1912
Born: Bronx, New York
1999
Died: New York
EDUCATION
1928-1934
New York City College
1951-1952
Atelier Zadkine, Paris
TEACHING
1960-1970
Adjunct Professor, Hunter College, City University of New York
1967
Visiting Associate Professor of Sculpture, Yale School of Art, New Haven, Connecticut
1970
Guest Artist, Hamline University, St. Paul, Minnesota
Guest Artist, St. Cloud University, St. Cloud, Minnesota
1981
Milton Avery Professor of Art, Bard College, Annandale-on-Hudson, New York
SELECTED SOLO EXHIBITIONS
1958
New York is the Textile Town, Union Dime Savings Bank, Sixth Avenue Branch, New York, December-January
1960
Sugarman Sculpture, Widdifield Gallery, New York, February 9-March 5
1961
Sugarman Polychrome Sculpture, Stephen Radich Gallery, New York, October 31-November 24
1964
George Sugarman, Stephen Radich Gallery, New York, March 10-April 4
1965
George Sugarman, Stephen Radich Gallery, New York, November 13-December 4
1966
George Sugarman, Stephen Radich Gallery, New York, May 3-28
1967
George Sugarman, Fischbach Gallery, New York, May 6-27
George Sugarman, Galerie Renée Ziegler, Zürich, June 29-July 29
George Sugarman, Galerie Schmela, Düsseldorf, September 25-October 20
1968
George Sugarman: New Sculpture, Fischbach Gallery, New York, April 13-May 9
1969
George Sugarman: New Sculpture, Fischbach Gallery, New York, April 5-24
1969-1970
George Sugarman: Plastiken, Collagen, Zeichnungen, Kunsthalle Basel, September 21-October 26, 1969; Städtisches Museum, Leverkusen, West Germany, November 28, 1969-January 4, 1970; Haus am Waldsee Museum, Berlin, January 16-February 22, 1970; Stedelijk Museum, Amsterdam, March 14-April 26, 1970
1971
George Sugarman, Gallery 118, Minneapolis, May 7-30
1974
George Sugarman, Zabriskie Gallery, New York, October 8-November 9
George Sugarman, Dag Hammarskjold Plaza Sculpture Garden, New York, October 21-December 31
1977
George Sugarman, Robert Miller Gallery, New York, November 15-December 3
1978-1979
George Sugarman, Robert Miller Gallery, New York, December 2, 1978-January 3, 1979
1979
George Sugarman, Galerie Liatowitsch, Basel, February 7-28
1980
George Sugarman: Relief Collages and Models for Large-Scale Sculpture, Robert Miller Gallery, New York, January 5-26
George Sugarman: New Works, Galerie Rudolf Zwirner, Cologne, November 15-December 31
1981
The Sculpture of George Sugarman, Museum of Fine Arts, Springfield, Massachusetts, April 5-May 17; Museum of Art, Munson-Williams-Proctor Institute, Utica, New York, May 30-August 23
George Sugarman, Smith Andersen Gallery, Palo Alto, California, September 12-October 24
1981-1982
Shape of Space: The Sculpture of George Sugarman, Joslyn Art Museum, Omaha, December 6, 1981-January 31, 1982; Institute of Contemporary Art, University of Pennsylvania, Philadelphia, March 15-April 24, 1982; Columbus Museum of Art, Ohio, August 28-October 10, 1982
1984
George Sugarman, Fuller Goldeen Gallery, San Francisco, October 3-November 3
1985-1986
George Sugarman: Painted Wood Sculpture, Whitney Museum of American Art, New York, November 27, 1985-February 9, 1986
1987
George Sugarman: Drawing Ahead of Time, Todd Capp Gallery, New York, April 3-26
1990-1991
George Sugarman: Collages, Paper and Paint, Washburn Gallery, New York, December 5, 1990-January 19, 1991
1992
George Sugarman: Collages at University of Tampa, Scarfone Gallery, University of Tampa, January 15-February 22
George Sugarman: Sculpture at NCBN Plaza, NCBN Plaza, Tampa, January 15-April 17
George Sugarman, Galleria Peccolo, Livorno, Italy, June
1993
George Sugarman, Contemporary Sculpture Center, Tokyo, November 15-December 25
1998
George Sugarman, Art Gallery, Fine Arts Building, Hunter College, City University of New York, February 18-April 11
2002
George Sugarman: “Yellow to White to Blue to Black,” Gary Tatintsian Gallery, New York, November 6-December 21
