Born: St. Ignatius Indian Mission, Salish and Kootenai Nation, Montana
Enrolled Flathead Salish #07137
Olympic College, Bremerton, Washington
Framingham State College, Massachusetts
University of New Mexico
SELECTED SOLO EXHIBITIONS
Clarke Benton Gallery, Santa Fe, New Mexico
Jaune Quick-to-See Smith, Kornblee Gallery, New York, November–December 1
Galleria de Cavallino, Venice, Italy
Galerie Akmak, Berlin, Germany
Jaune Quick-to-See Smith, Marilyn Butler Fine Art, Santa Fe, August 14–September 4
Speaking Two Languages, Yellowstone Art Center, Billings, Montana
Jaune Quick-to-See Smith, Bernice Steinbaum Gallery, New York, November
Jaune Quick-to-See Smith, Marilyn Butler Fine Art, Scottsdale, Arizona, February 5–21
Jaune Quick-to-See Smith, Marilyn Butler Fine Art, Scottsdale, Arizona, August
Centric 37: Jaune Quick-to-See Smith, University Art Museum, California State University, Long Beach, October 3–29
Jaune Quick-to-See Smith: New Paintings, Bernice Steinbaum Gallery, New York, February–March 6
Jaune Quick-to-See Smith, LewAllen/Butler Fine Art, Santa Fe, August 17–September 7
The Quincentenary Non-Celebration, Steinbaum Krauss Gallery, New York
LewAllen Gallery, Santa Fe, New Mexico
Parameters Series, Chrysler Museum, Norfolk, Virginia, Parameters Series; Smith College Museum of Art, Northampton, Massachusetts
Sweet Briar College, Virginia
SITE, Santa Fe, New Mexico
Steinbaum Krauss Gallery, New York
Wabash College Art Museum, Crawfordsville, Indiana
Subversions/Affirmations: Jaune Quick-to-See Smith, A Survey, Jersey City Museum, New Jersey, December 11, 1996–February 15, 1997; Lehigh University Art Galleries, Bethlehem, Pennsylvania, April 9–June 14, 1997; Austin Museum of Art at Laguna Gloria, Austin, August 2–October 12, 1997; Missoula Art Museum, Montana, December 12, 1997–February 15, 1998
Modern Times, New Mexico State University Art Gallery, Las Cruces
The Evergreen State College Galleries, Olympia, Washington
Jaune Quick-to-See Smith, Sacred Circle Gallery of American Indian Art, Daybreak Star Cultural Arts Center, Dsicovery Park, Seattle, June 1–August 31
Jaune Quick-to-See Smith, Steinbaum Krauss Gallery, New York
Bethel College, St. Paul, Minnesota
New Work, Jan Cicero Gallery, Chicago
Art Museum of Missoula, Montana
Anton Gallery, Washington, D.C.
The Longwood Center for the Visual Arts, Longwood College, Farmville, Virginia
Western Michigan University, Kalamazoo
Penn State University, University Park, Pennsylvania
Jan Cicero Gallery, Chicago
200 Years: Change/No Change, Palmer Museum, Pennsylvania State University, University Park
Jaune Quick-to-See Smith: Made in America, Belger Arts Center for Creative Studies, University of Missouri, Kansas City; University of Scranton, Pennsylvania
LewAllen Gallery, Santa Fe, New Mexico
Jaune Quick-to-See Smith: Made in America, Belger Arts Center for Creative Studies, University of Missouri, Kansas City, April 5–June 27, 2003; University of Scranton, Pennsylvania, 2003; Milton Hershey School Art Museum, Hershey, Pennsylvania, 2004; Keene State College, Keene, New Hampshire, September 7, 2004; Polk Museum of Art, Lakeland, Florida, July 30–October 9, 2005; Museum of Texas Tech University, Lubbock, Texas, 2005–January 29, 2006; University of New Mexico Art Museum, Albuquerque, 2005; Montclair Museum, Montclair, New Jersey, September 17, 2006–January 14, 2007; Plains Art Museum, Fargo, North Dakota, 2007; Lauren Rogers Museum, Laurel, Mississippi, February 4–April 29, 2007; The Grace Museum, Abilene, Texas, 2008; Pensacola Art Museum, Florida, 2009
Continuum 12 Artists, National Museum of the American Indian, Smithsonian, New York
Connections: Old Work/New Work, Flomenhaft Gallery, New York
New Drawings: Jaune Quick-to-See Smith, Suffolk University, Boston
Jaune Quick-to-See Smith: New Paintings, Valdosta State University, Valdosta, Georgia
Jaune Quick-to-See Smith: Paintings, Drawings and Prints, Ellen Noel Museum, Odessa, Texas
Jaune Quick-to-See Smith, Muscarelle Museum, College of William; Mary, Jamestown, Virginia
Jaune Quick-to-See Smith, University of North Carolina at Pembroke, North Carolina
Jaune Quick-to-See Smith, Newcomb Art Gallery, Tulane University, New Orleans, Louisiana
Jaune Quick-to-See Smith: Landscapes of an American Modernist, Georgia O'Keeffe Museum, Santa Fe, New Mexico, January 12–April 29
Jaune Quick-to-See Smith, Anna Lamar Switzer Center for the Visual Arts, Pensacola State College, Florida, January 23–March 9
Jaune Quick-to-See Smith: Water and War, Accola Griefen Gallery, New York
Jaune Quick-to-See Smith, The Bernstein Gallery, The Woodrow Wilson School, Princeton University, New Jersey
Jaune Quick-to-See Smith, Robert E. Elberson Fine Arts Center, Salem College, Winston-Salem, North Carolina
Jaune Quick-to-See Smith, Maudeville Art Gallery, Union College, Schenectady, New York
CUE Foundation 2016 Solo Exhibition Program, New York
Jaune Quick-to-See Smith: Art after the Drought, Museum of Texas Tech University, Lubbock, Texas
Layered Stories: Jaune Quick-to-See Smith, Holter Museum of Art, Helena, Montana
Jaune Quick-to-See Smith: In the Footsteps of My Ancestors, Yellowstone Art Museum, Billings, Montana, March 23–July 16, 2017; Missoula Art Museum, Montana, September 20, 2017–March 10, 2018; Loveland Museum, Colorado, June 30–September 16, 2018; Colorado Springs Fine Arts Center, Colorado College, October 27, 2018–January 27, 2019; Tacoma Art Museum, Washington, March 9–June 30, 2019
Jaune Quick-to-See Smith: Trickster in Print, Historic Fifth Street School Mayor’s Gallery, Las Vegas, March 29–April 14
Jaune Quick-to-See Smith: Making Medicine, Garth Greenan Gallery, New York, April 12–May 19
Jaune Quick-to-See Smith: Woman in Landscape, Garth Greenan Gallery, New York, November 4–December 18
Jaune Quick-to-See Smith: Memory Map, Whitney Museum of American Art, New York, April 19–August
SELECTED GROUP EXHIBITIONS
Whittemore Gallery, Framingham State College, Massachusetts
Arthur B. Mazmanian Gallery, Framingham State College, Massachusetts
