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Jaune Quick-to-See Smith

Jaune Quick-to-See Smith - Artists - Garth Greenan Gallery

Jaune Quick-to-See Smith, 2021. Photograph by Grace Roselli.

Born January 15, 1940 at the St. Ignatius Indian Mission on her reservation, Jaune Quick-to-See Smith was an enrolled Salish member of the Confederated Salish and Kootenai Nation, Montana. Smith received an Associate of Arts Degree at Olympic College in Bremerton, Washington in 1960, a BA in Art Education from Framingham State College, Massachusetts in 1976, and an MA in Visual Arts from the University of New Mexico in 1980.

Smith created complex abstract paintings and prints for over five decades. Known for her poetic, curious, and profound interpretations of America’s particular forms of bigotry toward Native peoples, the artist’s sharp humor pierced through the heavy topics of race, colonialism, pollution, genocide, and survival. Combining appropriated imagery from commercial slogans and signage, art history and personal narratives, she forged an intimate visual language to convey her insistent socio-political commentary with astounding power. As critic Gerrit Henry, (Art in America, 2001) writes: “For all the primal nature of her origins, Smith adeptly takes on contemporary American society in her paintings, drawings and prints, looking at things Native and national through bifocals of the old and the new, the sacred and the profane, the divine and the witty.” 

From the first years of her career, Smith took every opportunity to bring the work of Native artists to the attention of curators, critics, and historians, organizing pivotal group exhibitions like Women of Sweetgrass, Cedar, and Sage (1985) with Harmony Hammond. Partly due to these efforts, she and her contemporaries were featured in Lucy Lippard’s 1990 classic Mixed Blessings. After decades of professional successes, Smith’s commitment to highlight the miracle of Native Americans’ continued existence showed no signs of waning.

The artist repeatedly overcame the immense headwinds of gender and race, deliberately clearing space for others as she went. Hers was the first painting by a Native artist to be acquired by the National Gallery of Art. In 2023, she became the first Native artist to be given a retrospective at the Whitney Museum when they mounted Jaune Quick-to-See Smith: Memory Map—the most comprehensive exhibit of the artist’s work to date.

Smith received numerous awards such as the Academy of Arts and Letters Purchase Award, New York, l987; the Joan Mitchell Foundation Painters Grant, 1996; the Women’s Caucus for the Arts Lifetime Achievement, 1997; the College Art Association Women’s Award, 2002; Governor’s Outstanding New Mexico Woman’s Award, 2005; New Mexico Governor’s Award for Excellence in the Arts, 2005. Art Table Artist Honoree, New York, 2011; Visionary Woman Award, Moore College, Pennsylvania, 2011; Elected to the National Academy of Art, New York,  2011; Living Artist of Distinction Award, Georgia O’Keeffe Museum, 2012; NAEA Ziegfeld Lecture Award, 2014; The Woodson Foundation Lifetime Achievement Award, 2015, a United States Artists fellowship in 2020, an American Academy of Arts and Letters Award in 2021, an Anonymous Was a Woman Award in 2022, and the Artists’ Legacy Foundation Artist Award in 2023, among many others. She holds four honorary doctorates from the Minneapolis College of Art and Design, the Pennsylvania Academy of Fine Arts, the Massachusetts College of Art, and the University of New Mexico, Albuquerque.

Smith’s work is held in the permanent collections of the Cornell Fine Arts Museum, Rollins College, Winter Park, Florida; Museum of Modern Art, Quito, Ecuador; the Museum of Mankind, Vienna, Austria; The Walker Art Center, Minneapolis, Minnesota; The Smithsonian American Art Museum, Washington D.C.; the Museum of Modern Art, the Brooklyn Museum, the Metropolitan Museum of Art, and The Whitney Museum of American Art, New York, among many others.

JAUNE QUICK-TO-SEE SMITH

1940
Born: St. Ignatius Indian Mission, Salish and Kootenai Nation, Montana
Enrolled Flathead Salish #07137

2025
Died: Corrales, New Mexico

 

EDUCATION

1960
Olympic College, Bremerton, Washington

1976
Framingham State College, Massachusetts

1980
University of New Mexico

 

SELECTED SOLO EXHIBITIONS

1978
Clarke Benton Gallery, Santa Fe, New Mexico

1979
Jaune Quick-to-See Smith, Kornblee Gallery, New York, November–December 1

1980
Galleria de Cavallino, Venice, Italy
Marilyn Butler Fine Art, Scottsdale, Arizona, October 1–25

1983
Galerie Akmak, Berlin, Germany
Jaune Quick-to-See Smith, Marilyn Butler Fine Art, Santa Fe, July

1984
Jaune Quick-to-See Smith, Bernice Steinbaum Gallery, New York, February

1985
Jaune Quick-to-See Smith, Marilyn Butler Fine Art, Santa Fe, August 14–September 4

1986
Speaking Two Languages, Yellowstone Art Center, Billings, Montana
Jaune Quick-to-See Smith, Bernice Steinbaum Gallery, New York, November

