Chicago, Illinois, July 10–September 5
Allan D’Arcangelo: Recent Work, Marlborough Gallery, New York, New York, November 6–30
1972
Allan D’Arcangelo: Recent Paintings and Works on Paper, Franklin Siden Gallery, Detroit, Michigan, March 4– 31
Elvejen Art Center, University of Wisconsin, Madison, Wisconsin
1974
Hokin Gallery, Chicago, Illinois
Patricia Moore Gallery, Aspen, Colorado
Schacht Fine Art Center, Russell Sage College, Troy, New York
1975
Recent Paintings by Allan D’Arcangelo, Marlborough Gallery, New York, New York, January 11–February 1
Gallery Kingpitcher, Pittsburgh, Pennsylvania
1977
Allan D’Arcangelo, Drawings and Graphics, Contemporary Art Forms, Encino, California, October 7–28
Fiterman Gallery, Minneapolis, Minnesota
1978
D’Arcangelo, Paintings of the Early Sixties, Neuberger Museum, State University of New York at Purchase, Purchase, New York, June 6–September 10
1979
Allan D’Arcangelo, Institute of Contemporary Art of the Virginia Museum, Virginia Museum of Fine Arts, Richmond, Virginia, May 8–July 1
1979–1980
The American Landscape, Paintings by Allan D’Arcangelo, Burchfield Center, Buffalo, New York, May 6–August 31, 1979; Fort Lauderdale Museum of Art, Fort Lauderdale, Florida, November 7–25, 1979; University Art Gallery, State University of New York at Albany, Albany, New York, January 20–February 29, 1980; Wichita Art Museum, Wichita, Kansas, March 30–May 11, 1980; Olean Public Library, Olean, New York, June 10–July 8, 1980
1982
Allan D’Arcangelo: Paintings 1978–1982, Grace Borgenicht Gallery, New York, New York, May 11–June 6
1984
Recent Paintings, Elizabeth Galasso Gallery, Ossining, New York
1991
Allan D’Arcangelo: Paintings, Jaffe Baker Gallery, Boca Raton, Florida, February–March
2000
Allan D’Arcangelo: The Pop Years, Beth Urdang Gallery, Wellesley, Massachusetts, November 11–December 6
2005
Allan D’Arcangelo: Retrospettiva, Palazzina dei Giardini, Modena, Italy, January 23–March 28
2009
Allan D’Arcangelo: Paintings 1962–1982, Mitchell-Innes and Nash, New York, New York, April 2–May 2
2017
Allan D’Arcangelo: Without Sound, 1974–1982, Garth Greenan Gallery, New York, New York, April 18–June 3
2018
Allan D’Arcangelo: Pi in the Sky, Waddington Custot, London, United Kingdom, January 11–February 24
2019
Western New York Collects: Allan D’Arcangelo, Castellani Art Museum of Niagara University, Niagara, New York, June 23–December 13
2021
Allan D’Arcangelo: Drawings, Garth Greenan Gallery, New York, New York, February 3–April 17
2022
Allan D’Arcangelo: American Pride When We Need It Most, David Lawrence Gallery, New York, New York, May 15–July 31
2023
Allan D’Arcangelo: Some Propositions, Garth Greenan Gallery, New York, New York, April 20–June 3
SELECTED GROUP EXHIBITIONS
1958
Annual Exhibition, Mexican American Institute, Mexico City, Mexico
1963
Landscape USA, Wilcox Gallery, Swarthmore College, Swarthmore, Pennsylvania, February 9–March 5
Pop Art USA, Oakland Art Museum, Oakland, California; California College of Arts and Crafts, San Francisco, California, September 7–29
The Popular Image, Institute of Contemporary Art, London, United Kingdom, October 24–November 23
Mixed Media and Pop Art, Albright-Knox Art Gallery, Buffalo, New York, November 19–December 15
The Hard Center, Thibaut Gallery, New York, New York
New Realism, University of Massachusetts, Amherst, Massachusetts
Popular Imagery, Sarah Lawrence College, Bronxville, New York
Three Centuries of Popular Imagery, Des Moines Art Center, Iowa; Addison Gallery, Phillips Academy, Andover, Massachusetts
1963–1964
An American Viewpoint, Contemporary Art Center, Cincinnati, Ohio, December, 1963–January 7, 1964
Toys by Artists, Betty Parsons Gallery, New York, New York, December 17, 1963–January 4, 1964
1964
Sight and Sound, Cordier Ekstrom Gallery, New York, New York, January 3–25
Nieuwe Realisten, Haags Gemeente Museum, The Hague, Netherlands, June 24–August 30; Akademie der Kunst, Berlin, Germany
Pop, Etc., Museum des 20 Jahrhunderts, Vienna, Austria, September 19–October 31
West Side Artists: New York City, Riverside Museum, New York, New York, September 27–November 8
American Landscape Painting, Museum of Modern Art, New York, New York; Spoleto Festival dei Due Mondi, Spoleto, Italy
Anti-Sensitivity Art, Ohio University, Athens, Ohio
Boxes, Dwan Gallery, Los Angeles, California
Landscapes, Bryon Gallery, New York, New York
Salon du Mai, Paris, France
1965
The Arena of Love, Dwan Gallery, Los Angeles, California, January 5–February 1
Pop Art, Nouveau Realisme, Etc..., Palais des Beaux- Arts, Brussels, Belgium, February 5–March 1
The New American Realism, Worcester Art Museum, Worcester, Massachusetts, February 18–April 4
Allan D’Arcangelo: Bilder und John Chamberlain: Plastiken, Galerie Rudolf Zwirner, Berlin, Germany, March
Pop Art and the American Tradition, Milwaukee Arts Center, Milwaukee, Wisconsin, April 9–May 9
Northeastern Regional Exhibition of Art Across America, Institute of Contemporary Art, Boston, Boston, Massachusetts, May 1–June 6
Aspen Institute of Humanistic Studies, Aspen, Colorado
Figuration in Contemporary Art, Greuze Gallery, Paris, France
Love and Kisses, Dwan Gallery, Los Angeles, California
Pop Art Aus USA, Galerie Neuendorf, Hamburg, Germany
New Acquisitions, Larry Aldrich Museum, Ridgefield, Connecticut
Self-Portraits, School of Visual Arts, New York, New York
1965–1966
Arakawa, Allan D’Arcangelo, Mark di Suervo, Robert Grosvenor, Anthony Magar, Neil Williams, Dwan Gallery, Los Angeles, California, December 21, 1965– January 15, 1966
1965–1967
Pop and Op, Virginia Museum of Fine Arts, Richmond, Virginia, 1965; American Federation of Arts Gallery, New York, New York, 1966; Commercial Museum, Philadelphia Civic Center, Philadelphia, Pennsylvania, 1966; Baltimore Museum of Art, Baltimore, Maryland, 1966; Everson Museum of Art, Syracuse, New York, 1966; Flint Institute of Arts, Flint, Michigan, 1966; William Rockhill Nelson Gallery of Art, Kansas City, Missouri, 1966; Isaac Delgado Museum of Art, New Orleans, Louisiana, 1966; Columbus Museum of Arts and Crafts, Columbus, Georgia, 1966; High Museum of Art, Atlanta, Georgia, 1966; Cincinnati Art Museum, Cincinnati, Ohio, 1966; California Palace of the Legion of Honor, San Francisco, California, 1967; Portland Art Museum, Portland, Oregon, 1967; Municipal Art Gallery, Los Angeles, California, 1967; Oklahoma Art Center, Oklahoma City, Oklahoma, 1967; Munson-Williams-Proctor Institute, Utica, New York, 1967
1966
Contemporary Art USA, Norfolk Museum of Arts and Sciences, Norfolk, Virginia, March 18–April 10
Conditional Commitment: The Artist’s Terms, Upsala College, East Orange, New Jersey, March 25–April 10