New Mexico Museum of Fine Arts Biennial, New Mexico Museum of Fine Arts, Santa Fe
Indian Art Now, Wheelwright Museum, Santa Fe, New Mexico
Fall Invitational, Roswell Museum, Roswell, New Mexico
Grey Canyon Artists, Upstairs Gallery, Berkeley, California
Rick Dillingham and Jaune Quick-to-See Smith, Clarke-Benton, Santa Fe, July
Group Show, Clarke-Benton, Santa Fe, August
Summer Show, Droll/Kolbert Gallery, New York
Cavallino Gallery, Venice, Italy
Three Visions, Massachusets College of Art, Boston
Work From the Tamarind Institute, Scottish Arts Council, Edinburgh, Scotland
Buscaglia–Casteliani Gallery, Niagara University, Niagara, New York
Rosalind Constable Invites, Sweeney Center, Santa Fe, New Mexico, October
An Exhibit of Contemporary Art by Native American Artists, Whitney Gallery of Taos, New Mexico, April
Fiber Arts, Banff Center for the Arts, Banff, Alberta, Canada
Kornblee Drawing, Aldrich Museum of Contemporary Art, Ridgefield, Connecticut
Albright Knox Art Gallery, Buffalo, New York
Galleria D’arte L’Argentario, Trento, Italy
University of Regina, Saskatchewan, Canada
Aspen Center for the Arts, Aspen, Colorado
Works on Paper, Foundations Gallery, New York
The New Feminism, curated by Lucy Lippard, Ohio State University, Columbus
Grey Canyon, Portland Art Museum, Portland
Henry Gallery, Seattle, Washington
The Horse Show, Robert Freidus Gallery, New York
Common Ground, American Indian Community House, New York, May–June 18
Second Western States Exhibition/38th Corcoran Biennial of American Painting, Corcoran Gallery of Art, Washington, D.C., May 1983; Lakeview Museum of Arts and Sciences, Peoria, Illinois, May 1983; Scottsdale Center for the Arts, Arizona, October 1983; Albuquerque Museum, 1983–1984; Long Beach Museum of Art, California, 1984; San Francisco Museum of Modern Art, November 1984
East Meets West, Brooklyn Museum, May 13
Western States Biennial, Corcoran Art Gallery, Washington, D.C.
Expanding Powers, University of Tennessee, Knoxville, Tennessee; Cal State College, Stanislaus, California
Academy of Arts and Letters Group Invitational, New York
36th Annual Exhibition, American Academy and Institute of Arts and Letters, New York
Artists Call – Reconstruction Project, Artists Space, New York
Women of the American West, Bruce Museu, Greenwich, Connecticut
Twenty-Five Years of Printmaking at Tamarind, University of New Mexico Art Museum, Albuquerque
Signale, organized by Katrina Hartje, Galerie Akmak, Berlin, Germany
Women of Sweetgrass, Cedar and Sage: Contemporary Art by Native American Women, AICH (American Indian Community House Gallery), New York
Views Across America, Museum of Modern Art, Art Advisory Service of Gannett Corporation and Pfizer Corporation Headquarters, New York
American Women in Art: Works on Paper – An American Album, Nairobi, Kenya
In Homage to Anna Mendieta, Zeus-Trabia Galler, New York
Visible/Invisible, Palo Alto Cultural Center, California
Connections Project/Conexus, Women Artists from Brazil and U.S., Museum of Contemporary Hispanic Art, New York
39th Annual Purchase Exhibition, American Academy and Institute of Arts and Letters, New York
Cultural Currents, San Diego Museum of Art
Committed to Print, Museum of Modern Art, New York
American Herstory: Women and the U.S. Constitution, The Atlanta College of Art Gallery, Atlanta, Georgia
Cambridge Multi-Cultural Art Center, Cambridge, Massachusetts
The Natural Image: Nature as Image in Contemporary Art, Stamford Museum and Nature Center, Connecticut, March 12–June 4
100 Drawings by Women, Hillwood Art Gallery, Long Island University, New York
41st Annual Academy–Institute Purchase Exhibition, American Academy and Institute of Arts and Letters, New York
Menagerie, Museum of Modern Art, New York
The Decade Show, The New Museum of Contemporary Art, The Studio Museum in Harlem, Museum of Contemporary Hispanic Art, New York
The Matter at Hand: Contemporary Drawings, University of Wisconsin at Milwaukee, Fine Arts Gallery, Milwaukee, Wisconsin
Coast to Coast–The Box Show, Art in General, New York
Figuration, The Museum of Modern Art, New York
Presswork: The Art of Women Printmakers, Lang Communications Collection, London
Myth and Magic in the Americas, Museo de Arte Contemporaneo de Monterrey, Mexico
Okanta, A-Space, Toronto, Ontario, Canada
Counter Colonialismo, Center Cultural Tijuana, Mexico; Centro Cultural de la Raza, San Diego
44th Annual Exhibit, American Academy and Institute of Arts and Letters, New York
One World, Kassel, Germany
Columbus Drowning, Rochdale Art Gallery, England
Wind and Glacier Voices: The Native American Film & Media Celebration, Lincoln Center, New York
Six Directions, Galerie Calumet, Heidelberg, Germany
In Plural America: Contemporary Journeys, Voices and Identities, Hudson River Museum of Westchester, Yonkers, October 2, 1992–January 24, 1993
Current Identities: Recent Painting in the United States, organized by Aljira: A Center for Contemporary Art, Newark, New Jersey
For the Seventh Generation: Native Americans Counter the Quncentennary, Columbus, New York; Art in General, New York
Indianer Nordamerikas, Kunst und Mythos, Internationale Tage Ingelheim, Ingelheim, Germany
Art and Enviornment: Imagine Celebrates Earth Day, National Arts Club, New York
Jaune Quick-to-See Smith and David Johns, Works on Paper, Peiper-Riegraf Gallery, Frankfurt, Germany
Indian Territories: 20th-Centry Native-American Artists Dismantle 19th-Century Euro-American Myths, René Fotouhi Fine Art East, East Hampton, August 30
AD*VANCES, Museum of Modern Art, Art Advisory Service for General Electric, New York
Reuse / Refuse, Honolulu Academy of the Arts, Hawaii
Artistas Contemporaneo de Nueva Mexico, University of Guadalajera, Mexico
Multiplicity: A New Cultural Strategy, University of British Columbia, Museum of Anthropology, Vancouver, British Columbia, Canada
Toi te Ao, an Aotearoa World Celebration of Indigenous Art & History, Te Taumata Gallery, Auckland, New Zealand
Salon de Barbie: A Multi-Media Exhibition, The Kitchen, New York; Guild Hall, East Hampton, New York