1987
Jaune Quick-to-See Smith, Marilyn Butler Fine Art, Scottsdale, Arizona, February 5–21

1988
Jaune Quick-to-See Smith, Marilyn Butler Fine Art, Scottsdale, Arizona, August

1989
Centric 37: Jaune Quick-to-See Smith, University Art Museum, California State University, Long Beach, October 3–29

1990
Jaune Quick-to-See Smith: New Paintings, Bernice Steinbaum Gallery, New York, February–March 6
Jaune Quick-to-See Smith, LewAllen/Butler Fine Art, Santa Fe, August 17–September 7

1992
The Quincentenary Non-Celebration, Steinbaum Krauss Gallery, New York
LewAllen Gallery, Santa Fe, New Mexico

1993
Parameters Series, Chrysler Museum, Norfolk, Virginia, Parameters Series; Smith College Museum of Art, Northampton, Massachusetts
Jaune Quick-to-See Smith, Steinbaum Krauss Gallery, New York
Sweet Briar College, Virginia

1994
Jaune Quick-to-See Smith, Jan Cicero Gallery, Chicago, November 26
SITE, Santa Fe, New Mexico

1995
Steinbaum Krauss Gallery, New York
Wabash College Art Museum, Crawfordsville, Indiana

1996–1998
Subversions/Affirmations: Jaune Quick-to-See Smith, A Survey, Jersey City Museum, New Jersey, December 11, 1996–February 15, 1997; Lehigh University Art Galleries, Bethlehem, Pennsylvania, April 9–June 14, 1997; Austin Museum of Art at Laguna Gloria, Austin, August 2–October 12, 1997; Missoula Art Museum, Montana, December 12, 1997–February 15, 1998

1997
Modern Times, New Mexico State University Art Gallery, Las Cruces
The Evergreen State College Galleries, Olympia, Washington

1998
Jaune Quick-to-See Smith, Sacred Circle Gallery of American Indian Art, Daybreak Star Cultural Arts Center, Dsicovery Park, Seattle, June 1–August 31
Jaune Quick-to-See Smith, Steinbaum Krauss Gallery, New York

1999
Bethel College, St. Paul, Minnesota
Jaune Quick-to-See Smith, Bush Barn Art Center, Salem, Oregon, August 30–September 30

2000
New Work, Jan Cicero Gallery, Chicago
Art Museum of Missoula, Montana

2001
Jaune Quick-to-See Smith: Poet in Paint, Neuberger Museum of Art, Purchase College, State University of New York, Purchase, January 21–May 20
Anton Gallery, Washington, D.C.
The Longwood Center for the Visual Arts, Longwood College, Farmville, Virginia
Western Michigan University, Kalamazoo

2002
Penn State University, University Park, Pennsylvania
Jan Cicero Gallery, Chicago
200 Years: Change/No Change, Palmer Museum, Pennsylvania State University, University Park

2003
Jaune Quick-to-See Smith: Made in America, Belger Arts Center for Creative Studies, University of Missouri, Kansas City; University of Scranton, Pennsylvania
LewAllen Gallery, Santa Fe, New Mexico

2003-2009
Jaune Quick-to-See Smith: Made in America, Belger Arts Center for Creative Studies, University of Missouri, Kansas City, April 5–June 27, 2003; University of Scranton, Pennsylvania, 2003; Milton Hershey School Art Museum, Hershey, Pennsylvania, 2004; Keene State College, Keene, New Hampshire, September 7, 2004; Polk Museum of Art, Lakeland, Florida, July 30–October 9, 2005; Museum of Texas Tech University, Lubbock, Texas, 2005–January 29, 2006; University of New Mexico Art Museum, Albuquerque, 2005; Montclair Museum, Montclair, New Jersey, September 17, 2006–January 14, 2007; Plains Art Museum, Fargo, North Dakota, 2007; Lauren Rogers Museum, Laurel, Mississippi, February 4–April 29, 2007; The Grace Museum, Abilene, Texas, 2008; Pensacola Art Museum, Florida, 2009

2004
Continuum 12 Artists, National Museum of the American Indian, Smithsonian, New York

2004-2005
Jaune Quick-to-See Smith: Postmodern Messenger, Tuscon Museum of Art, Arizona, October 16, 2004–January 9, 2005

2005
Connections: Old Work/New Work, Flomenhaft Gallery, New York

2005-2006
Jaune Quick-to-See Smith: She Paints the Horse, Nicolaysen Art Museum, Casper, Wyoming, April 2–July 3, 2005; Ft. Collins Museum of Contemporary Art, Colorado, September 27, 2005–January 21, 2006

2006
New Drawings: Jaune Quick-to-See Smith, Suffolk University, Boston
Jaune Quick-to-See Smith: New Paintings, Valdosta State University, Valdosta, Georgia

2007
Jaune Quick-to-See Smith: Paintings, Drawings and Prints, Ellen Noel Museum, Odessa, Texas
Jaune Quick-to-See Smith, Muscarelle Museum, College of William; Mary, Jamestown, Virginia