2002-2003
Al Held and George Sugarman: The Early Sixties, Washburn Gallery, New York, November 26, 2002-January 25, 2003
2004
George Sugarman: Painted Aluminum Sculpture, 1977-1996, Washburn Gallery, New York, January 8-February 28
2006
George Sugarman: White Painted Aluminum Sculpture, Washburn Gallery, New York, March 8-April 18
2010
Stuart Davis, George Sugarman: “Shapes” of the Space, Washburn Gallery, New York, October 1-December 18
SELECTED GROUP EXHIBITIONS
1956
Sculptors Selected by Painters, Tanager Gallery, New York
1957
Group Show, Brata Gallery, New York, October 25-November 14
1958
New Sculpture Group, Hansa Gallery, New York
1959
Mixed Mediums, Widdifield Gallery, New York, November 10-December 5
1960
New Sculpture Now, Dwight Hall, Mount Holyoke College, South Hadley, Massachusetts, February 22-March 24; Museum of Art, Smith College, Northampton, Massachusetts, April 6-May 9
New Sculpture Group, Stable Gallery, New York, September 27-October 15
1960-1961
Annual Exhibition 1960: Contemporary Sculpture and Drawings, Whitney Museum of American Art, New York, December 7, 1960-January 22, 1961
1961
New Sculpture Group, Holland-Goldowski Gallery, Chicago, March 10-April 6
Eighty Works from the Richard Brown Baker Collection, Walker Art Center, Minneapolis, March 12-April 16
Sculpture Guild Annual, Lever House, New York, October 17-November 12
1961-1962
1961 Pittsburgh International Exhibition of Contemporary Painting and Sculpture,Department of Fine Arts, Carnegie Institute, Pittsburgh, October 27, 1961-January 7, 1962
1963
65th Annual American Exhibition: Some Directions in Contemporary Painting and Sculpture, Art Institute of Chicago, January 5-February 18
Contemporary Sculpture, Art Gallery, Vassar College, Poughkeepsie, New York, February 21-March 20
Continuity and Change: 45 American Abstract Painters and Sculptors, Wadsworth Atheneum, Hartford, Connecticut, April 12-May 27
Art Since 1950, American and International, Fine Arts Pavilion, Seattle World's Fair, April 21-October 21
1963-1964
Ten American Sculptors, American Section, VII Bienal de São Paolo, September 28-December 31, 1963; Walker Art Center, Minneapolis, March 10-April 19, 1964; San Francisco Museum of Art, May 4-July 1, 1964; City Art Museum, St. Louis, July 21-August 23, 1964; Dayton Art Institute, Ohio, October 16-November 22, 1964
1964
Ten Sculptors from the São Paolo Biennial, Howard Wise Gallery, New York, March 5-28
Recent American Sculpture, Jewish Museum, New York, October 14-November 29
Seven Sculptors, Hayden Gallery, Massachusetts Institute of Technology, Cambridge, November 9-December 7
1964-1965
Annual Exhibition 1964: Contemporary American Sculpture, Whitney Museum of American Art, New York, December 9, 1964-January 31, 1965
1965
American Sculpture, 1900 to 1965, Flint Institute of Arts, Michigan, April 1-25
Concrete Expressionism, Loeb Student Center, New York University, New York, April 6-29
1966
26th Annual Exhibition by the Society for Contemporary American Art, Art Institute of Chicago, April 8-May 10
Art of the United States, 1670-1966, Whitney Museum of American Art, New York, September 27-November 27
1966-1967
Annual Exhibition 1966: Contemporary American Sculpture and Prints, Whitney Museum of American Art, New York, December 16, 1966-February 5, 1967
1967
The Helen W. and Robert M. Benjamin Collection, Yale University Art Gallery, New Haven, Connecticut, May 4-June 18
American Sculpture of the Sixties, Los Angeles County Museum of Art, April 28-June 25; Philadelphia Museum of Art, September 15-October 19
1968
L'art vivant, 1965-68, Fondation Maeght, St. Paul de Vence, France, April 13-June 30
International Pavilion, Venice Biennale, June 22-October 20
1968-1969