Games Without Rules, Fischbach Gallery, New York, New York, March 29–April 16
Critic’s Choice, Long Beach Museum of Art, Long Beach, California, April 3–May 1
11 Pop Artists: The New Image, Galerie Friedrich- Dahlem, Munich, Germany; Galerie Neuendorf, Hamburg, Germany, April 24–May 31
The Harry M. Abrams Collection, Jewish Museum, New York, New York, June 29–September 5
Sculpture and Painting Today: Selections from the Collection of Susan Hilles, Museum of Fine Arts, Boston, Massachusetts, October 7–November 6
A National Small Painting Show, University of Omaha, Omaha, Nebraska, November 7–30
American Pop Artists, Galleria La Bertesca, Genova, Italy, November 12–December 10
Current Trends in American Art, Westmoreland County Museum of Art, Greensburg, Virginia
Graphics International, Phoenix Gallery, New York, New York
Group Show, Pratt Center for Contemporary Printmaking, New York, New York
Landscapes, School of Visual Arts, New York, New York
Prints, AFA Gallery, New York, New York
Writer’s Conference, Long Island University, Brooklyn, New York
1966–1967
The John G. Powers Collection, Larry Aldrich Museum, Ridgefield, Connecticut, September 25, 1966– January 15, 1967
The Watershed: Two Decades of American Painting, National Museum of Modern Art, Tokyo, Japan, October 15–November 27, 1966; Kyoto, Japan, December 10, 1966–January 22, 1967; National Gallery of Victoria, Southbank, Australia, 1967; Art Gallery of New South Wales, Sydney, Australia, 1967; Lalit Kala Akademi, New Delhi, India, April 1967
5th International Biennial of Prints, National Museum, Tokyo, Japan, December 4, 1966–January 22, 1967
New Forms, Stedelijk Museum, Amsterdam, Netherlands; Württembergischer Kunstverein, Stuttgart, Germany, 1966–1967; Kunsthalle, Bern, Switzerland, 1967
1966–1970
Americans Today: 25 Painters as Printmakers, Museum of Modern Art, New York, New York November 1–9, 1966; Abidjan, Cote D’Ivoire, 1970
1967
Paintings: Studio 11, Württembergischer Kunstverein, Stuttgart, Germany, January 17–February 5
Formen der Farbe, Stedelijk Museum, Amsterdam, Netherlands, February 17–March 26
Original Pop Art, Städtische Kunstausstellung, Gelsenkirchen, Germany, March 5–May 20
American Painting Now, Expo 67, American Pavilion, Montreal, Quebec, Canada, April–October
Form, Color, Image, Detroit Institute of Arts, Detroit, Michigan, April 11–May 21
Premio Internacional, Instituto Torcuato di Tella, Buenos Aires, Argentina, September–October
Transatlantic Graphics, Laing Art Gallery, Newcastle- Upon-Tyne, United Kingdom, September 30– October 21
The 180 Beacon Collection of Contemporary Art, 180 Beacon Street, Boston, Massachusetts, October
Art on Paper, Weatherspoon Museum, Greensboro, North Carolina, October 15–November 22
Protest and Hope, New School Art Center, New York, New York, October 24–December 2
American Painting Now, ACA Gallery, Boston, Massachusetts
Contemporary Drawings, New York University, New York, New York
Director’s Choice, Walker Art Center, Minneapolis, Minnesota
Environment USA: 1957–1967, IX Bienal de São Paulo, Brazil
Group Show, Vanderlip Gallery, Philadelphia, Pennsylvania
Highlights of the 1966–1967 Art Season, Larry Aldrich Museum, Ridgefield, Connecticut
Pop Art Americana: D’Arcangelo, Dine, Kelly, Lichtenstein, Oldenburg, Phillips, Ramos, Rosenquist, Segal, Warhol, Wesley, Wesselman, Galleria De’ Foscherari, Bologna, Italy
Prints, Society of American Graphic Artists, New York, New York
1967–1968
Frank O’Hara / In Memory of My Feelings, Museum of Modern Art, New York, New York, December 5, 1967– January 28, 1968
Annual Exhibition of Contemporary American Painting, Whitney Museum of American Art, New York, New York, December 13, 1967–February 4, 1968
American Painting Now, Horticultural Hall, Boston, Massachusetts, December 15, 1967–January 10, 1968
1968
American Paintings on the Market Today, Cincinnati Art Museum, Cincinnati, Ohio, April 9–May 12
L’Art Vivant 1965–1968, Fondation Maeght, St. Paul de Vence, France, April 13–June 30
Five Museums Come to Fordham University, Fordham University, Rose Hill, New York, April 28–May 19
Social Comment in America, Museum of Modern Art, New York, New York; Museum of Art, Bowdoin College, Brunswick, Maine, June 13–July 7
Beyond Literalism: An Exhibition of Painting and Sculpture by Allan D’Arcangelo, Charles Fahlen,
Jack Krueger, Naoto Nakagawa, Frank Roth, William Schwedler, William Wiley, Moore College of Art, Philadelphia, Pennsylvania, October 4–November 2
Environment U.S.A.: 1957–1967, Rose Art Museum, Waltham, Massachusetts
1 Print, 1 Painting, School of Visual Art, New York
Exposicion International de Dibjuo, Universidad de Puerto Rico, Mayaguez, Puerto Rico
Recent Directions in American Art, University of California at Riverside, Riverside, California
Last Ten Years of Contemporary Art, Fordham University, Rose Hill, New York
1968–1969
Querschnitt, Galerie Rickie, Lindenstraße, Germany, November 27, 1968–January 7, 1969
1969
Toledo Collectors of Modern Art, Toledo Museum of Art, Toledo, Ohio, March 9–April 6
American Sculpture of the Sixties, Grand Rapids Art Museum, Grand Rapids, Michigan, March 22–May 24
Superlimited: Boxes, Books and Things, Jewish Theological Seminary of America, Jewish Museum, New York, New York, April 16–June 29
New Acquisitions, Whitney Museum of American Art, New York,New York, May 15–June 22
Contemporary Art – Acquisitions, 1966–1969, Albright-Knox Art Gallery, Buffalo, New York, June 17–September 1
Painting for City Walls, Museum of Modern Art, New York, New York, July 14–November 5
Critic’s Choice 1968–69, New York State Council on the Arts and the State University of New York, New York, New York
Ikonen der Verkehrskuitur, Kunstzentrum Gegenverkegr, Aachen, Germany
1969–1970
American Drawings of the Sixties, A Selection, New School Art Center, New York, New York, November 11, 1969–January 10, 1970
1970
The Highway, University of Pennsylvania, Institute of Contemporary Art, Philadelphia, Pennsylvania, January 14–February 25; Houston Texas Institute for the Arts, Rice University, Houston, Texas, March 12–May 18; Akron Art Institute, Akron, Ohio, June 5–July 26
American Prints Today, Munson-Williams-Proctor Institute, Utica, New York, January 18–February 22
Painting and Sculpture Today, Indianapolis Museum of Art, Indianapolis, Indiana, April 21–June 1
Using Walls (Indoors), Jewish Theological Seminary of America, Jewish Museum, New York, New York, May 13–June 21
Pop Art, Galerie de Gestlo, Hamburg, Germany, June 25–August 22
Internationale der Zeichnung, Zeitgenossische Kunst, Darmstadt, Germany, August 15–November 11
American Painting: the 1960s, American Federation of Arts, New York, New York