2008
Jaune Quick-to-See Smith, University of North Carolina at Pembroke, North Carolina

2009
Jaune Quick-to-See Smith, Newcomb Art Gallery, Tulane University, New Orleans, Louisiana

2012
Jaune Quick-to-See Smith: Landscapes of an American Modernist, Georgia O’Keeffe Museum, Santa Fe, New Mexico, January 12–April 29
Jaune Quick-to-See Smith, Anna Lamar Switzer Center for the Visual Arts, Pensacola State College, Florida, January 23–March 9

2013
Jaune Quick-to-See Smith: Water and War, Accola Griefen Gallery, New York

2014
Jaune Quick-to-See Smith, The Bernstein Gallery, The Woodrow Wilson School, Princeton University, New Jersey
Jaune Quick-to-See Smith, Robert E. Elberson Fine Arts Center, Salem College, Winston-Salem, North Carolina
Jaune Quick-to-See Smith, Maudeville Art Gallery, Union College, Schenectady, New York

2015
CUE Foundation 2016 Solo Exhibition Program, New York
Jaune Quick-to-See Smith: Art after the Drought, Museum of Texas Tech University, Lubbock, Texas

2016 
Layered Stories: Jaune Quick-to-See Smith, Holter Museum of Art, Helena, Montana 

2017-2019
Jaune Quick-to-See Smith: In the Footsteps of My Ancestors, Yellowstone Art Museum, Billings, Montana, March 23–July 16, 2017; Missoula Art Museum, Montana, September 20, 2017–March 10, 2018; Loveland Museum, Colorado, June 30–September 16, 2018; Colorado Springs Fine Arts Center, Colorado College, October 27, 2018–January 27, 2019; Tacoma Art Museum, Washington, March 9–June 30, 2019

2018
Jaune Quick-to-See Smith: Trickster in Print, Historic Fifth Street School Mayor’s Gallery, Las Vegas, March 29–April 14
Jaune Quick-to-See Smith: Making Medicine, Garth Greenan Gallery, New York, April 12–May 19

2021
Jaune Quick-to-See Smith: Woman in Landscape, Garth Greenan Gallery, New York, November 4–December 18

2023–2024
Jaune Quick-to-See Smith: Memory Map, Whitney Museum of American Art, New York, April 19–August; Modern Art Mueum of Fort Worth, Texas, October 15, 2023 - January 21, 2024; Seattle Art Museum, Washington, Feb 29–May 12 2024

2024–2025
Jaune Quick-to-See Smith, Saint Louis Art Museum, May 3, 2024–May 11, 2025

2025
Hope with Humor: Works by Jaune Quick-To-See Smith from the Collection, Zimmerli Art Museum, Rutgers University, New Jersey, January 22–December 21
Jaune Quick-to-See Smith, Glenstone Pavilions, Room 9, Travilah, Maryland, March 20–
 

 

SELECTED GROUP EXHIBITIONS

1976
Whittemore Gallery, Framingham State College, Massachusetts

1977
Arthur B. Mazmanian Gallery, Framingham State College, Massachusetts

1978
New Mexico Museum of Fine Arts Biennial, New Mexico Museum of Fine Arts, Santa Fe
Indian Art Now, Wheelwright Museum, Santa Fe, New Mexico

1979
Fall Invitational, Roswell Museum, Roswell, New Mexico
Grey Canyon Artists, Upstairs Gallery, Berkeley, California
Rick Dillingham and Jaune Quick-to-See Smith, Clarke-Benton, Santa Fe, July
Group Show, Clarke-Benton, Santa Fe, August
Summer Show, Droll/Kolbert Gallery, New York

1979–1980
Imagery of the Plains: R. Lee White and Jaune Quick-to-See Smith, Heard Museum, December 15, 1979–January 24, 1980

1980
Cavallino Gallery, Venice, Italy
Three Visions, Massachusets College of Art, Boston
Work From the Tamarind Institute, Scottish Arts Council, Edinburgh, Scotland
Buscaglia–Casteliani Gallery, Niagara University, Niagara, New York

1981
Rosalind Constable Invites, Sweeney Center, Santa Fe, New Mexico, October
An Exhibit of Contemporary Art by Native American Artists, Whitney Gallery of Taos, New Mexico, April
Fiber Arts, Banff Center for the Arts, Banff, Alberta, Canada
Kornblee Drawing, Aldrich Museum of Contemporary Art, Ridgefield, Connecticut
Albright Knox Art Gallery, Buffalo, New York
Grey Canyon Group, Heard Museum, February 7–March 22

1982
Galleria D’arte L’Argentario, Trento, Italy
University of Regina, Saskatchewan, Canada
Aspen Center for the Arts, Aspen, Colorado
Works on Paper, Foundations Gallery, New York

1983
The New Feminism, curated by Lucy Lippard, Ohio State University, Columbus
Grey Canyon, Portland Art Museum, Portland
Henry Gallery, Seattle, Washington
The Horse Show, Robert Freidus Gallery, New York