Weltpremiere: Remember the Earth Whose Skin You Are, Kunsthalle, Bonn, Germany
Pintores en grabado, IV Bienal Internacional de Pintura de Cuenca, Panama; Honduras; Salvador; Costa Rica; Ecuador; Columbia; Uragauay; Venezuela; Paraguay; Dominican Republic
Art at the Edge: Social Turf, High Museum of Art, Atlanta, Georgia
Old Glory, New Story: Flagging of the 21st Century, Capp Street Project, San Francisco, California
The Stephane Janssen Collection of Contemporary American and European Art: In Memory of R. Michael Johns, Fred Jones Jr. Museum of Art, The University of Oklahoma, Norman; SITE, Santa Fe, New Mexico
Justice/Injustice: Art Against Death, Puffin Room, New York
Heroes and Heroines: From Myth to Reality, New Jersey Center for Visual Arts, Summit, New Jersey
Brücken und Abgrenzungen: Zeitgenössiche indianische Kunst, Taunua-Sparkasse; Kronberg, Germany; Haus an der Redoute, Bonn Germany; Kaisertrutz, Görlitz, Germany
American Kaleidoscope: Themes and Perspectives in Recent Art, National Museum of American Art, Smithsonian Institution, Washington, D.C.
V Bienal Internacional de Pintura de Cuenca
Sniper’s Nest (Collection of Lucy Lippard), Bard College, Hudson, NY
New Prints, The Nelson-Atkins Museum of Art, Kansas City, Missouri
Text and Identity, Twelve Women/Twelve Artists, University Art Gallery, Staller Center for the Arts, State University at Stony Brook, New York
Real(ist) Women II, Northwood University, West Palm Beach, Florida
City Series: Taos, Albuquerque, Santa Fe, Cedar Rapids Museum of Art, Iowa
National Invitational Works on Paper Exhibition, University of Hawaii, Hilo
Mouse: An American Icon, The Alternative Museum, New York
Indian Humor, National Museum of the American Indian, New York, May 31–August 2
Ceremonial, Eight Native Americans, Venice Biennale, Schola Dei Tiraoro E. Battioro, Venezia, Italy
Outward Bound: American Art at the Brink of the Twenty-First Century, Washington D.C.; Vietnam; China; Indonesia; Singapore
23rd International Biennial of Graphic Art, Ljubljana, Slovenia
World Views: Maps & Art, Frederick R. Weisman Art Museum, University of Minnesota
Millennium Messages, SITES, Smithsonian
Mixed Blessings, Two person, curated by Dorothee Peiper-Riegraf, Amerika Haus, Frankfurt, Germany
Contemporary Masters, Eiteljorg Museum, Indianapolis, Indiana
Indian Reality Today, Westphalian State Museum, Munster, Germany
Barbie Doll Show, Walter Phillips Gallery, Banff, Alberta, Canada
5th Triennale Mondiale d’Estampes Petit Format 2000, Chamalieres, France
Sharjah Arts Museum, Sharjah, United Arab Emirates
Tamarind at 40, University of New Mexico Art Museum, Albuquerque
The View from Here, State Tretyakov Gallery, Moscow, Russia
Prints & Prints, Denise Bibro Gallery, New York
Passageways: Growing up in the World, Israel
Women’s National Art Invitational, Clemson University, South Carolina
Unforgettable, Chelsea Studio Gallery, New York; Berliner Kunstproject, Berlin, Germany
The Fables of Jean de la Fontaine, Institute for American Universities, Aix-en-Provence, France
Off the Press: Re-Contextualizing the Newspaper, Southeast Museum of Photography, Daytona Beach, Florida
Honorary Degree Exhibit, Massachusetts College of Art, Boston; Fine Arts Work Center, Provincetown, Rhode Island
Cross-Cultural Identities: An Artists Print Exchange Between South America and North America, Michaelis School of Fine Art, University of Cape Town, South Africa
The Flag Project, Rubin Museum of Art, New York
Newer Genres: Twenty Years of the Rutgers Archives for Printmaking, Jane Voorhees Zimmerli Art Museum, State University of New Jersey, Rutgers
New Editions: Prints for an American Museum, Whitney Museum of American Art, New York
Artists Interrogate: Race and Identity, Milwaukee Art Museum, Wisconsin
The Missing Piece for the Dalai Lama, Fowler Museum, Los Angeles, California; Loyola University, Chicago
Chamalieres Carrefour Int'l de L'estampe, French Print Triennial, Clichy, France
Lessedra World Art Print, Sofia, Bulgaria
Elizabeth Sackler Center for Feminist Art, New York
We Are All Knots, National Museum of the American Indian and Art in Embassies, Washington, DC
An International Printers Exchange, University of North Florida, Jacksonville
Unlimited Boundaries: Dichotomy of Place in Contemporary Native Art, Albuquerque Museum, New Mexico
Burning Down the House: Building a Feminist Art Collection, Brooklyn, New York
Speaking Volumes: Transforming Hate, Holter Museum of Art, Helena, Montana
International Print Exhibition, USA and Japan, Tokyo Metropolitan Museum of Art, Kyoto Municipal Museum of Art, Tokushima Modern Art Museum, Japan
The Third Space: Cultural Identity Today, Mead Art Museum, Amherst, Massachusetts
The Human Condition: A Multi-Cultural Print Exhibition, Molloy College, Rockville Center, Long Island, New York
Print Lovers at Thirty: Celebrating Three Decades of Giving, Nelson-Atkins Museum of Art, Kansas City, Missouri
Cuban Biennial, Havana, Cuba
Off the Beaten Path: Violence, Women and Art – Art Works for Change, Stenersen Museum, Oslo, Norway
Visual Power, Phnom Penh, Cambodia; London, United Kingdom; and Jeddah, Saudi Arabia
Land/Art, 516 ARTS, Albuquerque, New Mexico
Unconcquered Imagination, Ah-Tah-Thi-Ki Museum, Clewiston, Florida
Favorite Works, Jersey City Museum, New Jersey
Common Ground, Albuquerque Museum of Art and History, New Mexico, June 2009–
Violencia Mujer Y Arte, Off the Beaten Path: Violence, Women and Art, Centro Cultural Tijuana, Baja California, Mexico; Museo Universitario del Chopo, Mexico
The Human Touch: Selections from the RBC Drain Rauscher Collection, Joslyn Art Museum, Omaha, Nebraska
Speaking Volumes: Transforming Hate, Montana Museum of Art & Culture, University of Montana, and Yellowstone Art Museum, Billings, Montana
The Narcissism of Minor Differences, Maryland Institute College of Art, Baltimore
Tamarind Touchstones: Fabulous at Fifty, Celebrating Excellence in Fine Art Lithography, Portland Art Museum, Oregon
NASA|Art: 50 Years of Exploration, Smithsonian Institution, Washington, D.C.