1968 Annual Exhibition: Contemporary American Sculpture, Whitney Museum of American Art, New York, December 17, 1968-February 9, 1969
1969
Tamarind: Homage to Lithography, Museum of Modern Art, New York, April 29-June 30
1970
L'art vivant aux États-Unis, Fondation Maeght, St. Paul de Vence, France, July 16-September 30
Monumental Art, Contemporary Arts Center, Cincinnati, September 13-November 1
American Sculpture, Sheldon Memorial Art Gallery, University of Nebraska, Lincoln, September 11-November 15
1970-1971
Contemporary American Sculpture: 1970 Annual Exhibition, Whitney Museum of American Art, New York, December 12, 1970-February 17, 1971
1971
Contemporary American Drawings, French & Co., New York, May 15-June 23
1973
Contemporary American Art: 1973 Biennial Exhibition, Whitney Museum of American Art, New York, January 10-March 18
1973-1974
Woodworks: An Exhibition of Contemporary Sculpture in Wood, Jaffe-Friede Gallery, Hopkins Center, Dartmouth College, Hanover, New Hampshire, December 7, 1973-January 14, 1974; Addison Gallery of American Art, Phillips Academy, Andover, Massachusetts, January 18-February 24, 1974; Institute of Contemporary Art, Boston, March 1-26, 1974; Paul Creative Arts Center, University of New Hampshire, Durham, April 4-May 3, 1974; William Benton Museum of Art, University of Connecticut, Storrs, May 25-August 11, 1974; Bowdoin College Museum of Art, Brunswick, Maine, August 16-September 27, 1974
1974
Space, Scale, and Urban Plaza: Sculpture for the Plaza, One Illinois Center, Chicago, June 14-September 14
1974-1975
118 Artists, Landmark Gallery, New York, December 22, 1974-January 10, 1975
1975
Masterworks in Wood: The Twentieth Century, Portland Art Museum, Oregon, September 17-October 19
1975-1976
Sculpture: American Directions, 1945-1975, National Collection of Fine Arts, Smithsonian Institution, Washington, D.C., October 3-November 20, 1975; Dallas Museum of Fine Arts, January 21-February 29, 1976; New Orleans Museum of Art, April 1-May 16, 1976
1976
200 Years of American Sculpture, Whitney Museum of American Art, New York, March 16-September 26
Ten Approaches to the Decorative, Alessandra Gallery, New York, September 25-October 29
1976-1977
Tenth Street Days: The Co-ops of the 50's, Amos Eno Gallery, New York, December 20, 1976- January 7, 1977
1977
Maquettes for Large Sculpture, Monique Knowlton Gallery, New York, March 30-April 30
Patterning and Decoration, Museum of the American Foundation for the Arts, Miami, October 7-November 30
1979
Contemporary Sculpture from the Collection, Museum of Modern Art, New York, May 18-August 7
1979-1980
The Decorative Impulse, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, June 13-July 21, 1979; Mandeville Art Gallery, University of California, San Diego, November 1-December 9, 1979; Minneapolis College of Art and Design, January 16-February 15, 1980; Museum of Contemporary Art, Chicago, March 21-May 18, 1980
1980
Painting in Relief, Whitney Museum of American Art, Downtown Branch, New York, January 30-March 5
10 Abstract Sculptures: American and European, 1940 to 1980, Max Hutchinson Gallery, New York, March 18-April 19
Urban Encounters: Art, Architecture, Audience, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, March 19-April 30
With Paper, About Paper, Albright-Knox Art Gallery, Buffalo, September 12-October 26
1981
Decorative Sculpture, Sculpture Center, New York, January 11-February 20
Sculptors: Drawings and Maquettes, Max Hutchinson Gallery, New York, January 13-February 14
1985
Works on Paper, Robert Miller Gallery, New York, May 29-July
1986
Beyond Formalism: Three Sculptors of the 1960s, Hunter College Art Gallery, City University of New York, September 18-October 24
1990
Color in Art: American Expressions from the Mid-Twentieth Century to the Present, Samuel P. Harn Museum of Art, University of Florida, Gainesville, September 22-December 2