1983-1984
Common Ground, American Indian Community House, New York, May–June 18
Second Western States Exhibition/38th Corcoran Biennial of American Painting, Corcoran Gallery of Art, Washington, D.C., May 1983; Lakeview Museum of Arts and Sciences, Peoria, Illinois, May 1983; Scottsdale Center for the Arts, Arizona, October 1983; Albuquerque Museum, 1983–1984; Long Beach Museum of Art, California, 1984; San Francisco Museum of Modern Art, November 1984

1984
East Meets West, Brooklyn Museum, May 13
Western States Biennial, Corcoran Art Gallery, Washington, D.C.
Expanding Powers, University of Tennessee, Knoxville, Tennessee; Cal State College, Stanislaus, California
Academy of Arts and Letters Group Invitational, New York
36th Annual Exhibition, American Academy and Institute of Arts and Letters, New York
Artists Call – Reconstruction Project, Artists Space, New York

1985
Women of the American West, Bruce Museu, Greenwich, Connecticut
Twenty-Five Years of Printmaking at Tamarind, University of New Mexico Art Museum, Albuquerque
Signale, organized by Katrina Hartje, Galerie Akmak, Berlin, Germany
Women of Sweetgrass, Cedar and Sage: Contemporary Art by Native American Women, AICH (American Indian Community House Gallery), New York

1986
Views Across America, Museum of Modern Art, Art Advisory Service of Gannett Corporation and Pfizer Corporation Headquarters, New York
American Women in Art: Works on Paper – An American Album, Nairobi, Kenya
In Homage to Anna Mendieta, Zeus-Trabia Galler, New York
Visible/Invisible, Palo Alto Cultural Center, California

1987
Connections Project/Conexus, Women Artists from Brazil and U.S., Museum of Contemporary Hispanic Art, New York
39th Annual Purchase Exhibition, American Academy and Institute of Arts and Letters, New York

1988
Cultural Currents, San Diego Museum of Art
Committed to Print, Museum of Modern Art, New York
American Herstory: Women and the U.S. Constitution, The Atlanta College of Art Gallery, Atlanta, Georgia

1989
Cambridge Multi-Cultural Art Center, Cambridge, Massachusetts
The Natural Image: Nature as Image in Contemporary Art, Stamford Museum and Nature Center, Connecticut, March 12–June 4
100 Drawings by Women, Hillwood Art Gallery, Long Island University, New York
41st Annual Academy–Institute Purchase Exhibition, American Academy and Institute of Arts and Letters, New York
Jaune Quick-to-See Smith and Emma Whitehorse, Marilyn Butler Fine Art, Scottsdale, February 28

1990
Menagerie, Museum of Modern Art, New York
The Decade Show, The New Museum of Contemporary Art, The Studio Museum in Harlem, Museum of Contemporary Hispanic Art, New York
The Matter at Hand: Contemporary Drawings, University of Wisconsin at Milwaukee, Fine Arts Gallery, Milwaukee, Wisconsin
Coast to Coast–The Box Show, Art in General, New York

1991
Figuration, The Museum of Modern Art, New York
Presswork: The Art of Women Printmakers, Lang Communications Collection, London
Myth and Magic in the Americas, Museo de Arte Contemporaneo de Monterrey, Mexico
Okanta, A-Space, Toronto, Ontario, Canada

1992
Counter Colonialismo, Center Cultural Tijuana, Mexico; Centro Cultural de la Raza, San Diego
44th Annual Exhibit, American Academy and Institute of Arts and Letters, New York
One World, Kassel, Germany
Columbus Drowning, Rochdale Art Gallery, England
Wind and Glacier Voices: The Native American Film & Media Celebration, Lincoln Center, New York
Six Directions, Galerie Calumet, Heidelberg, Germany

1992–1993
In Plural America: Contemporary Journeys, Voices and Identities, Hudson River Museum of Westchester, Yonkers, October 2, 1992–January 24, 1993

1993
Current Identities: Recent Painting in the United States, organized by Aljira: A Center for Contemporary Art, Newark, New Jersey
For the Seventh Generation: Native Americans Counter the Quncentennary, Columbus, New York; Art in General, New York
Indianer Nordamerikas, Kunst und Mythos, Internationale Tage Ingelheim, Ingelheim, Germany
Art and Enviornment: Imagine Celebrates Earth Day, National Arts Club, New York
Jaune Quick-to-See Smith and David Johns, Works on Paper, Peiper-Riegraf Gallery, Frankfurt, Germany
Indian Territories: 20th-Centry Native-American Artists Dismantle 19th-Century Euro-American Myths, René Fotouhi Fine Art East, East Hampton, August 30

1994
AD*VANCES, Museum of Modern Art, Art Advisory Service for General Electric, New York
Reuse / Refuse, Honolulu Academy of the Arts, Hawaii
Artistas Contemporaneo de Nueva Mexico, University of Guadalajera, Mexico
Multiplicity: A New Cultural Strategy, University of British Columbia, Museum of Anthropology, Vancouver, British Columbia, Canada
Toi te Ao, an Aotearoa World Celebration of Indigenous Art & History, Te Taumata Gallery, Auckland, New Zealand
Salon de Barbie: A Multi-Media Exhibition, The Kitchen, New York; Guild Hall, East Hampton, New York
Weltpremiere: Remember the Earth Whose Skin You Are, Kunsthalle, Bonn, Germany