Kunst der Indianischen Moderne und Postmoderne aus der Sammlung Peiper-Riegraf, Leon Berg, Germany
Montana Women in the Visual Arts, Emerson Center for Arts and Culture, Bozeman, Montana
Island Press: Three Decades of Printmaking, Mildred Lane Kemper Art Museum, St. Louis, Missouri
Pressing Ideas: Fifty Years of Women's Lithography from Tamarind, National Museum of Women in the Arts, Washington, D.C.
...As Apple Pie, Whitney Museum of American Art, New York
Creating a Living Legacy, Cue Foundation Gallery, New York
Indianische Moderne – Kunst aus Nordamerika, Staatliche Museen zu Berlin, Germany
Shapeshifting: Transformations in Native American Art, Peabody Essex Museum, Salem, Massachusetts
Privacy Please, A.I.R. Gallery, Brooklyn, New York
Octopus Dreams, Ekaterinburg Museum, Novosibirsk State Museum, Togliatti Art Museum, Russia; Siberia
National Academy Museum & School, New York
The Old Becomes the New: New York Contemporary Native American Art and the New York School, Wilmer Jennings Gallery at Kenkeleba, New York
Off the Beaten Path: Violence, Women, and Art – Art Works for Change, Johannesburg Art Gallery, South Africa, and Iziko South African National Gallery, Cape Town, South Africa
The Map Is Not the Territory, The Jerusalem Fund Gallery, Al Quds, Washington, D.C.
Women Only, Flomenhaft Gallery, New York
Face to Face, Wall to Wall, Yellowstone Art Museum, Billings, Montana
Re-Riding History: From the Southern Plains to the Matanzas Bay, Fred Jones Jr. Art Museum, Norman, Oklahoma
Marks Made: Prints by American Women Artists from 1960 to Present, Museum of Fine Art, St. Petersburg, Florida
The Plains Indians: Artists of Earth and Sky, Metropolitan Museum of Art, New York
Weaving Past into Present: Experiments in Contemporary Native American Printmaking, International Print Center, New York
Octopus Dreams, Funabashi City, Japan
Embassy of the United States, Ankara, Turkey
The Map Is Not the Territory, Lower Level Gallery, Arab American Museum, Dearborn, Michigan
Home: Contemporary Indigenous Artists Responding, Boulder Museum of Contemporary Art, Colorado, November 8–November 20, 2016; Sojourner Truth Library, State University of New York at New Paltz, December 4–22, 2017; Pattee Library, University Park, Pennsylvania State University, March 1–August 31, 2018
BIG Deal: Sizable Paintings from the Permanent Collection, Palmer Museum of Art, Pennsylvania State University, University Park, September 5–December 17
Great Basin Artists, C.N. Gorman Museum, University of California, Davis, April 4–June 16
Conversation Pieces: Selection from the Permanent Collection in Dialogue, Plains Art Museum, Fargo, North Dakota, June 29, 2017–July 29, 2018
An Incomplete History of Protest: Selections from the Whitney's Collection, 1940–2017, Whitney Museum of American Art, New York, August 18, 2017–August 27, 2018
Dress Matters: Clothing as Metaphor, Tucson Museum of Art and Historic Block, October 21, 2017–February 18, 2018
Multiple Modernisms, Chrysler Museum of Art, Norfolk, Virginia, November 17–January 31, 2019
Women with Vision: Masterworks from the Permanent Collection, Muscarelle Museum of Art, College of William and Mary, February 10–May 13, 2018
Random Search: Mining the Archives of Tamarind Institute, Tamarind Institute, Albuquerque, August 24–December 2018
Dreamlandia, Foyer Gallery, MIdwestern University, Wichita Falls, Texas, September 14–
Half the Picture: A Feminist Look at the Collection, Brooklyn Museum, August 23, 2018–March 31, 2019
From Paint Brushes to Camera Lenses: Creative Women of the Great Plains, Great Plains Art Museum, University of Nebrasks-Lincoln, September 7, 2018–April 6, 2019
Art for a New Understanding: Native Voices, 1950s to Now, Crystal Bridges Museum of American Art, Bentonville, Arkansas, October 6, 2018–January 7, 2019; IAIA Museum of Contemporary Native Arts, Institute of American Indian Arts, Santa Fe, January 25–July 19, 2019
Nature’s Nation: American Art and Environment, Princeton University Art Museum, New Jersey, October 13, 2018–January 6, 2019; Peabody Essex Museum, Salem, Massachusetts, February 2–May 5, 2019; Crystal Bridges Museum of American Art, May 25–September 9, 2019
We the People: New Art from the Collection, Albright-Knox Art Gallery, Buffalo, October 20, 2018–August 4, 2019
Graphic Revolution: American Prints 1960 to Now, Saint Louis Art Museum, November 11, 2018–February 3, 2019
Common Bonds: Artists and Architects on Community, Art, Design & Architecture Museum, UC Santa Barbara, January 12–December 8
In Praise of Folly: Five Artists After Philip Guston, Missoula Art Museum, January 25–May 18, 2019
Who Do You Say That I Am?, Marxhausen Gallery of Art, Concordia University, Seward, Nebraska, February 10–March 29
Bring Her Home: Stolen Daughters of Turtle Island, All My Relations Gallery, Minneapolis, February 14–June 21
From Dürer to Digital and 3-D, Trenton City Museum at Ellarslie, New Jersey, March 8–April 28
Landscape Without Boundaries, Manetti Shrem Museum of Art, UC Davis, July 14–December 29
NOMEN: American Women Artists from 1945 to Today, Phillips, New York, June 19–August 3
Direct Message: Art, Language, and Power, MCA Chicago, October 26, 2019–January 26, 2020
From the Vault, Tandem Press, Madison, Wisconsin, November 15, 2019–January 11, 2020