Exhibition of Paintings Eligible for the Childe Hassam Fund Purchase, American Academy of Arts and Letters, New York, New York
IV Bienal Americana de Grabado, Museo National de Bellas Artes, Santiago, Chile
Kunst der Sechziger Jahre, Wallraf-Richartz Museum, Cologne, Germany
XI Bienal De Arte Coltejer de Medellin, Medellin, Colombia
1971
20th-Century Painting & Sculpture from the New York University Art Collection, Hudson River Museum, Yonkers, New York, October 2–November 14
Collage of Indignation, Hundred Acres/Lower Gallery, New York, New York, October 13–November 6
Inner Spaces/Outer Limits: Myths and Mythmakers, Lerner-Misrachi Gallery, New York, New York, November 25–December 25
1971–1972
The Artist and the American Landscape, AM Sachs Gallery, New York, New York, November 30, 1971– January 5, 1972
1972
Art in Process, Finch College Museum of Art, New York, New York, February
Painting and Sculpture Today 1972, Indianapolis Museum of Art, Indianapolis, Indiana, April 26–June 4
Bienal Americana des Artes Graficas, Museo La Terulia, Cali, Colombia
Group Show, Elvehjem Art Museum, Madison, Wisconsin
1973
Exhibition of Paintings Eligible for Childe Hassam Fund Purchase, American Academy of Arts and Letters, New York, New York, November 9–December 16
Contemporary Artists: Early and Late Paintings, Hamilton College, Root Art Center, Clinton, New York
Group Show, National Academy of Design, New York, New York
List Art Posters, New School Art Center, New York, New York
1973–1974
Hommage à Picasso, Kestner-Gessellschaft, Hannover, Germany, November 23, 1973–January 13, 1974
1974
American Pop Art, Whitney Museum of American Art, New York, New York,April 6–June 16
Contemporary American Painting from the Lewis Collection, Delaware Art Museum, Wilmington, Delaware, September 13–October 27
II Bienal Americana de Artes Graficas, Museo La Tertulia, Cali, Colombia
1974–1975
Inaugural Exhibition, Hirshhorn Museum, Washington, DC, October 4, 1974–September 15, 1975
1975
Six Corporate Collectors: Western New York’s New Art Patrons, Burchfield Center, Buffalo, New York
Group Show, Dorsky Gallery, New York, New York
Group Show, Marlborough-Goddard Gallery, Toronto, Ontario, Canada
1975–1976
Images of an Era: The American Poster 1945–75, Corcoran Gallery of Art, Washington, DC, November 21, 1975–January 4, 1976; Contemporary Art Museum, Houston, Texas, February 2–March 19, 1976; Museum of Science and Industry, Chicago, Illinois, April 1–May 2, 1976; Grey Art Gallery and Study Center, New York University, New York, New York, May 22–June 31, 1976
1975–1977
American Art since 1945: From the Collection of the Museum of Modern Art, Worcester Art Museum, Worcester, Massachusetts, October 22–November 30, 1975; Toledo Museum of Art, Toledo, Ohio, January 11–February 22, 1976; Denver Art Museum, Denver, Colorado, March 22–May 2, 1976; Fine Arts Gallery of San Diego, San Diego, California, May 31–July 11, 1976; Dallas Museum of Fine Arts, Dallas, Texas, August 19–October 3, 1976; Joslyn Art Museum, Omaha, Nebraska, October 25–December 5, 1976; Greenville County Museum, Greenville, South Carolina, January 10–February 20, 1977; Virginia Museum of Fine Arts, Richmond, Virginia, March 14–April 17, 1977
1976
Urban Aesthetics, Queens Museum, Queens, New York, January 17–February 29
The 54th Exhibition of the Society of American Graphic Artists, Pratt Institute Graphics Center, New York, New York, March 11–April 7
Prints and Techniques: Selections from the New York University Collection, Grey Art Gallery and Study Center, New York University, New York, New York, April 1–May 5
Works by Living American Artists: Western New York, Burchfield Center, Buffalo, New York, May 9–June 27
Artists Celebrate the Bicentennial, National Museum Art Gallery, Singapore, May 25–June 11
Bicentennial Banner Show, Hirshhorn Museum, Washington, DC
III Bienal Americana de Artes Graficas, Museo La Tertulia, Cali, Colombia, October
Exhibition of Paintings and Related Drawings, Charles Burchfield Center, Buffalo, New York, New York 1976, Riksutallingar Museum, Stockholm, Sweden
Artists with Skowhegan, Boston Museum of Fine Art, Boston, Massachusetts
Benefit Exhibit for Artists’ Rights, Genesis Gallery, New York, New York
Project Rebuild, Grey Art Gallery, New York University, New York, New York
1976–77
In Praise of Space – The Landscape in American Art, Corcoran Gallery of Art, Washington, DC
1977
Photonotations II, Rosa Esman Gallery, New York, New York, May 3–June 4
Brooklyn College Art Department: Past and Present, 1942–1977, Davis & Long Company, New York, New York, and Robert Schoelkopf Gallery, New York, New York, September 13–October 8
Recent Gifts and Purchases, Guggenheim Museum of Art, New York, New York, September 16–October 16
Invitational American Drawing Exhibition, Fine Arts Gallery, San Diego, California, September 17– October 30
Fotos Aus Der Kunstszene New York, Kunstmuseum Düsseldorf, Germany, September 23–October 16
Artists Salute Skowhegan, Kennedy Gallery, New York, New York, December 8–21
Arts for the Arts, Museum of Contemporary Crafts, New York, New York
Contemporary American Art, Minneapolis Institute of Art, Minneapolis, Minnesota
1977–1978
Inaugural Exhibition, Wichita Art Museum, Wichita, Kansas, October 23, 1977–January 15, 1978
Private Images: Photographs by Painters, Los Angeles County Museum, Los Angeles, California, December 20, 1977–March 5, 1978
1977–1979
55th National Traveling Print Exhibition, Society of American Graphic Artists, New York, New York, October 1977–December 1979
1978
Art and the Automobile, Flint Institute of Arts, Flint, Michigan, January 12–March 12
Another Aspect of Pop Art, P.S. 1, Institute for Art and Urban Resources, Long Island City, New York, October 1–November 19
Small Scale Work, Ehrlich Gallery, New York, New York
1979
Twenty-Fourth Annual Contemporary Painting Exhibition, Lehigh University, Bethlehem, Pennsylvania
Art Package, Highland Park, Illinois
1980
Printed Art: A View of Two Decades, Museum of Modern Art, New York, New York, February 13–April 1
Contemporary Artists of Western New York, Permanent Collection Including New Acquisitions, Charles Burchfield Center, Buffalo, New York, February 24– September 7
Annuals and Perennials: Latest Acquisitions and Others from the Permanent Collection, Charles Burchfield Center, Buffalo, New York, June 22–September 28
1981
Annuals and Perennials II: Latest Acquisitions and Others from the Permanent Collection, Charles Burchfield Center, Buffalo, New York, May 10–September 20
Cities and Villages: Drawings and Paintings by Western New York Artists, September 27–November 15
1982