1994–1996
Pintores en grabado, IV Bienal Internacional de Pintura de Cuenca, Panama; Honduras; Salvador; Costa Rica; Ecuador; Columbia; Uragauay; Venezuela; Paraguay; Dominican Republic

1995
Art at the Edge: Social Turf, High Museum of Art, Atlanta, Georgia
Old Glory, New Story: Flagging of the 21st Century, Capp Street Project, San Francisco, California
The Stephane Janssen Collection of Contemporary American and European Art: In Memory of R. Michael Johns, Fred Jones Jr. Museum of Art, The University of Oklahoma, Norman; SITE, Santa Fe, New Mexico
Justice/Injustice: Art Against Death, Puffin Room, New York
Heroes and Heroines: From Myth to Reality, New Jersey Center for Visual Arts, Summit, New Jersey

1996
Brücken und Abgrenzungen: Zeitgenössiche indianische Kunst, Taunua-Sparkasse; Kronberg, Germany; Haus an der Redoute, Bonn Germany; Kaisertrutz, Görlitz, Germany
American Kaleidoscope: Themes and Perspectives in Recent Art, National Museum of American Art, Smithsonian Institution, Washington, D.C.
V Bienal Internacional de Pintura de Cuenca
Sniper’s Nest (Collection of Lucy Lippard), Bard College, Hudson, NY

1997
New Prints, The Nelson-Atkins Museum of Art, Kansas City, Missouri
Text and Identity, Twelve Women/Twelve Artists, University Art Gallery, Staller Center for the Arts, State University at Stony Brook, New York
Real(ist) Women II, Northwood University, West Palm Beach, Florida

1998
City Series: Taos, Albuquerque, Santa Fe, Cedar Rapids Museum of Art, Iowa
National Invitational Works on Paper Exhibition, University of Hawaii, Hilo
Mouse: An American Icon, The Alternative Museum, New York
Indian Humor, National Museum of the American Indian, New York, May 31–August 2

1999
Ceremonial, Eight Native Americans, Venice Biennale, Schola Dei Tiraoro E. Battioro, Venezia, Italy
Outward Bound: American Art at the Brink of the Twenty-First Century, Washington D.C.; Vietnam; China; Indonesia; Singapore
23rd International Biennial of Graphic Art, Ljubljana, Slovenia  
World Views: Maps & Art, Frederick R. Weisman Art Museum, University of Minnesota
Millennium Messages, SITES, Smithsonian
Mixed Blessings, Two person, curated by Dorothee Peiper-Riegraf, Amerika Haus, Frankfurt, Germany
Contemporary Masters, Eiteljorg Museum, Indianapolis, Indiana
Indian Reality Today, Westphalian State Museum, Munster, Germany
Barbie Doll Show, Walter Phillips Gallery, Banff, Alberta, Canada

2000
5th Triennale Mondiale d’Estampes Petit Format 2000, Chamalieres, France
Sharjah Arts Museum, Sharjah, United Arab Emirates
Tamarind at 40, University of New Mexico Art Museum, Albuquerque

2001
The View from Here, State Tretyakov Gallery, Moscow, Russia
Prints & Prints, Denise Bibro Gallery, New York|
Passageways: Growing up in the World, Israel

2002
Women’s National Art Invitational, Clemson University, South Carolina
Unforgettable, Chelsea Studio Gallery, New York; Berliner Kunstproject, Berlin, Germany
The Fables of Jean de la Fontaine, Institute for American Universities, Aix-en-Provence, France

2003
Off the Press: Re-Contextualizing the Newspaper, Southeast Museum of Photography, Daytona Beach, Florida
Honorary Degree Exhibit, Massachusetts College of Art, Boston; Fine Arts Work Center, Provincetown, Rhode Island
Cross-Cultural Identities: An Artists Print Exchange Between South America and North America, Michaelis School of Fine Art, University of Cape Town, South Africa 

2004
The Flag Project, Rubin Museum of Art, New York
Newer Genres: Twenty Years of the Rutgers Archives for Printmaking, Jane Voorhees Zimmerli Art Museum, State University of New Jersey, Rutgers
New Editions: Prints for an American Museum, Whitney Museum of American Art, New York

2005
Artists Interrogate: Race and Identity, Milwaukee Art Museum, Wisconsin

2006
The Missing Piece for the Dalai Lama, Fowler Museum, Los Angeles, California; Loyola University, Chicago
Chamalieres Carrefour Int'l de L'estampe, French Print Triennial, Clichy, France
Lessedra World Art Print, Sofia, Bulgaria

2007
Elizabeth Sackler Center for Feminist Art, New York
We Are All Knots, National Museum of the American Indian and Art in Embassies, Washington, DC
An International Printers Exchange, University of North Florida, Jacksonville
Unlimited Boundaries: Dichotomy of Place in Contemporary Native Art, Albuquerque Museum, New Mexico