1990-1991
Painted Forms: Recent Metal Sculpture, Whitney Museum of American Art at Philip Morris, New York, December 19, 1990-February 20, 1991
1994
Paper Works, University Art Gallery, Staller Center for the Arts, State University of New York, Stony Brook, March 9-April 16
1997
Colorflex, Apex Art C.P., New York, May 29-June 28
1998
Sculptors Draw, Rosenberg and Kaufman Fine Art, New York, September 9-October 10
1999
Stella, Pfaff, Sugarman, Tatunz, New York, February 2-March 20
2002
Linger, Artemis Greenberg Van Doren Gallery, New York, June 13-July 26
2003
Inside/Outside/On the Wall, Hebrew Home for the Aged, Riverdale, New York, June 19-August 31
SELECTED MUSEUM COLLECTIONS
Austin Museum of Art
Blanton Museum of Art, University of Texas, Austin
Carnegie Museum of Art, Pittsburgh
Empire State Plaza Art Collection, Albany
Fogg Museum, Harvard University, Cambridge, Massachusetts
Grounds for Sculpture, Hamilton, New Jersey
Joslyn Art Museum, Omaha
Kunsthaus Zürich
Los Angeles County Museum of Art
McNay Art Museum, San Antonio
Metropolitan Museum of Art, New York
Museum of Fine Arts, Springfield, Massachusetts
Museum of Modern Art, New York
Norton Simon Museum, Pasadena, California
Purdue University North Central, Westville, Indiana
Pyramid Hill Sculpture Park, Hamilton, Ohio
Samuel P. Harn Museum of Art, University of Florida, Gainesville
Smithsonian American Art Museum, Washington, D.C.
Spencer Museum of Art, University of Kansas, Lawrence
Storm King Art Center, Mountainville, New York
Vanderbilt University Fine Arts Gallery, Nashville
Walker Art Center, Minneapolis
Whitney Museum of American Art, New York
Yale University Art Gallery, New Haven, Connecticut
SELECTED BOOKS AND CATALOGUES
Anderson, Dennis and Glenn Lowry. The Governor Nelson A. Rockefeller Empire State Plaza Art Collection and Plaza Memorials. New York: Rizzoli, 2002.
Armstrong, Tom. 200 Years of American Sculpture. New York: Whitney Museum of
American Art, 1976.
Art Institute of Chicago. 26th Annual Exhibition by the Society for Contemporary American Art. Chicago: Art Institute of Chicago, 1966.
Art Institute of Chicago. 65th Annual American Exhibition: Some Directions in Contemporary Painting and Sculpture. Chicago: Art Institute of Chicago, 1963.
Ashton, Dore. Modern American Sculpture. New York: Harry N. Abrams, 1967.
Bard, Joellen. Tenth Street Days: The Co-ops of the 50's. New York: Education, Art & Service, 1977.
Berger, Maurice. Beyond Formalism: Three Sculptors of the 1960s. New York: Hunter
College Art Gallery, City University of New York, 1986.
Busch, Julia. A Decade of Sculpture: The 1960s. Philadelphia: Art Alliance Press, 1974.
Contemporary Sculpture Center, Tokyo. George Sugarman. Tokyo: Contemporary
Sculpture Center, 1993.
Day, Holliday T. Shape of Space: The Sculpture of George Sugarman. Omaha: Josyln Art
Museum, 1981.
Department of Fine Arts, Carnegie Institute. 1961 Pittsburgh International Exhibition of
Contemporary Painting and Sculpture. Pittsburgh: Department of Fine Arts, Carnegie Institute, 1962.
Fondation Maeght. L'art vivant, 1965-68. St. Paul de Vence, France: Fondation Maeght, 1968.
Fondation Maeght. L'art vivant aux États-Unis. St. Paul de Vence, France: Fondation Maeght, 1970.
Goldin, Amy. Art in a Hairshirt: Art Criticism, 1964-1978. Stockbridge, MA: Hard Press
Editions, 2011.
Goldin, Amy. Patterning and Decoration. Miami: Museum of the American Foundation for the Arts, 1977.
Gruen, John. The Artist Observed: 28 Interviews with Contemporary Artists. Chicago: A
Cappella Books, 1991.
Hunter, Sam. American Art of the 20th Century. New York: Harry N. Abrams, 1966.
Institute of Contemporary Art, University of Pennsylvania, Philadelphia. The Decorative Impulse. Philadelphia: Institute of Contemporary Art, University of Pennsylvania, 1979.