Hearts of Our People: Native Women Artists, Minneapolis Institute of Art, June 2–August 18, 2019; Frist Center for Visual Arts, Nashville, Tennessee, September 27, 2019–January 12, 2020; Renwick Gallery, Smithsonian Institution, Washington, D.C., February 21–March 13, 2020; Philbrook Museum of Art, Tulsa, Oklahoma, October 7, 2020–January 3, 2021
Landscape Without Boundaries, Manetti Shrem Museum of Art, UC Davis, July 14–December 15, 2019
5 Ways In: Themes from the Collection, Walker Art Center, Minneapolis, February 14, 2019–September 12, 2021
Stretching the Canvas: Eighty Years of Native Painting, National Museum of the American Indian, Smithsonian Institution, November 16, 2019–Fall 2021
5 Ways In: Themes from the Collection, Walker Art Center, Minneapolis, February 14, 2019–January 1, 2023
Someday is Now: A Century of Women, Art, & Social Change, New Britain Museum of American Art, Connecticut, August–November 2020
Larger Than Memory: Contemporary Art from Indigenous North America, Heard Museum, Phoenix, May 1–November 17, 2020
Contemporary Art + Design: New Acquisitions, Dallas Museum of Art, August 30, 2020–May 7, 2021
Trade Canoe: Forty Days and Forty Nights, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, January 6–December 12
All Together, Amongst Many: Reflections on Empathy, Bemis Center for Contemporary Arts, Omaha, Nebraska, March 25–June 5, 2021
Now is the Time: Recent Acquisitions to the Contemporary Collection, Baltimore Museum of Art, Maryland, May 2–July 18
Learning to Look: The Addison at 90, Addison Gallery of American Art, Phillips Academy, Andover, Massachusetts, May 8–Fall
Shared Ideologies, Muscarelle Museum of Art, Williamsburg, Virginia, June 26–November 21
Crystal Bridges at 10, Crystal Bridges Museum of American Art, Bentonville, Arkansas, July 10–September 27
Proof of Stake – Technological Claims, Kunstverein in Hamburg, Germany, September 4–November 11
New Light: Encounters and Connections, Museum of Fine Arts, Boston, July 3, 2021–July 24, 2022
Poetic Justice, New Mexico Museum of Art, Santa Fe, October 9, 2021–March 22, 2022
Color into Line: Pastels from the Renaissance to the Present, Legion of Honor Museum, San Francisco, October 9, 2021–February 13, 2022
Indigenous Voices in Contemporary Art, Danforth Museum of Art, Framingham State University, Massachusetts, October 9, 2021–March 6, 2022
For America, Oklahoma City Museum of Art, Oklahoma, November 6, 2021–January 30, 2022
Transformed: Objects Reimagined by American Artists, Montclair Art Museum, New Jersey, September 12, 2021–December 3, 2023
True Colors: Picturing Identity, West Virginia University Art Museum, Morgantown, January 22–May 15
Working Thought: Art, Labor, and the American Economy, Carnegie Museum of Art, Pittsburgh, March 5–June 26
Catching the Moment: The Ted L. and Maryanne Ellison Simmons Collection, Saint Louis Art Museum, Missouri, June 26–September 11
Addison Gallery of American Art, Phillips Academy, Andover, Massachusetts
Albright-Knox Art Gallery, Buffalo
Akron Museum of Art, Ohio
Albuquerque Museum, New Mexico
Arizona State University Art Museum, Phoenix
Art in Embassies, Washington, D.C.
Autry Museum of the American West, Los Angeles
Baltimore Museum of Art
Birmingham Museum of Art, Alabama
Buffalo Bill Center of the West, Cody, Wyoming
Carleton College, Northfield, Minnesota
Carnegie Museum of Art, Pittsburgh
Chrysler Museum, Norfolk, Virginia
Colby College Museum of Art, Waterville, Maine
Colgate University, Hamilton, New York
College of Wooster Art Museum, Ohio
Cornell Fine Arts Museum, Rollins College, Winter Park, Florida
Crocker Art Museum, Sacramento, California
Crystal Bridges Museum of American Art, Bentonville, Arkansas
Danforth Museum, Framingham, Massachusetts
Denver Art Museum, Colorado
DePaul Art Museum, DePaul University, Chicago
Des Moines Art Center, Iowa
Detroit Institue of Arts
Eiteljorg Museum of American Indians and Western Art, Indianapolis
Eskenazi Museum of Art, Indiana University Bloomington
Figge Art Museum, Davenport, Iowa
Fine Arts Museums of San Francisco
Fort Wayne Museum, Indiana
Fralin Museum of Art, University of Virginia, Charlottesville
Fred Jones Jr. Museum of Art, University of Oklahoma, Norman
Georgia O’Keeffe Museum, Santa Fe
Goshen College, Indiana
Heard Museum, Phoenix
Hennepin County Library, Minnesota
High Museum of Art, Atlanta
Hood Museum of Art, Dartmouth College, Hanover, New Hampshire
Indianapolis Museum of Art
Jersey City Museum
Joslyn Art Museum, Omaha, Nebraska
Landschaftsverband Westfalen-Lippe Museum für Naturkunde, Münster, Germany
Lauren Rogers Museum of Art, New Orleans
MacKenzie Art Gallery, Regina, Saskatchewan, Canada
Manetti Shrem Museum of Art, University of California, Davis
Memorial Art Gallery of the University of Rochester, New York
Metropolitan Museum of Art, New York
Miami Dade College Museum of Art and Design, Florida
Midwest Museum of Art, Elkhart, Indiana
Mildred Kemper Art Museum, Washington University, St. Louis
Milwaukee Art Museum, Wisconsin
Minneapolis Institute of Art, Minnesota
Missoula Art Museum, Montana
Molloy College Gallery, Rockville Centre, New York
Montclair Art Museum, New Jersey
Muscarelle Museum of Art, College of William and Mary, Williamsburg, Virginia
Museum of Art, Rhode Island School of Design, Providence
Museum für Völkerkunde Hamburg, Germany
Museum of Fine Arts, Boston
Museum of Modern Art, Cuenca, Ecuador
Museum of Modern Art, New York
Museum of Modern Art, Quito, Ecuasdor
Nasher Museum of Art, Duke University, Durham, North Carolina
National Gallery of Art, Washington, D.C.