2008
Burning Down the House: Building a Feminist Art Collection, Brooklyn, New York
Speaking Volumes: Transforming Hate, Holter Museum of Art, Helena, Montana
International Print Exhibition, USA and Japan, Tokyo Metropolitan Museum of Art, Kyoto Municipal Museum of Art, Tokushima Modern Art Museum, Japan 
The Third Space: Cultural Identity Today, Mead Art Museum, Amherst, Massachusetts
The Human Condition: A Multi-Cultural Print Exhibition, Molloy College, Rockville Center, Long Island, New York
Print Lovers at Thirty: Celebrating Three Decades of Giving, Nelson-Atkins Museum of Art, Kansas City, Missouri

2009
Cuban Biennial, Havana, Cuba
Off the Beaten Path: Violence, Women and Art – Art Works for Change, Stenersen Museum, Oslo, Norway
Visual Power, Phnom Penh, Cambodia; London, United Kingdom; and Jeddah, Saudi Arabia
Land/Art, 516 ARTS, Albuquerque, New Mexico
Unconcquered Imagination, Ah-Tah-Thi-Ki Museum, Clewiston, Florida
Favorite Works, Jersey City Museum, New Jersey

2009–
Common Ground, Albuquerque Museum of Art and History, New Mexico, June 2009–

2010
Violencia Mujer Y Arte, Off the Beaten Path: Violence, Women and Art, Centro Cultural Tijuana, Baja California, Mexico; Museo Universitario del Chopo, Mexico
The Human Touch: Selections from the RBC Drain Rauscher Collection, Joslyn Art Museum, Omaha, Nebraska
Speaking Volumes: Transforming Hate, Montana Museum of Art & Culture, University of Montana, and Yellowstone Art Museum, Billings, Montana

2011
The Narcissism of Minor Differences, Maryland Institute College of Art, Baltimore
Tamarind Touchstones: Fabulous at Fifty, Celebrating Excellence in Fine Art Lithography, Portland Art Museum, Oregon
NASA|Art: 50 Years of Exploration, Smithsonian Institution, Washington, D.C.
Kunst der Indianischen Moderne und Postmoderne aus der Sammlung Peiper-Riegraf, Leon Berg, Germany 
Montana Women in the Visual Arts, Emerson Center for Arts and Culture, Bozeman, Montana
Island Press: Three Decades of Printmaking, Mildred Lane Kemper Art Museum, St. Louis, Missouri
Pressing Ideas: Fifty Years of Women's Lithography from Tamarind, National Museum of Women in the Arts, Washington, D.C.

2012
...As Apple Pie, Whitney Museum of American Art, New York
Creating a Living Legacy, Cue Foundation Gallery, New York
Indianische Moderne  – Kunst aus Nordamerika, Staatliche Museen zu Berlin, Germany
Shapeshifting: Transformations in Native American Art, Peabody Essex Museum, Salem, Massachusetts
Privacy Please, A.I.R. Gallery, Brooklyn, New York
Octopus Dreams, Ekaterinburg Museum, Novosibirsk State Museum, Togliatti Art Museum, Russia; Siberia

2013
National Academy Museum & School, New York
The Old Becomes the New: New York Contemporary Native American Art and the New York School, Wilmer Jennings Gallery at Kenkeleba, New York
Off the Beaten Path: Violence, Women, and Art – Art Works for Change, Johannesburg Art Gallery, South Africa, and Iziko South African National Gallery, Cape Town, South Africa
The Map Is Not the Territory, The Jerusalem Fund Gallery, Al Quds, Washington, D.C.

2014
Women Only, Flomenhaft Gallery, New York
Face to Face, Wall to Wall, Yellowstone Art Museum, Billings, Montana
Re-Riding History: From the Southern Plains to the Matanzas Bay, Fred Jones Jr. Art Museum, Norman, Oklahoma

2015
Marks Made: Prints by American Women Artists from 1960 to Present, Museum of Fine Art, St. Petersburg, Florida
The Plains Indians: Artists of Earth and Sky, Metropolitan Museum of Art, New York
Weaving Past into Present: Experiments in Contemporary Native American Printmaking, International Print Center, New York
Octopus Dreams, Funabashi City, Japan

2016
Embassy of the United States, Ankara, Turkey
The Map Is Not the Territory, Lower Level Gallery, Arab American Museum, Dearborn, Michigan

2016–2018
Home: Contemporary Indigenous Artists Responding, Boulder Museum of Contemporary Art, Colorado, November 8–November 20, 2016; Sojourner Truth Library, State University of New York at New Paltz, December 4–22, 2017; Pattee Library, University Park, Pennsylvania State University, March 1–August 31, 2018

2017
BIG Deal: Sizable Paintings from the Permanent Collection, Palmer Museum of Art, Pennsylvania State University, University Park, September 5–December 17
Great Basin Artists, C.N. Gorman Museum, University of California, Davis, April 4–June 16