Institute of Contemporary Art, University of Pennsylvania, Philadelphia. Urban Encounters: Art, Architecture, Audience. Philadelphia: Institute of Contemporary Art, 1980.
Jaffe-Friede Gallery, Hopkins Center, Dartmouth University. Woodworks: An Exhibition
of Contemporary Sculpture in Wood. Hanover, NH: Jaffe-Friede Gallery, Hopkins
Center, Dartmouth University, 1973.
Jewish Museum. Recent American Sculpture. New York: Jewish Museum, 1964.
Judd, Donald. Donald Judd: Complete Writings, 1959-1975. Halifax: Press of the Nova Scotia College of Art and Design, 2005.
Kelly, James J. The Sculptural Idea. Minneapolis: Burgess Publishing Co., 1974.
Kotik, Charlotta. With Paper, About Paper. Buffalo: Albright-Knox Art Gallery, 1980.
Kultermann, Udo. The New Sculpture: Environments and Assemblages. New York:
Frederick A. Praeger, 1968.
Kunsthalle Basel. George Sugarman: Plastiken, Collagen, Zeichnungen. Basel: Kunsthalle Basel, 1969.
Leonard, William Albers. Monumental Art. Cincinnati: Contemporary Arts Center, 1970.
Lieberman, William S. and Virginia Allen. Tamarind: Homage to Lithography. New York: Museum of Modern Art, 1969.
Loeb Student Center, New York University. Concrete Expressionism. New York: Loeb
Student Center, New York University, 1965.
Max Hutchinson Gallery. 10 Abstract Sculptures: American and European, 1940 to 1980.
New York: Max Hutchinson Gallery, 1980.
Museum of Fine Arts, Springfield, Massachusetts. The Sculpture of George Sugarman. Springfield, MA: Museum of Fine Arts, 1981.
O'Doherty, Brian. American Masters: The Voice and the Myth. New York: Random House, 1973.
O'Doherty, Brian. Object and Idea: An Art Critic's Journal, 1961-1967. New York: Simon and Schuster, 1967.
SELECTED BIBLIOGRAPHY
Phillips, Lisa. George Sugarman: Painted Wood Sculpture. New York: Whitney Museum
of American Art, 1985.
Phillips, Lisa. Painting in Relief. New York: Whitney Museum of American Art, 1980.
Rose, Barbara. American Art Since 1900: A Critical History. New York: Frederick A.
Praeger, 1967.
Rubinstein, Raphael. George Sugarman. Livorno, Italy: Edizioni Roberto Peccolo, 1992.
Rubinstein, Raphael. Polychrome Profusion: Selected Art Criticism, 1990-2002. Lenox, MA: Hard Press Editions, 2003.
Sandler, Irving. The Empire State Collection: Art for the Public. Albany, NY: Empire State Plaza Art Commission, 1987.
Sandler, Irving. The New York School: The Painters and Sculptors of the Fifties. New
York: Harper and Row, 1978.
Seitz, William, ed. Contemporary Sculpture: Arts Yearbook 8. New York: The Art Digest, 1965.
Sheldon Memorial Art Gallery, University of Nebraska, Lincoln. American Sculpture.
Lincoln, NE: Sheldon Memorial Art Gallery, University of Nebraska, 1970.
Stedelijk Museum. George Sugarman. Amsterdam: Stedelijk Museum, 1970.
Tuchman, Maurice. American Sculpture of the Sixties. Los Angeles: Los Angeles County
Museum of Art, 1968.
Van der Marck, Jan. Masterworks in Wood: The Twentieth Century. Portland, OR: Portland Art Museum, 1975.
Wadsworth Atheneum. Continuity and Change: 45 American Abstract Painters and Sculptors. Hartford, CT: Wadsworth Atheneum, 1963.
Walker Art Center. Eighty Works from the Richard Brown Baker Collection. Minneapolis: Walker Art Center, 1961.
Walker Art Center. Ten American Sculptors. Minneapolis: Walker Art Center, 1964.
Whitney Museum of American Art. 1968 Annual Exhibition: Contemporary American
Sculpture. New York: Whitney Museum of American Art, 1968.
Whitney Museum of American Art. Annual Exhibition 1960: Contemporary Sculpture and Drawings. New York: Whitney Museum of American Art, 1960.
Whitney Museum of American Art. Annual Exhibition 1964: Contemporary American
Sculpture. New York: Whitney Museum of American Art, 1965.