Annuals and Perennials: New Acquisitions and Other Selections from the Permanent Collection, Charles Burchfield Center, Buffalo, New York, June 27– September 26
1983
Spotlighting the Collection, Burchfield Art Center, Buffalo, New York, March 27–May 11
1984
Autoscape: The Automobile in the American Landscape, Whitney Museum of American Art, Fairfield County, Connecticut, March 30–May 30
33 Western New York Artists: Works from the Permanent Collection, Burchfield Art Center, Buffalo, New York, July 22–September 23
Buffalo’s Waterfront: A Tribute to James Carey Evans III, Burchfield Art Center, Buffalo, New York, November 4–December 2
Night Lights, Dart Gallery, Chicago, Illinois, November 16–December 11
1984–1985
Automobile and Culture, Museum of Contemporary Art, Los Angeles, California, July 21, 1984–January 6, 1985
1985
Detroit Style, Automotive Form, 1925–1950, Detroit Institute of Arts, Detroit, Michigan, June 12– September 8
A Toast to the N.E.A.: Works by Western New York Artists, Charles Burchfield Art Center, Buffalo, New York
1985–1986
Inaugural Exhibition for the Frances and Sydney Lewis Wing, Virginia Museum of Fine Arts, Richmond, Virginia, December 4, 1985–January 26, 1986
1986
Art from the City University of New York: Approaches to Abstraction, Shanghai Exhibition Hall, Shanghai, China, November
1986–1987
Pop Art and Image: The Artists’ Choice, ArtTrain Exhibition (nationwide tour)
1987
Made in the USA: Art from the 50’s and 60’s, University Art Museum, Berkeley, California, April 4–June 21; Nelson-Atkins Museum of Art, Kansas City, Missouri, July 25–September 6; Virginia Museum of Fine Arts, Richmond, Virginia, October 7–December 7
American Pop Art, Dorsky Gallery, New York, New York, May 5–June 6
The Artful Traveller, B.M.W. Gallery, New York, New York, July–October 31
Pop Art USA-UK: American and British Artists of the 60’s and 80’s, Odakyu Grand Gallery, Tokyo, Japan, July 24–August 18, 1987; Dalmaru Museum, Osaka, Japan; Funabashi Selbu Museum of Art, Funabashi, Japan; Sogo Museum of Art, Yokohama, Japan
Dallas Pop Art Americana alla Nuova Figurazione, Padiglione d’Arte Contemporanea, Milan, Italy, September 23–November 23
1988–1989
Drive!, B.M.W. Gallery, New York, New York, October 1988–March 1989
1990
Pop on Paper, James Goodman Gallery, New York, New York, May 4–June 15
1991
Pop Art, Royal Academy of Arts, London, United Kingdom, September 13–December 15
1994–1995
The Prints of Roy Lichtenstein, National Gallery of Art, Washington, DC, October 30, 1994–January 8, 1995; Los Angeles County Museum of Art, Los Angeles, California, February 16–April 30, 1995; Dallas Museum of Art, Dallas, Texas, May 28–August 6, 1995
1997
The Great American Pop Art Store: Multiples of the Sixties, University Art Museum, California State University, Long Beach, California, August 26– October 26
The Pop ‘60s: Transatlantic Crossing, Centro Cultural de Belém, Lisbon, Portugal, September 11–November 17
1997–2002
Buffalo’s Grain Elevators, Burchfield Penney Art Center, Buffalo, New York, April 19–June 1, 1997; Kenan Center, Lockport, New York, September 10–October 8, 2000; Western New York Public Broadcasting Association, Horizons Plaza, Buffalo, New York, December 10, 2001–February 1, 2002
1998
Masters of the Masters: MFA Faculty of the School of Visual Arts New York 1983–1998, Butler Institute of American Art, Youngstown, Ohio, April 4–May 17
1998–1999
Pop Art: Selection from the Museum of Modern Art, High Museum of Art, Atlanta, Georgia, October 24, 1998– January 17, 1999
1999
Pop Impressions Europe/USA: Print and Multiples from the Museum of Modern Art, Museum of Modern Art, New York, New York, February 18–May 18
Sites/Sights of Passage: Art of the New Jersey Turnpike, James Howe Fine Arts Gallery, Kean University, Union, New Jersey, October 4–November 5
2001
Pop Art: U.S./U.K. Connections, 1956–1966, The Menil Collection, Houston, Texas, January 26–May 13
2004
Pop Classics, ARoS Aarhus Kunstmuseum, Aarhus, Denmark, May 28–September 5
2007
Pop Art at Princeton: Permanent and Promised, Princeton University Art Museum, Princeton, New Jersey, March 24–August 12
2007–2008
Pop Art 1956-1968, Scuderie del Quirinale, Rome, Italy, October 27, 2007– January 27, 2008
2010
Big Sign – Little Building, Office for Contemporary Art Norway, Oslo, Norway, September 15–December 15
2012
Fifty at Fifty: Select Artists from the Gerald Mead Collection, UB Art Galleries, University of Buffalo, Buffalo, New York, August 18–October 21
2012–2013
Sinister Pop, Whitney Museum of American Art, New York, New York, November 15, 2012–March 31, 2013
2012–2016
Pop Art Design, Vitra Design Museum, Weil am Rhein, Germany, October 13, 2012–March 3, 2013; Louisiana Museum of Modern Art, Humlebaek, Denmark, February 21–June 9, 2013; Moderna Museet, Stockholm, Sweden, June 27–September 9, 2013; Barbican Art Gallery, London, United Kingdom, October 18, 2013–February 9, 2014; Espoo Museum of Modern Art, Espoo, Finland, February 17–May 10, 2015; Henie-Ostad Kunstenter, Hovikodden, Norway, May 28–August 30, 2015; Museum of Contemporary Art, Chicago,Illinois, December 19, 2015–March 27, 2016
2014
Pop Abstraction: Group Show, Fredericks & Freiser, New York, New York, January 18–February 15
Bridging the Great Divide: Landscape from Tradition to New Media, Burchfield Penney Art Center, Buffalo, New York, February 14–June 1
Pop Art Prints, Smithsonian American Art Museum, Washington, DC, March 21–August 31
Calculated Abstractions, UB Art Gallery, Buffalo, New York, April 26–August 3
Language as Inspiration: Works from deCordova’s Collection, DeCordova Museum and Sculpture Park, Lincoln, Massachusetts, May 16–October 13
Summer Selections, Barbara Mathes Gallery, New York, New York, July 10–August 15
Spaces of American Pop, Barbara Mathes Gallery, New York, New York, October 2–December 20
2015
America Is Hard to See, Whitney Museum of American Art, New York, New York, May 1–September 27
2015–2016
Ludwig Goes Pop + The East Side Story, Ludwig Museum of Contemporary Art, Budapest, Hungary, October 9, 2015–January 3, 2016
2016
Modern Landscapes, Barbara Mathes Gallery, New York, New York, March 10–April 29
Pop Art Prints, The Mennello Museum of American Art, Orlando, Florida, June 10–September 11
Post-War & Contemporary Artists, Waterhouse & Dodd, New York, New York, June 16–August 26
2016–2017
From the Collection: 1960–1969, Museum of Modern Art, New York, New York, March 26, 2016–March 12, 2017
Human Interest: Portraits from the Whitney’s Collection, Whitney Museum of American Art, New York, New York, April 6, 2016 – February 12, 2017
2017
Pop ‘n’ Op, Asheville Art Museum, Asheville, North Carolina, March 18–May 14
Hommage à Picasso, Robilant+Voena, St. Moritz, Switzerland, April 2–June 30