2017–2018
Conversation Pieces: Selection from the Permanent Collection in Dialogue, Plains Art Museum, Fargo, North Dakota, June 29, 2017–July 29, 2018
An Incomplete History of Protest: Selections from the Whitney's Collection, 1940–2017, Whitney Museum of American Art, New York, August 18, 2017–August 27, 2018
Dress Matters: Clothing as Metaphor, Tucson Museum of Art and Historic Block, October 21, 2017–February 18, 2018

2017–2019
Multiple Modernisms, Chrysler Museum of Art, Norfolk, Virginia, November 17–January 31, 2019

2018
Women with Vision: Masterworks from the Permanent Collection, Muscarelle Museum of Art, College of William and Mary, February 10–May 13, 2018
Random Search: Mining the Archives of Tamarind Institute, Tamarind Institute, Albuquerque, August 24–December 2018 
Modes of Mapping, Shirley Fiterman Art Center, Borough of Manhattan Community College, City University of New York, September 6–October 25
Dreamlandia, Foyer Gallery, MIdwestern University, Wichita Falls, Texas, September 14–

2018–2019
Half the Picture: A Feminist Look at the Collection, Brooklyn Museum, August 23, 2018–March 31, 2019
From Paint Brushes to Camera Lenses: Creative Women of the Great Plains, Great Plains Art Museum, University of Nebrasks-Lincoln, September 7, 2018–April 6, 2019 
Art for a New Understanding: Native Voices, 1950s to Now, Crystal Bridges Museum of American Art, Bentonville, Arkansas, October 6, 2018–January 7, 2019; IAIA Museum of Contemporary Native Arts, Institute of American Indian Arts, Santa Fe, January 25–July 19, 2019
Nature’s Nation: American Art and Environment, Princeton University Art Museum, New Jersey, October 13, 2018–January 6, 2019; Peabody Essex Museum, Salem, Massachusetts, February 2–May 5, 2019; Crystal Bridges Museum of American Art, May 25–September 9, 2019
We the People: New Art from the Collection, Albright-Knox Art Gallery, Buffalo, October 20, 2018–August 4, 2019
Graphic Revolution: American Prints 1960 to Now, Saint Louis Art Museum, November 11, 2018–February 3, 2019

2018–2020
Constructing Identity in America (1766–2017), Montclair Art Museum, New Jersey, September 2018–January 2020

2019
Common Bonds: Artists and Architects on Community, Art, Design & Architecture Museum, UC Santa Barbara, January 12–December 8
In Praise of Folly: Five Artists After Philip Guston, Missoula Art Museum, January 25–May 18, 2019 
Who Do You Say That I Am?, Marxhausen Gallery of Art, Concordia University, Seward, Nebraska, February 10–March 29
Bring Her Home: Stolen Daughters of Turtle Island, All My Relations Gallery, Minneapolis, February 14–June 21
From Dürer to Digital and 3-D, Trenton City Museum at Ellarslie, New Jersey, March 8–April 28
Landscape Without Boundaries, Manetti Shrem Museum of Art, UC Davis, July 14–December 29
NOMEN: American Women Artists from 1945 to Today, Phillips, New York, June 19–August 3

2019–2020
Direct Message: Art, Language, and Power, MCA Chicago, October 26, 2019–January 26, 2020
From the Vault, Tandem Press, Madison, Wisconsin, November 15, 2019–January 11, 2020

2019–2021
Hearts of Our People: Native Women Artists, Minneapolis Institute of Art, June 2–August 18, 2019; Frist Center for Visual Arts, Nashville, Tennessee, September 27, 2019–January 12, 2020; Renwick Gallery, Smithsonian Institution, Washington, D.C., February 21–March 13, 2020; Philbrook Museum of Art, Tulsa, Oklahoma, October 7, 2020–January 3, 2021
Landscape Without Boundaries, Manetti Shrem Museum of Art, UC Davis, July 14–December 15, 2019
5 Ways In: Themes from the Collection, Walker Art Center, Minneapolis, February 14, 2019–September 12, 2021
Stretching the Canvas: Eighty Years of Native Painting, National Museum of the American Indian, Smithsonian Institution, November 16, 2019–Fall 2021

2019–2023
5 Ways In: Themes from the Collection, Walker Art Center, Minneapolis, February 14, 2019–January 1, 2023

2020
Someday is Now: A Century of Women, Art, & Social Change, New Britain Museum of American Art, Connecticut, August–November 2020
Larger Than Memory: Contemporary Art from Indigenous North America, Heard Museum, Phoenix, May 1–November 17, 2020
Waves: Feminism, Art and Power, Museum of Sonoma County, August 1–November 29
Politics & Religion: Artists Speak Out!, Midwest Museum of American Art, Elkhart, Indiana, August 7–October 2, 2020