Whitney Museum of American Art. Annual Exhibition 1966: Contemporary Sculpture
and Prints. New York: Whitney Museum of American Art, 1966.
Whitney Museum of American Art. Art of the United States, 1670-1966. New York:
Whitney Museum of American Art, 1966.
Whitney Museum of American Art. Contemporary American Art: 1973 Biennial
Exhibition. New York: Whitney Museum of American Art, 1973.
Zabriskie Gallery. George Sugarman. New York: Zabriskie Gallery, 1974.
SELECTED PERIODICALS
Adrian, Dennis. “Sculpture and Print Annual, Whitney Museum.” Artforum 5, no. 7
(1967): 55.
Alloway, Lawrence. “Monumental Art at Cincinnati.” Arts Magazine 45, no. 2 (1970): 33.
Artner, Alan G. “Norwegian Ice: Floating in Sensuous Color.” Chicago Tribune, June 23,
1974.
Ashbery, John. “Reviews and Previews: George Sugarman.” Art News 68, no. 3 (1969): 73.
Ashton, Dore. “Art U.S.A. 1962.” The Studio 163, no. 827 (1962): 84.
Ashton, Dore. “New York Commentary.” Studio International 168, no. 855 (1964): 42.
Ashton, Dore. “New York Commentary.” Studio International 169, no. 861 (1965): 22.
Ashton, Dore. “New York Commentary.” Studio International 170, no. 868 (1965): 86.
Ashton, Dore. “New York Commentary.” Studio International 172, no. 879 (1966): 44.
Ashton, Dore. “New York Commentary.” Studio International 175, no. 901 (1968): 321.
Ashton, Dore. “New York Commentary.” Studio International 177, no. 909 (1969): 135.
Ashton, Dore. “New York Commentary.” Studio International 177, no. 912 (1969): 289.
Baker, Kenneth. “The Home Forum.” Christian Science Monitor, October 21, 1969: 8.
Bongartz, Roy. “Where Monumental Sculptors Go.” Art News 75, no. 2 (1976): 34.
Brown, Gordon. “Arts Reviews: George Sugarman.” Arts Magazine 49, no. 4 (1974): 18.
Brown, Gordon. “Images: Sugarman at Fischbach.” Arts Magazine 42, no. 6 (1968): 20.
Brown, Gordon. “Month in Review: Sugarman, Henselmann, Gee, and Noguchi.” Arts Magazine 42, no. 7 (1968): 53.
Burton, Scott. “Reviews and Previews: George Sugarman.” Art News 66, no. 3 (1967): 56.
Campbell, Lawrence. “Reviews and Previews: George Sugarman.” Art News 57, no. 10 (1959): 17.
Campbell, Lawrence. “Reviews and Previews: George Sugarman.” Art News 60, no. 8 (1961): 12.
Castle, Wendell. “Wood: George Sugarman.” Craft Horizons 27, no. 2 (1967): 30-33.
Coates, Robert M. “The Art Galleries: Sculpture Annual.” The New Yorker, December 17, 1960: 101.
Cummings, Paul. “Interview: George Sugarman Talks with Paul Cummings.” Drawing 2, no. 5 (1981): 106.
Dennison, George. “In the Galleries: George Sugarman.” Arts Magazine 34, no. 5 (1960): 65.
Edgar, Natalie. “Reviews and Previews: George Sugarman.” Art News 63, no. 3 (1964): 10.
Frank, Elizabeth. “Review of Exhibitions: George Sugarman at Robert Miller.” Art in America 68, no. 4 (1980): 133.
Friedman, Jon R. “Arts Reviews: George Sugarman.” Arts Magazine 54, no. 8 (1980): 22.
Glueck, Grace. “George Sugarman.” New York Times, January 18, 1980.
Glueck, Grace. “George Sugarman.” New York Times, March 6, 1998.
Glueck, Grace. “Ray Parker, George Sugarman.” New York Times, April 2, 2004.
Goldin, Amy. “Beyond Style.” Art and Artists 3, no. 6 (1968): 32-35.
Goldin, Amy. “The Sculpture of George Sugarman.” Arts Magazine 40, no. 8 (1966):
28-31.
Harper, Paula. “George Sugarman: The Fullness of Time.” Arts Magazine 55, no. 1 (1980): 158-160.