Pop Art Prints, Lowe Art Museum, University of Miami, Miami, Florida, September 28–December 17
Portraits of Place, Barbara Mathes Gallery, New York, New York, November 2–December 22
2017–2018
Pop Unlimited, Staatsgalerie Stuttgart, Stuttgart, Germany, July 14, 2017–January 7, 2018
An Incomplete History of Protest: Selections from the Whitney’s Collection, 1940–2017, Whitney Museum of American Art, New York, New York, August 18, 2017–August 27, 2018
Pop Art: Icons That Matter, Musée Maillol, Paris, France, September 22, 2017–January 21, 2018
2018
Reflections on Pop, Lyndsey Ingram, London, United Kingdom, June 25–July 31
Painting: Now and Forever, Part III, Green Naftali Gallery, New York, New York, June 28–August 17
New Space, New Acquisitions, Hollis Taggart, New York, New York, September 6–September 29
2018–2019
Object Lessons, Housatonic Museum of Art, Housatonic Community College, Bridgeport, Connecticut, September 13, 2018–December 2019
2019
Boris Lurie and No!art, Museum of Modern and Contemporary Art Koroška, Gallery Slovenj Gradec, Slovenia, April 5–June 2
36 Works on Paper, Garth Greenan Gallery, New York, New York, July 18–August 9
2019–2020
Skopje Resurgent, Museum of Contemporary Art Skopje, Skopje, Macedonia, November 18, 2019–August 31, 2020
2019–2022
The Whitney’s Collection: Selections from 1900 to 1965, Whitney Museum of American Art, New York, New York, June 28, 2019–May 2022
2020
Pop on Paper: From Warhol to Lichtenstein, Kulturforum, Berlin, Germany, May 12–August 16
Good Vibrations: Sommer in der Pop-Art, Wilhem-Hack-Museum, Ludwigshagen, Stadt am Rhein, Germany, June 6–September 13
As it Unfolds: Recent Acquisitions, MacKenzie Art Gallery, Regina, Saskatchewan, Canada, August 7–November 8
Torque, Stress, Compression, Expansion, Stanlee and Gerald Rubin Center for the Visual Arts, El Paso, Texas, October 15–December 11
2020–2021
InterStates of Mind: Rewriting the Map of the United States in the Age of the Automobile, Eli & Edythe Broad Art Museum at Michigan State University, Lansing, Michigan, November 7, 2020–August 8, 2021
2021
Sculptures 2021, Galerie Thomas / Thomas Modern, Munich, Germany, May 18–August 15
1972 Munich Olympics: Art and Propaganda, Williams College Museum of Art, Williamstown, Massachusetts, July 2–August 15
Line, Shape, Color, and Form, Hollis Taggart, Southport, Connecticut, November 6–December 30
2022
Highway Kind, David Winton Bell Gallery, Brown University, Providence, Rhode Island, February 21–May 29
Art for Social Change: Political Prints & Multiples for the 1960s to Today, Alpha 137 Gallery, New York, New York, June 2–November 29
Passion and Patronage: Gifts from the Gerald Mead Collection, Castellani Art Museum of Niagara University, Niagara, New York, July 1–December 18
2024
Dynamic Rhuthm: Geometric Abstraction from the 1950s to the Present, Hollis Taggart, New York, New York, January 11–February 10
Beyond Surrealism, Waddington Custot, Mayfair, London, United Kingdom, April 29–June 15
SELECTED MUSEUM COLLECTIONS
Albright-Knox Art Gallery, Buffalo, New York
Allentown Museum, Allentown, Pennsylvania
Anderson Gallery, University at Buffalo, State University of New York, Buffalo, New York
Art Institute of Chicago, Chicago, Illinois
Asheville Art Museum, Asheville, North Carolina
Boca Raton Museum of Art, Boca Raton, Florida
Brooklyn Museum, Brooklyn, New York
Burchfield Penney Art Center, SUNY Buffalo State, Buffalo, New York
Butler Institute of American Art, Youngstown, Ohio
Canton Museum of Art, Canton, Ohio
Casa Cavazzini, Museo d’Arte Moderna e Contemporanea, Udine, Italy
Center for the Arts, Luther College, Decorah, Iowa
Centre Pompidou, Paris, France
Chazen Museum of Art, University of Wisconsin-Madison, Madison, Wisconsin
Colby College Museum of Art, Waterville, Maine
Cornell Fine Arts Museum, Rollins College, Winter Park, Florida
Crystal Bridges Museum of American Art, Bentonville, Arkansas
Currier Museum of Art, Manchester, New Hampshire
Dallas Museum of Art, Dallas, Texas
Denver Art Museum, Denver, Colorado
Detroit Institute of Arts, Detroit, Michigan
De Young Museum, Fine Arts Museums of San Francisco, San Francisco, California
Empire State Plaza Art Collection, Albany, New York
Fogg Museum, Harvard University, Cambridge, Massachusetts
Fred Jones Jr. Museum of Art, University of Oklahoma, Norman, Oklahoma
Gemeentemuseum Den Haag, Netherlands
Georgia Museum of Art, University of Georgia, Athens, Georgia
Godwin-Ternbach Museum, Queens College, City University of New York, Queens, New York
Grey Art Gallery, New York University, New York, New York
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC
Indianapolis Museum of Art, Indianapolis, Indiana
Kunstmuseum Gelsenkirchen, Gelsenkirchen, Germany
Massachusetts Institute of Technology Visual Arts Center, Cambridge, Massachusetts
Metropolitan Museum of Art, New York, New York
Museum Ludwig, Cologne, Germany
Museum of Art and Archaeology, University of Missouri, Columbia, Missouri
Museum of Contemporary Art, Skopje, Macedonia
Museum of Modern Art, New York, New York
National Gallery of Art, Washington, DC
National Gallery of Australia, Canberra, Australia
National Gallery of Victoria, Melbourne, Australia
New Jersey State Museum, Trenton, New Jersey
New Orleans Museum of Art, New Orleans, Louisiana
Niigata Prefectural Museum of Modern Art, Nagaoka, Japan
Pensacola Museum of Art, University of West Florida, Pensacola, Florida
Pomona College Museum of Art, Claremont, California
Rose Art Museum, Brandeis University, Waltham, Massachusetts
Royal Museums of Fine Arts of Belgium, Brussels, Belgium
Smithsonian American Art Museum, Washington, DC
Solomon R. Guggenheim Museum, New York, New York
Tate Modern, London, United Kingdom
Virginia Museum of Fine Arts, Richmond, Virginia
Wadsworth Atheneum, Hartford, Connecticut
Walker Art Center, Minneapolis, Minnesota
Weatherspoon Museum, University of North Carolina at Greensboro, Greensboro, North Carolina
Weisman Art Museum, University of Minnesota, Minneapolis, Minnesota
Whitney Museum of American Art, New York, New York
Wichita Art Museum, Wichita, Kansas
BOOKS AND CATALOGUES
Albright-Knox Art Gallery. Contemporary Art 1942–72, Collection of the Albright-Knox Art Gallery. New York: Praeger, 1973.
Albright-Knox Art Gallery. Mixed Media and Pop Art. Buffalo: Albright-Knox Art Gallery, 1963.
Alloway, Lawrence. American Pop Art. New York: Whitney Museum of American Art, 1974.
———. Topics in American Art Since 1945. New York: Norton, 1974.
American Federation of Arts. Pop and Op. New York: American Federation of Arts, 1965.
Arnason, Harvard H. History of Modern Art. New York: H. N. Abrams, 1968.