National Museum of Women in the Arts, Washington, D.C.
New Mexico Museum of Art, Santa Fe
New Orleans Museum of Art
Newark Museum, New Jersey
Nicolaysen Art Museum, Casper, Wyoming
Pensacola Museum of Art, University of West Florida
Richard F. Brush Art Gallery, Saint Lawrence University, New York
Rockwell Museum, Corning, New York
Roswell Museum and Art Center, New Mexico
Saint Louis Art Museum, Missouri
Salish Kootenai College, Pablo, Montana
Sheldon Museum of Art, Lincoln, Nebraska
Smith College Museum of Art, Northampton, Massachusetts
Smithsonian American Art Museum, Washington, D.C.
Spencer Museum of Art, University of Kansas, Lawrence
Sweet Briar College Gallery, Virginia
Tweed Museum of Art, University of Minnesota, Duluth
Ulrich Museum of Art, Wichita State University, Kansas
University of Arizona Museum of Art, Tuscon
University of Northern Iowa Gallery of Art, Cedar Falls
Victoria and Albert Museum, London
Virginia Museum of Fine Arts, Richmond
Walker Art Center, Minneapolis
Whitney Museum of American Art, New York
Wichita Art Museum, Kansas
Yellowstone Art Center, Billings, Montan
BOOKS AND CATALOGS
Anreus, Alejandro. Subversions / Affirmations: Jaune Quick-to-See. Jersey City: Jersey City Museum, 1996.
Berlo, Janet Catherine and Ruth B. Phillips. Native North American Art. New York: Oxford University Press, 2015.
Binstock, Jonathan P. American Kaleidoscope. Washington, D.C.: National Museum of American Art, Smithsonian Institute, 1996.
Bowles, K Johnson. A Journey Through Tribal Lands. Farmville, VA: Longwood Center for the Visual Arts, 2001.
Brodsky, Judith K. and Ferris Olin. Junctures in Women’s Leadership: The Arts. New Brunswick: Rutgers University Press, 2018.
Crystal Bridges Museum of American Art. Art for a New Understanding: Native Voices, 1950s to Now. Fayetteville: University of Arkansas Press, 2018.
DeWitte, Debra J., Ralph M. Laumann, and M. Kathryn Shields. Gateway to Art: Understanding the Visual Arts. New York: Thames & Hudson, 2018.
Ewing, Heather. Arrivals. Katonah, New York: Katonah Museum of Art, 2021.
Fralin Museum of Art. Writer’s Eye 2018. Charlottesville, Virginia: Fralin Museum of Art, University of Virginia, 2018.
Gerhard, Jane and Dan Tucker. Citizen Woman. New York: Prestel, 2020.
Goodman, Abigail Ross, Molly Epstein, and Laura Beshears. Art for Rollins: The Alfond Collection of Contemporary Art, Volume III. Winterpark, Florida: Cornell Fine Arts Museum, 2018.
Herbert F. Johnson Museum of Art. A Handbook of the Collections. Ithaca: Herbert F. Johnson Museum of Art, Cornell University, 2018.
Kusserow, Karl and Alan C. Braddock. Nature’s Nation: American Art and Environment. Princeton: Princeton University Art Museum, 2019.
Martine, David Bunn. No Reservation: New York Contemporary Native American Art Movement. New York: AMERINDA, Inc., 2017.
McCarthy, Jeremiah William and Diana Thompson. For America: Paintings from the National Academy of Design. New York: American Federation of Arts, 2019.
New Jersey City University. The Persistence of History. Jersey City: New Jersey City University, 2018.
Robertson, Jean and Deborah Hutton. The History of Art: A Global View. New York: Thames and Hudson, 2021.
Rushing III, W. Jackson. Native American Art in the Twentieth Century. New York: Routledge , 1999.
Saltz, Jerry. How to be an Artist. New York: Riverhead, 2020.
Scott, Amy, ed. Art of the West: Selected works from the Autry Museum. Norman: University of Oklahoma Press, 2018.
Tanguy, Sarah. A View from Here. Moscow: State Tretyakov Gallery, 2000.
The History of Art: A Global View. London: Thames and Hudson, 2020.
University of Oklahoma School of Visual Arts. Ascendant: Expressions of Self-Determination. Norman, Oklahoma: University of Oklahoma, 2022.
Wyckoff, Elizabeth and Gretchen L. Wagner. Graphic Revolution: American Prints 1960 to Now. Saint Louis: Saint Louis Art Museum, 2019.
Yohe, Jill Ahlberg and Teri Greeves. Hearts of Our People: Native Women Artists. Minneapolis: Minneapolis Institute of Art, 2019.
Archuleta, Margaret and Rennard Strickland. “Shared Visions: Part 3.” Native Peoples 5, no. 2 (1992): 28–33.
Baker, Lori K. "But Is It Indian Art?." Phoenix Magazine (November 1992): 94–99.
Bass, Ruth. “Jaune Quick-to-See Smith.” Art News 83, no. 3 (1984): 224.
Bell, David L. "Action Centers on San Francisco St." Albuquerque Journal North, July 20, 1983.
Berge, Carol. "Smith and Whitehorse: Painterly Leaps and Continuities". The Santa Fe Reporter, August 29-September 4, 1990.
Borum, Jenifer P. “Reviews: Jaune Quick-to-See Smith at Steinbaum Krauss Gallery.” Artforum 31, no. 5 (1993): 87–88.
Braff, Phyllis. “Myths of the American Indian and Significant Photographs.” New York Times, August 15, 1993.
Brown, Betty Ann. “Centric 37 by Jaune Quick-to-See Smith.” Artweek (October 21, 1989): 11–12.
Cain, Corrinne and Albion Fenderson. "Collecting with Heart: The Collection of Albion Fenderson.” Native Peoples 14, no. 2 (2001): 72–74.
Camper, Fred. “Self-Expressionism.” Chicago Reader 24, no. 7 (1994): 30–31.
Clark, William. "Artist Taps Into Politics, Environment.” Albuquerque Journal, August 26, 1990.