Johnson, Ken. “A Fertile Garden of Sculptures.” New York Times, August 13, 1999.
Johnson, Ken. “Al Held and George Sugarman—‘The Early 60's.'” New York Times,
December 6, 2002.
Judd, Donald. “Reviews and Previews: Mixed Mediums.” Art News 58, no. 7 (1959): 60.
Kaplan, Patricia. “Reviews: George Sugarman.” Art News 73, no. 12 (1974): 90.
Kozloff, Max. “The Further Adventures of American Sculpture.” Arts Magazine 39, no. 5 (1965): 24.
Kramer, Hilton. “George Sugarman.” New York Times, December 15, 1978.
Lewis, Jo Ann. “Art Will Be Considered Just as Important as the Bricks.” Art News 76,
no. 10 (1977): 56.
Lewis, Jo Ann. “People Sculpture: Objections Overruled.” Art News 75, no. 10 (1976): 56.
Lippard, Lucy R. “New York: George Sugarman.” Artforum 2, no. 11 (1964): 53.
Lippard, Lucy R. “New York Letter.” Art International 9, no. 5 (1965): 51.
Maitland, Leslie. “Factory Brings Sculptors' Massive Dreams to Fruition.” New York
Times, November 24, 1976.
McDonald, Robert. “The Sensual Side of Experience.” Artweek 10, no. 39 (1979): 5.
O'Doherty, Brian. “Whitney Sculpture Biennial: Possible Futures.” Newsweek, January 18, 1965: 74.
Perreault, John. “The Not Plainer Dimension.” Soho Weekly News, January 28, 1981: 56.
Perrone, Jeff. “Approaching the Decorative.” Artforum 15, no. 4 (1976): 26.
Pincus-Witten, Robert. “New York: George Sugarman.” Artforum 7, no. 10 (1969): 62.
Pomeroy, Ralph. “Reviews and Previews: George Sugarman.” Art News 67, no. 3 (1968): 60.
Raynor, Vivian. “In the Galleries: Recent American Sculpture.” Arts Magazine 38, no. 3
(1964): 67.
Rose, Barbara. “New York Letter.” Art International 8, no. 10 (1964): 47.
Rose, Barbara and Irving Sandler. “Sensibility of the Sixties.” Art in America 55, no. 1
(1967): 44.
Russell, John. “Sculptors: Drawings and Maquettes.” New York Times, February 6, 1981.
Sandler, Irving. “Is There a New Academy?” Art News 58, no. 5 (1959): 37, 60.
Sandler, Irving. “Sugarman Makes a Sculpture.” Art News 65, no. 3 (1966): 34-37.
Schjeldahl, Peter. “New York Letter.” Art International 13, no. 6 (1969): 68.
Schuyler, James. “Reviews and Previews: George Sugarman.” Art News 58, no. 10 (1960): 15.
Schwartz, Barbara. “Exhibitions: New York Sculpture.” Craft Horizons 35, no. 1 (1975): 58.
Siegel, Jeanne. “In the Galleries: George Sugarman.” Arts Magazine 41, no. 7 (1967): 56.
Simon, Sidney. “George Sugarman.” Art International 11, no. 5 (1967): 22-26.
Simon, Rita. “In the Galleries: George Sugarman.” Arts Magazine 43, no. 7 (1969): 60.
Smith, Roberta. “George Sugarman, a Sculptor of Colorful Works, Dies at 87.” New York
Times, August 31, 1999.
Stevens, Mark. “Sculpture Out in the Open.” Newsweek, August 18, 1980: 70.
Stiles, Knute. “Sculpture for São Paolo.” Artforum 3, no. 1 (1964): 44.
Swain, Richard. “In the Galleries: George Sugarman.” Arts Magazine 40, no. 4 (1965): 66.
Szeemann, Harald. “George Sugarman.” Art International 14, no. 7 (1970): 50.
Taylor, John Lloyd. “Review of Exhibitions: George Sugarman at Zabriskie Gallery and
Hammarskjold Plaza.” Art in America 62, no. 6 (1974): 122.
Tillim, Sidney. “In the Galleries: George Sugarman.” Arts Magazine 36, no. 3 (1961): 52.
Wasserman, Emily. “New York: George Sugarman.” Artforum 6, no. 10 (1968): 57.