ARoS Aarhus Kunstmuseum. Pop Classics. Aarhus: ARoS Aarhus Kunstmuseum, 2004.
Ashton, Dore. A Reading of Modern Art. Cleveland: Press of Case Western Reserve University, 1969.
Battcock, Gregory. Minimal Art: A Critical Anthology. New York: E. P. Dutton, 1968.
———. The New Art: A Critical Anthology. New York: Dutton, 1966.
Benezra, Karen. Dematerialization: Art and Design in Latin America. Berkeley: University of California Press, 2020.
Berardo, José. The Berardo Collection: Sintra Museum of Modern Art. Sintra: Sintra Museum of Modern Art, 1996.
Brauer, David E., Jim Edwards, Christopher Finch, and Walter Hopps. Pop Art: U.S./U.K. Connections, 1956–1966. Houston: Menil Foundation, 2001.
Brandt, Frederick R. Late 20th Century Art: Selections from the Sydney and Frances Lewis Collection in the Virginia Museum of Fine Arts. Seattle: University of Washington Press, 1985.
Brooklyn Center of Long Island University. Conditional Commitment: The Artist’s Terms. New York: Brooklyn Center of Long Island University, 1966.
Brooklyn College Art Department. Brooklyn College Art Department: Past and Present, 1942–1977. New York: Brooklyn College Art Department, 1977.
Brutvan, Cheryl. The Triumph of Love: Beth Rudin DeWoody Collects. West Palm Beach: Norton Museum of Art, 2015.
Burchfield Center. The American Landscape, Paintings by Allan D’Arcangelo. Buffalo: Burchfield Center, 1979
Burchfield Center. Works by Living American Artists: Western New York. Buffalo: Burchfield Center, 1976.
Calas, Nicolas. Art in the Age of Risk. New York: Dutton, 1968.
Calas, Nicolas and Elena Calas. Icons and Images of the Sixties. New York: Dutton, 1971.
Cameron, Dan and Allan D’Arcangelo. Allan D’Arcangelo: Paintings 1962-1982. New York: Mitchell-Innes & Nash, 2010.
Castleman, Riva. Printed Art: A View of Two Decades. New York: Museum of Modern Art, 1980.
Cockroft, Eva Sperling, John Pitman Weber, and James D. Cockroft. Toward a People’s Art: The Contemporary Mural Movement. New York: Dutton, 1977.
Collins, Bradford R. Pop Art. London and New York: Phaidon, 2012.
Compton, Michael. Pop Art. New York: Hamlyn, 1970.
Crispolti, Enrico. La Pop Art. Milano: Fratelli Fabbri, 1966.
Cummings, Paul. Dictionary of Contemporary American Artists. New York: St. Martin’s Press, 1971.
Delaware Art Museum. Contemporary American Paintings from the Lewis Collection. Wilmington: Delaware Art Museum, 1974.
Detroit Institute of Arts. Form, Color, Image. Detroit: Detroit Institute of Arts, 1967.
Dienst, Rolf-Gunter. Pop-Art: Eine Kritische Information. Wirsbaden: Limes Verlag, 1965.
Ferrari, Silvia, ed. Allan D’Arcangelo, Retrospettiva. Milan: Silvana Editoriale Spa, 2005.
Fichner-Rathus, Lois. Understanding Art. Englewood Cliffs: Prentice-Hall, 1986.
Fine Arts Gallery of San Diego. Invitational American Drawing Exhibition. San Diego: Fine Arts Gallery of San Diego, 1977.
Fordham University. Five Museums Come to Fordham University. New York: Fordham University, 1968.
Frigeri, Flavia. Pop Art. London: Thames & Hudson, 2018.
Galerie Rudolf Zwirner. Z. Cologne: Galerie Rudolf Zwirner, 1965.
Goodman, Abigail Ross, Molly Epstein, and Laura Beshears. Art for Rollins: The Alfond Collection of Contemporary Art, Volume III. Winterpark, Florida: Cornell Fine Arts Museum, 2018.
Selected Bibliography
Grohmann, Will, and Sam Hunter. New Art Around the World: Painting and Sculpture. New York: H.N. Abrams, 1966.
Hahn-Woernie, Birgit. Pop Art. München: Schuler, 1974.
Hill, Ann. A Visual Dictionary of Art. London: Heinemann, 1974.
Honnef, Klaus, and Uta Grosenick. Pop Art. London: Taschen, 2004.
Hudson River Museum. 20th-Century Painting & Sculpture from the New York University Art Collection. Yonkers: Hudson River Museum, 1971.
Hunter, Sam. Neorealismo, Assemblage, Pop Art in America. Milano: Fratelli Fabbri, 1967.
Hunter College. Art from the City University of New York: Approaches to Abstraction. New York: Hunter College, 1986.
Ileana Sonnabend Gallery. Allan D’Arcangelo. Paris: Ileana Sonnabend Gallery, 1965.
Institute of Contemporary Art. Allan D’Arcangelo: Paintings 1963–1970. Philadelphia: Institute of Contemporary Art, 1971.
Institute of Contemporary Art. Northeastern Regional Exhibition of Art Across America. Boston: Institute of Contemporary Art, 1965.
Institute of Contemporary Art. The Highway. Philadelphia: Institute of Contemporary Art, 1970.
Institute of Contemporary Art of the Virginia Museum. Allan D’Arcangelo. Richmond: Virginia Museum, 1979
Institute of Contemporary Arts. The Popular Image. London: Institute of Contemporary Arts, 1963.
Instituto Torcuato di Tella. Premio Internacional. Buenos Aires: Instituto Torcuato di Tella, 1967.
Jacobs, Jay. Color Encyclopedia of World Art. New York: Crown Publishers, 1975.
James Goodman Gallery. Pop on Paper. New York: James Goodman Gallery, 1990.
Jewish Museum. Superlimited: Books, Boxes and Things. New York: Jewish Museum, 1969.
Kennedy Galleries. Artists Salute Skowhegan. New York: Kennedy Galleries, 1977.
Kepes, Gyorgy. Language of Vision. Chicago: Paul Theobald, 1951.
Kestner-Gesellschaft. Hommage à Picasso. Hannover: Kestner-Gesellschaft, 1973.
Kultermann, Udo. Neue Formen des Bildes. Tübingen: Wasmuth, 1969.
Larry Aldrich Museum. Selections from the John G. Powers Collection. Ridgefield: Larry Aldrich Museum, 1966.
Lerner-Misrachi Gallery. Inner Spaces/Outer Limits. New York: Lerner-Misrachi Gallery, 1971.
Lippard, Lucy R. Pop Art. New York: Praeger, 1966.
Livingstone, Marco. Pop Art: A Continuing History. New York: H.N. Abrams, 1990.
Long Beach Museum of Art. Critics’ Choice. Long Beach: Long Beach Museum of Art, 1966.
Marlborough Gallery. Allan D’Arcangelo. New York: Marlborough Gallery, 1975.
———. Allan D’Arcangelo: Recent Work. New York: Marlborough Gallery, 1971.
McCarthy, David. Pop Art. Cambridge: Cambridge University Press, 2000.
Migliorini, Ermanno. L’arte e la città. Florence: Il Fiorino, 1975.
Milwaukee Art Center. Pop Art and the American Tradition. Milwaukee: Milwaukee Art Center, 1965.
Minami Gallery. D’Arcangelo. Tokyo: Minami Gallery, 1967.
Mitchell-Innes & Nash. Allan D’Arcangelo: Paintings 1962–1982. New York: Mitchell-Innes & Nash, 2009.