Cohen, Mark Daniel. “Regional Reviews: Jaune Quick-to-See Smith: Poet in Paint at Neuberger Museum of Art.” Art New England 22, no. 3 (2001): 44.
Cohen, Ronny H. “Review of Exhibitions: Jaune Quick-to-See Smith at Kornblee.” Art in America 68, no. 3 (1980): 116–17.
Conrad, Mary. “Art Knows No Boundaries: Tamarind Institute Goes Worldwide.” Mirage (Winter 1990): 4–5.
–––. "Conversation: Creative Paths.” Mirage. (Summer 2001): 29–31.
Cornum, Lou. “Previews: ‘Hearts of Our People: Native Women Artists.” Artforum 57, no. 9 (2019): 99.
Corry, John. "A Current View of American Indians." New York Times, July 29, 1983.
Cortright, Barbara. "Photographing Ourselves: Contemporary Native American Photography." Artspace 9, no. 4 (1985): 12–13.
de Tolentino, Marianne. “Fourth Cuenca International Painting Biennial.” ArtNexus no. 16 (April–June 1995): 88–89.
“Entertainment and Performing Arts: Ethnic Village.” Native Peoples 15, no. 2 (2002): 70.
Fabricant, Don. "Shidoni Show Highlights Gallery Openings.” New Mexican, July 15, 1979.
“Faces and Places.” History News 46, no. 5 (1991): 31.
Farris, Phoebe. "Contemporary Native Amiercan Women Artists: Visual Expressions of Feminism, the Environment, and Identity." Feminist Studies 13, no. 1 (2005): 95–109.
Ferber, Andrea L. “Jaune Quick-to-See Smith.” First American Art Magazine, no. 25 (2020): 62–67.
Frank, Peter. "Glimpsing the Nature of the True West.” Newsday, April 8, 1984.
Gabriel, Bertram. "The Nation: Santa Fe: From Main Street to Mainstream.” Art News 81, no. 1 (1982): 134–36.
Gallagher, Hugh. "Indian Art Show Seeks New Directions.” Albuquerque Journal, October 14, 1979.
“Gallery Row: Jaune Quick-to-See Smith.” Phoenix Home and Garden (February 1987): 28.
Galligan, Gregory. "Jaune Quick-To-See Smith: Crossing the Great Divide." Arts Magazine 60, no. 5 (January 1986): 54–55.
Galligan, Gregory. "Jaune Quick-To-See Smith: Racing with the Moon.” Arts Magazine 61, no. 5 (1987): 82–83.
Garcia, Corinne. "Unsettled.” Western Art & Architecture 11, no. 4 (2017): 148–153.
Gerrit, Henry. “Jaune Quick-to-See at the Neuberger Museum,” Art in America 89, no. 11 (2001): 155.
Glueck, Grace. "Two Biennials: One Looking East and the Other West.” New York Times, March 27, 1983.
Goldman, Judith. “Talking About Collecting: Trailblazing Art.” Vogue 169, no. 9 (1979): 332.
Green, Christopher. “Stretching the Canvas: Eight Decades of Native Painting.” Art in America 108, no. 3 (2020): 84–86.
Hammond, Harmony. “Exhibitions: Jaune Quick-to-See Smith at the Georgia O’Keeffe Museum.” Art in America 100, no. 5 (2012): 181–82.
Harjo, Suzan Shown. "Without Reservation.” Native Peoples 11, no. 3 (1998): 50–55.
Harnett, Joel. “Treasure Hunt of the Senses.”Native Peoples 13, no. 6 (2000): 48–50.
Herbert F. Johnson Museum of Art. A Handbook of the Collections. Ithaca, New York: Herbert F. Johnson Museum of Art, 2018.
Hice, Michael. "Contemporary Masters: The Eiteljorg Fellowship for Native American Fine Art." Native Artists 1, no. 2 (1999): 48–49.
Highwater, Jamake. "Contemporary Native American Painting and Sculpture.” Native Arts/West (July 1980): 19–23, 29, 32–33.
Highwater, Jamake. "Indians in Painting." American Indian Journal 6, no. 1 (January 1980): 26–31.
Highwater, Jamake. "Noble Savages and Wild Indians." New York Arts Journal, no. 17 (January 1980): 22–24.
Highwater, Jamake. "Profiles of Contemporary North American Indian Artists: Jaune Quick-To-See Smith". Native Arts/West (November 1980): 69.
Hirsch, Faye. “Working Proof: Jaune Quick-to-See Smith.” Art on Paper 7, no. 1 (2002): 88–89.
Hoffman, Gerhard. “Frames of Reference: Native American Art in the Context of Modern and Postmodern Art.” Artspace 2, no. 2 (1987): 24-30.
Hopkins, Candice. “Reviews: ‘Hearts of Our People: Native Women Artists’ at the Minneapolis Institute of Art.” Artforum 58, no 3 (2019): 218.
Houle, Robert. "Sovereignty Over Subjectivity.” C Magazine, no. 30 (Summer 1991): 28–35.
Hunt, Joshua. “Jaune Quick-to-See Smith Maps New Meanings.” New York Times, December 2, 2021.
Hurst, Tricia. "Crossing Bridges: Jaune Quick-To-See Smith, Helen Hardin, Jean Bales." Southwest Art 10, no. 11 (1981): 82–89.
Indyke, Dottie. “Reviews: Jaune Quick-to-See Smith at LewAllen Contemporary.” Art News 102, no. 4 (2003): 130.
Jordan, Kyle and Rick Remien. "Images of Indian Women in Art." Eagle Free Press (October 1985): 3.
Josslin, Victoria. “Art With a Message Rubs Off on its Viewers.” Seattle Post-Intelligencer, August 7, 1998.
Kastner, Carolyn. Jaune Quick-to-See Smith: An American Modernist. Albuquerque: University of New Mexico, 2013.
Kotrozo, Carol. "You Name It—Arizona's Got It.” Arizona Arts & Lifestyle (Fall 1980): 20.
Lanteri, Michelle J. “Larger Than Memory: Contemporary Art from Indigenous North America.” First American Art Magazine, no. 29 (2021): 84–85.
Larson, Kay. “Caribbean Visions.” New York Magazine 17, no. 25 (1983): 80–81.
Ledesma, Jared. “One Years of Modern and Contemporary Art.” VIEW (Spring 2022): 8–12.
Levin, Kim. "Jaune Quick-To-See Smith.” Village Voice 35, no. 10 (1990): 109.
–––. "Bad Timing.” Village Voice 35, no. 10 (1990): 102.
Lippard, Lucy R. “Native Intelligence.” Village Voice 28, no. 52 (1983): 102.
Lovell, Charles Muir. Jaune Quick-to-See Smith: Made in America. Kasas City: University of Missouri, 2003.
Luomala, Nancy. “Women of Sweetgrass.” Woman’s Art Journal 9, no. 1 (1988): 42–44.
Martin, Philip. “No Reservations.” Arkansas Democrat Gazette, October 21, 2018.
Montiel, Anya. “After Columbus.” Art in America 105, 9 (2017): 86–91.
Montini, Ed. "In a Group, Indian Artists Grow as Individuals." The Arizona Republic, February 3, 1981.
Montini, Ed. "Loyalties: Artist Brings Dual Tradition to Landscapes in Motion." The Arizona Republic, October 15, 1980.
Moore, S. Derrickson. “Quick-To-See Smith Offers Art with a Conscience and a Message.” Sun-News, January 25, 1997.
Murphy, Jocelyn. “Through Living Eyes.” Northwest Arkansas Democrat Gazette, October 14, 2018.
Nelson, Mary Carroll. "Etching: Contemporary Definitions of an Ancient Technique." Four Winds 2, no. 5 (1981): 24–31.
Nelson, Mary Carroll. "Jaune Quick-To-See Smith: In the Mainstream." ArtWest (June 1983): 70–74.
Obrist, Hans Ulrich. “Die Kunst einer Native American.” Das Magazin, no. 6 (2021), 9.
Obrist, Hans Ulrich. “Was haben Sie gesehen, Herr Obrist?” Weltkunst, no. 181 (2021): 98.
Osborne, Tom. “Green Light.” Laguna Beach Independent, November 14, 2019.
P., S.M. “Jaune Quick-to-See Smith: In the Fog, Near the Cliff.” Artlines 4, no. 7 (1983): 6–8, 10.
Peterson, William. "Portrait: The Southwest.” Portfolio 3, no. 4 (1981): 71–76.
Phillips, Deborah C. “New Editions: Jaune Quick-to-See Smith.” Art News 82, no. 8 (1983): 93.
“Plains Museum Focuses on Abstract Artists.” The Indian Trader (July 1980): 33–34.
Plett, Nicole. "Painter Draws Inspiration from Landscape.” New Mexican, July 22, 1983.
Pyne, Lynn. “Abstract Visions Rooted in the Land.” Phoenix Gazette, February 18, 1987.
“Recent Developments: Art Fairs.” First American Art Magazine, no. 29 (2021): 9
“Reception to Honor Lithograph Artists.” Albuquerque Journal, August 14, 1981.
Rothstein, Edward. “‘Nature’s Nation: American Art and Environment’ Review: History Through an Ideological Filter.” Wall Street Journal, February 13, 2019.
Rose, Peter. "’Eclectic Image-Maker’ Paints Contrast.” Arizona Republic, January 10, 1982.
Ross, Deborah. "Indian Pioneer Blazes Art-World Trails." The Arizona Republic, February 24, 1989.
Schulman, Sandra Hale. “11 Influential Native American Artists.” Artsy, November 9, 2021.
“Scottsdale Nabs Coup d’Art.” Phoenix Gazette, October 11, 1983.
“Shorter Takes.” Woman’s Art Journal 20, no. 2 (1999–2000): 65.
Simek, Peter. "Art of the Horse.” Cowboys & Indians 22, no. 6 (2014): 72–80.
Simon, Joan. "Report from New Mexico.” Art in America 68, no. 6 (1980): 33–41.
Smith, Jaune Quick-to-See. “Celebrate 40,000 Years of American Art.” Frontiers: A Journal of Women Studies 23, no. 2 (2002): 154–155.
Smith, Katherine. "Outside the Pueblo." Portfolio 4, no. 4 (1982): 52–57.
Tarzan, Deloris. "Indian Artists." Seattle Times, September 20, 1983.
“The Grey Canyon Artists.” Turtle 2, no. 1–2 (1980): 14–15.
Thollem. "Great Basin Artists, C.N. Gorman Museum, Davis, California." First American Art Magazine, no. 16 (Fall 2017): 73–74.
Tobin, Richard. “Reviews: Jaune Quick-to-See Smith at the Georgia O’Keeffe Museum.” Art News 111, no. 8 (2012): 116–17.
Traugott, Joseph. "Artist's Sojourn Results in Exploration, Growth.” Albuquerque Journal, July 24, 1983,
Trembley, Gail. “Jaune Quick-to-See Smith at Bush Barn Art Center, Salem.” Art Papers 23, no. 2 (1999): 56.
Trevelyan, Amelia. "Jaune Quick-To-See Smith." Native Peoples 13, no. 2 (2000): 76–81.
Valentino, Erin. “Coyote’s Ransom." Third Text 38 (Spring 1997): 25–37.
VanderPlas, Jaap. “Smith, Jaune Quick-To-See: We Are Here to Stay.” ArtLines 6, no. 4 (1985): 13.
Walsh, Cory. “Five Artists Tap into the Humor and Rage of Philip Guston.” Missoulian, March 15, 2019.
Weathers, Chelsea. “‘Art For a New Understanding: Native Perspectives, 1950s to Now.’ at the IAIA Museum of Contemporary Native Arts, Santa Fe.” Artforum 57, no. 8 (2019): 185.
Wolgamott, L. Kent. “Marxhausen Gallery's 'Who Do You Say I Am?' Rare Effective Exhibition Exploring Human Identity” Lincoln Journal Star, March 7, 2019.
Wood, Joe. “Welcome to the Club.” Village Voice 35, no. 23 (1990): 87–88.
Yellowstone Art Museum. Jaune Quick-to-See Smith: In the Footsteps of My Ancestors. Billings, Montana: Yellowstone Art Museum, 2017.
Young, Joseph E. "Two Exhibits Revitalize Native American Art." The Arizona Republic, December 23, 1979.
Zdanovics, Olga. “Reviews: Jaune Quick-to-See Smith at Jan Cicero Gallery.” New Art Examiner 22, no. 4 (1994): 42–43.
Zimmer, William. “Drawing Visual Power from a Social Cause.” New York Times, December 22, 1996.
–––. “Three Shows of Independent Vision.” New York Times, March 11, 2001.
Zwinger, Susan. "Viewpoint: An Interview with Artist Jaune Quick-to-See Smith.” El Palacio 92, no. 1 (1986): 51–53.