Moore College of Art. Beyond Literalism. Philadelphia: Moore College of Art, 1968.
Musée Mailol. Pop Art: Icons that Matter: Collection du Whitney Museum of American Art. Paris: Beaux Arts Éditions, 2017.
National Museum Art Gallery. Artists Celebrate the Bicentennial. Singapore: National Museum Art Gallery, 1976.
Neuberger Museum. Allan D’Arcangelo: Paintings of the Early Sixties. Purchase: Neuberger Museum, 1978.
New School Art Center. Protest and Hope. New York: New School Art Center, 1967.
New York State Council on the Arts. Critic’s Choice 1968–69. New York: New York State Council on the Arts, 1969.
Osterwold, Tilman. Pop Art. Cologne: Taschen, 1989.
Palais des Beaux-Arts de Bruxelles. Pop Art, Nouveau Realisme, Etc... Brussels: Palais des Beaux-Arts de Bruxelles, 1965.
Pellegrini, Aldo. New Tendencies in Art. New York: Crown Publisher, 1966.
Perloff, Marjorie. Frank O’ Hara: Poet Among Painters. New York: G. Braziller, 1977.
Pierre, José. Le Pop Art. Paris: Fernand Hazan, 1975.
Pratt Graphic Center. The 54th Exhibition of the Society of American Graphic Artists. New York: Pratt Graphic Center, 1976.
Queens Museum. Urban Aesthetics. Flushing: Queens Museum, 1976.
Riksutställningar. New York ‘76. Stockholm: Riksutställningar, 1976.
Rosa Esman Gallery. Photonotations II. New York: Rosa Esman Gallery, 1977.
Rotzler, Willy. Modern Art. New York: Rizzoli, 1977.
Rublowsky, John. Pop Art. New York: Basic Books, 1965.
Samuels, Mike, and Nancy Samuels. Seeing with the Mind’s Eye. New York: Random House, 1975.
Scholz-Wanckel, Katharina. Pop Import. Eine selektive Abhandlung über Pop Artisten. Hamburg: Maturi Verlag, 1965.
Städtische Kunstausttellung Gelsenkirchen. Original Pop Art. Gelsenkirchen: Städtische Kunstausttellung Gelsenkirchen, 1967.
Stitch, Sidra. Made in USA: An Americanization in Modern Art, the ‘50s & ‘60s. Berkeley: University of California Press, 1987.
Takashina, Shūji. Assemblage and Accumulation. Tokyo: Kōdansha, 1971.
Taylor, Alex J., Evan Moffit, and Cécile Whiting. Allan D’Arcangelo. New York: Rizzoli Electa, 2023.
Toledo Museum of Art. Toledo Collectors of Modern Art. Toledo: Toledo Museum of Art, 1969.
University of Omaha. A National Small Painting Show. Omaha: University of Omaha, 1966.
von Moos, Stanislau and Martino Stierli, eds. Eyes That Saw. Zurich: Scheidegger & Spiess, 2019.
Waddintgon Custot. Allan D’Arcangelo: Pi in the Sky. London: Waddington Custot, 2018.
Warhol, Andy, and Pat Hackett. POPism: The Warhol ‘60s. New York: Harcourt Brace Jovanovich, 1980.
Watrous, James. American Printmaking: A Century of American Printmaking, 1880–1980. Madison: University of Wisconsin Press, 1984.
Weatherspoon Art Gallery. Art on Paper. Greensboro: Weatherspoon Art Gallery, 1967.
Weinberg, Adam D., Carrie Springer and Annabelle Ténèze. Pop Art: Icons that Matter. Paris: Fonds Mercator, 2017.
Whitney Museum of American Art. Autoscape: The Automobile in the American Landscape. Whitney Museum of American Art: New York, 1984.
Wilson, Simon. Pop. Woodbury: Barron’s, 1974.
Woods, Gerald, Philip Thompson, and John Williams. Art Without Boundaries 1950–1970. New York: Praeger, 1972.
Zentrum für aktuelle Kunst. Allan D’Arcangelo. Aachen: Zentrum für aktuelle Kunst, 1969.
PERIODICALS
A., C. “U.S. Art in São Paulo.” Christian Science Monitor, September 25, 1967.
“Allan D’Arcangelo at Waddington Custot.” The Week, no. 1161 (2018): 34.
“Allan D’Arcangelo.” Wall Street International, January 29, 2018.
Alloway, Lawrence. “Art.” The Nation 211, no. 8 (1970): 253–54.
———. “Hi-Way Culture: Man at the Wheel.” Arts Magazine 41, no. 4 (1967): 28–33.
Antin, David. “D’Arcangelo and the New Landscape.” Art and Literature 9 (Summer 1966): 102–15.
Ashton, Dore. “Beyond Literalism but not Beyond the Pale.” Arts Magazine 43, no. 2 (1968): 48–50.
———. “New York Gallery Notes: Allan D’Arcangelo at Fischbach Gallery.” Art in America 55, no.1 (1967): 91–92.
———. “Pop Secret.” Artforum 37, no. 9 (1989): 68.
———. “Quid Est?” Arts Magazine 42, no. 5 (1968): 46–48.
———. “Response to Crisis in American Art.” Art in America 57, no. 1 (1969): 24–35.
Bailly, Jean-Christophe. “L’Espace, Ville Ouverte.” XXe Siècle 45 (December 1975): 121–27.
Battock, Gregory. “Highway Cultures.” Art and Artists 6, no. 10 (1972): 42–45.
Bell, Jane. “Arts Reviews: Allan D’Arcangelo at Marlborough.” Arts Magazine 49, no. 7 (1975): 4.
Bendig, William. “Alitalia/The Museum of Modern Art.” Art Gallery 9, no. 1 (1965): 44–47.
Blake, Peter. “Graffiti Are Growing Up.” New York Magazine 1, no. 4 (1968): 32–34.
Bode, Sig. “New York: Allan D’Arcangelo at Fischbach Gallery.” Art and Artists 2, no. 1 (1967): 41.
“Buildings on the West Side and the Lower East Side Give Up Their ‘Dirty Brick’ for Decorator Colors.” New York Times, August 31, 1967.
Burton, Scott. “Reviews and Previews: Allan D’Arcangelo at Fischbach.” Art News 66, no. 1 (1967): 11.
Calas, Nicolas. “Highways and By-Ways.” Art and Artists 2, no. 7 (1967): 12–15.
———. “Illusion of Non-Illusion: Poets Against Aesthetes.” Arts Magazine 43, no. 8 (1969): 28–31.
Carlson, Walter. “Advertising: Pop and Op are Popping Up.” New York Times, January 30, 1966.
D’Arcangelo, Allan. “Landscape.” Art Now 1, no. 2 (1969): 1–2.
———. “The Artist Speaks about his Picture.” Cosmopolitan 155, no. 4 (1963): 110.
Da Vinci, Mona. “The Two Eyes of Abstraction and Empathy.” Soho Weekly News 2, no. 16 (1975): 18, 29.
Douglas, Justin. “Art for a Free Society.” Journal American, February 20, 1966.
“Eau Claire Fine Arts Center Opens with D’Arcangelo Show.” Minneapolis Star, September 16, 1970.
Genauer, Emily. “Dali’s Hamburger.” New York Herald Tribune, February 20, 1966.
———. “Friday Tour of Art: Allan D’Arcangelo at Fischbach.” World Journal Tribune, February 17, 1967.
———. “The Bounty of Aspen.” New York Herald Tribune, July 18, 1965.
Genocchio, Benjamin. “A Look at the Roots of Pop Art.” New York Times, April 15, 2007.
Glueck, Grace. “Allan D’Arcangelo and Thomas Lenk at Fischbach.” New York Times, February 25, 1967.
———. “Art Shows Overflow Jewish Museum.” New York Times, May 14, 1970.
———. “Highways, Mirrors and . . . Gee.” New York Times, February 2, 1969.
———. “Putting It in Print.” New York Times, March 6, 1966.
———. “Tomorrow the World.” New York Times, May 11, 1969.
Goldin, Amy. “In the Galleries: Allan D’Arcangelo at Fischbach.” Arts Magazine 39, no. 10 (1965): 64.
Golub, Leon. “Trends: The Artist as an Angry Artist: The Obsession with Napalm.” Arts Magazine 41, no. 6 (1967): 48–49.
Grier, Ralph. “In Search of America.” Christian Science Monitor, June 9, 1976.
Gruen, John. “Allan D’Arcangelo at Fischbach.” New York Herald Tribune, February 29, 1964
———. “The Hard Center.” New York Herald Tribune, December 8, 1963.
Hammond, Sally. “Up Against the Wall, Happily.” New York Post, May 22, 1969.
Horowitz, Leonard. “Al D’Arcangelo at Thibaut.” Village Voice 8, no. 31 (1963): 10.
Johnston, Jill. “Exhibition in New York.” Arts Canada 24, no. 4 (1967): 7.
———. “Reviews and Previews: Allan D’Arcangelo at Fischbach.” Art News 64, no. 2 (1965): 16.
Johnson, Ken. “Forgotten Creators, Memorable Works.” New York Times, January 22, 2015.
Judd, Donald. “In the Galleries: Allan D’Arcangelo at Fischbach.” Arts Magazine 38, no. 7 (1964): 30.
Kastner, Jeffrey. “Reviews: Allan D’Arcangelo at Garth Greenan Gallery.” Artforum 56, no. 1 (2017): 329–30.
Kramer, Hilton. “Allan D’Arcangelo at Marlborough Gallery.” New York Times, January 18, 1975.
———. “Artists and Museum Pay Tribute to Frank O’Hara.” New York Times, December 9, 1967.
Kramer, Linda Konheim. “The Prints of Allan D’Arcangelo.” Art in Print 5, no. 1 (2015): 3–6.
Kudielka, Robert. “Formen der Farbe.” Das Kunstwerk 20, nos. 7–8 (1967): 48–79.
Levick, L. E. “Gallery Guide.” New York Journal American, May 11, 1963.
Lorber, Richard. “Arts Reviews: Bicentennial Prints at Pace Editions.” Arts Magazine 50, no. 5 (1976): 12–13.
Margolies, John Samuel. “In the Galleries: Allan D’Arcangelo at 340 East 9th Street.” Arts Magazine 42, no. 1 (1967): 58.
Mascheck, John. “New York: Allan D’Arcangelo at Marlborough Gallery.” Artforum 10, no. 5 (1972): 83–84.
Mellow, James R. “New York Letter.” Art International 11, no. 4 (1967): 59.
Meyer, John Bernard. “Junkdump Fair Surveyed.” Art and Literature 3 (Autumn–Winter 1964): 122–41.
Moyer, Roy. “Building Up City Walls.” Art Gallery 14, no. 2 (1970): 23–26.
“Murals.” Time 90, no. 4 (1967).
Muro, Matt. “Jersey Footlights; On the Road.” New York Times, October 10, 1999.
“New York Artists Paint City Walls.” Architectural Record 148, no. 1 (1970): 36.
O’Doherty, Brian. “Allan D’Arcangelo at Fischbach Gallery.” New York Times, May 4, 1963.
Perreault, John. “Beyond Literalism.” Art International 13, no. 1 (1969): 36–38.
———. “The Terror of a Wooden Match.” Village Voice 17, no. 3 (1972): 29.
Picard, Lil. “The New School in New York.” Das Kunstwerk 18, no. 6 (1964): 26–33, 37.
Preston, Stuart. “A Bequest of Significant Spellbinders.” New York Times, May 2, 1965.
Ratcliff, Carter. “New York Letter.” Art International 16, no. 1 (1972): 66–67.
Raynor, Vivien. “In the Galleries: Allan D’Arcangelo at Thibaut.” Arts Magazine 37, no. 10 (1963): 57.
———. “Sculptural Marvels of Mary Frank.” New York Times, June 16, 1978.
Rea, Naomi. “Allan D’Arcangelo’s Sweeping Urban Landscapes Are a Portrait of the Emptiness at the Heart of America—See Them Here.” Artnet News, January 17, 2018.
Robins, Corinne. “Floating Sculpture.” Art in America 56, no. 2 (1968): 72–75.
Rosenberg, Karen. “When Pop Art’s Wink Turned Moody.” New York Times, November 25, 2012.
Sandburg, John. “Some Traditional Aspects of Pop Art.” Art Journal 26, no. 3 (1967): 228–33, 245.
Sandler, Irving H. “Reviews and Previews: Allan D’Arcangelo at Thibaut.” Art News 62, no. 3 (1963): 13.
Schjeldahl, Peter. “New York Letter.” Art International 13, no. 4 (1969): 64–65.
———. “The Subject in His Own Uneasiness.” New York Times, November 4, 1971.
Skelton, Robin. “Pop Art and Pop Poetry.” Art International 13, no. 8 (1969): 39–41.
Smith, Paul. “Allan D’Arcangelo.” Arts Magazine 56, no. 10 (1982): 2.
Smith, Roberta. “Allan D’Arcangelo, 68, Painter of Pop Images.” New York Times, December 23, 1998.
———. “Art in Review.” New York Times, May 1, 2009.
Swenson, G.R. “Reviews and Previews: Alan D’Arcangelo at Fischbach.” Art News 63, no. 1 (1964): 11.
Traiger, Lynn. “New York University’s Art Collection.” Art Journal 31, no. 1 (1971): 51–55.
Von Meier, Kurt. “Los Angeles Chronicle.” Art International 11, no. 8 (1967): 60.
———. “Los Angeles Letter.” Art International 10, no. 5 (1966): 58.
Wiegand, Ingrid. “Bicentennial Banners.” Novum Gebrauchs Graphik 47 (November 1976): 11–18.
Head Gasket #2, 1962
Acrylic on canvas
16 5/8 x 40 inches
Madonna and Child, 1963
Acrylic on canvas
68 1/2 x 60 1/2 inches
The Rheingold Girls, 1963
Acrylic with graphite on canvas
33 1/16 x 71 1/8 inches
Proposition #20, 1966
Acrylic on canvas
40 1/8 x 40 1/8 inches
White Highway, 1964
Acrylic on canvas
30 1/8 x 26 1/8 inches
Untitled (Landscape), 1967
Acrylic on canvas
69 x 84 inches
Landscape, 1968
Acrylic on canvas
76 x 68 inches
Hypostasis, 1974
Acrylic on canvas
72 1/8 x 72 1/8 inches
Mr. and Mrs. Moby Dick, 1974
Acrylic on canvas
72 x 102 inches
Pike, 1976–1977
Acrylic and graphite on canvas
48 1/4 x 66 1/4 inches
Pi in the Sky, 1981–1982
Acrylic on canvas
48 x 66 1/8 inches
Wing Two, 1982
Acrylic on canvas
36 1/8 x 50 inches