2020–2021
Contemporary Art + Design: New Acquisitions, Dallas Museum of Art, August 30, 2020–May 7, 2021
Larger Than Memory: Contemporary Art from Indigenous North America, Heard Museum, September 4, 2020–January 3, 2021
Never Done: 100 Years of Women in Politics and Beyond, Tang Teaching Museum, Skidmore College, Saratoga Springs, New York, September 17, 2020–June 6, 2021
Someday is Now: A Century of Women, Art, & Social Change, New Britain Museum of American Art, Connecticut, October 1, 2020–January 2021
We Fight to Build a Free World: A Project by Jonathan Horowitz, Jewish Museum, New York, October 1, 2020–January 24, 2021

2021
Trade Canoe: Forty Days and Forty Nights, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, January 6–December 12
All Together, Amongst Many: Reflections on Empathy, Bemis Center for Contemporary Arts, Omaha, Nebraska, March 25–June 5, 2021
Now is the Time: Recent Acquisitions to the Contemporary Collection, Baltimore Museum of Art, Maryland, May 2–July 18
Learning to Look: The Addison at 90, Addison Gallery of American Art, Phillips Academy, Andover, Massachusetts, May 8–Fall
Shared Ideologies, Muscarelle Museum of Art, Williamsburg, Virginia, June 26–November 21
Crystal Bridges at 10, Crystal Bridges Museum of American Art, Bentonville, Arkansas, July 10–September 27
Proof of Stake – Technological Claims, Kunstverein in Hamburg, Germany, September 4–November 11

2021–2022
New Light: Encounters and Connections, Museum of Fine Arts, Boston, July 3, 2021–July 24, 2022
Poetic Justice, New Mexico Museum of Art, Santa Fe, October 9, 2021–March 22, 2022
Color into Line: Pastels from the Renaissance to the Present, Legion of Honor Museum, San Francisco, October 9, 2021–February 13, 2022
Indigenous Voices in Contemporary Art, Danforth Museum of Art, Framingham State University, Massachusetts, October 9, 2021–March 6, 2022
For America, Oklahoma City Museum of Art, Oklahoma, November 6, 2021–January 30, 2022

2021–2023
Transformed: Objects Reimagined by American Artists, Montclair Art Museum, New Jersey, September 12, 2021–December 3, 2023

2022
True Colors: Picturing Identity, West Virginia University Art Museum, Morgantown, January 22–May 15
Working Thought: Art, Labor, and the American Economy, Carnegie Museum of Art, Pittsburgh, March 5–June 26
Catching the Moment: The Ted L. and Maryanne Ellison Simmons Collection, Saint Louis Art Museum, Missouri, June 26–September 11

2023–2024
Boundless, Mead Art Museum, Amherst College, Massachusetts, August 29, 2023–January 7,2024
Hidden Gems, Housatonic Museum of Art, Bridgeport, Connecticut, September 13,2023–Feb 2, 2024
The House Edge, Curated by Candace Tompkins, The 8th Floor, New York, September 28, 2023–January 13, 2024
Marking Resilience: Indigenous North American Prints, Museum of Fine Arts, Boston, November 4, 2023–March 17, 2024
Women Reframe American Landscape, New Britain Museum of American Art, Connecticut USA, November 18, 2023–March 31, 2024

2023
From the Vault: Post-War to Contemporary Art, New Britain Museum of American Art, Connecticut, May 4–October 29
Indian Theater: Native Performance, Art, and Self-Determination since 1969, CCS Bard, Hessel Museum of Art, New York, June 24–November 26
Wishing Well, Parker Gallery, Los Angeles, June 25–August 5
Supporting Indigenous Sisters: An International Print Exchange, Great Plains Art Museum, Lincoln, Nebraska, July 25–December 16
Transcendent, Turner Carroll Gallery, Santa Fe, New Mexico, September 15–October 29

2024
Between Worlds: Stories Of Artists And Migration, Munson-Williams-Proctor Arts Institute, Utica, New York, February 17–May 4
Fantastic Realms: Myths, Magic, And Folklore, Fort Wayne Museum of Art, Indiana, April 13–July 7
Ancestors And Place: Indigenous North American Prints, Museum of Fine Arts, Boston, April 27–Oct 16
Echoes of the New Frontier, COL Gallery, San Francisco, May 3–June 29
Women Reframe American Landscape, Leigh Yawkey Woodson Art Museum, Wausau, Wisconsin, May 4–August 25
Illustrating Agency, Baltimore Museum of Art, Maryland, May 12–December 1
Summer with Friends and Family, 47 Canal, New York, July 3–August 9
Yours Truly, Nahmad Contemporary, New York, July 10–September 14
Indigenous Power, Turner Carroll Gallery, Santa Fe, New Mexico, August 9–September 1
Flags: A Group Show, Paula Cooper Gallery, New York, September 7–October 26
We Tell Ourselves Stories in Order to Live, Marc Straus, New York, October 8–November 3

2024–2025
By Dawn's Early Light, Nasher Museum, Duke University, Durham, North Carolina, August 1, 2024–May 11, 2025
For Dear Life: Art, Medicine, and Disability, Museum of Contemporary Art San Diego, San Diego, California, September 19, 2024–February 2, 2025.
No Bodies: Clothing as Disruptor, Hudson River Museum, New York, September 20, 2024–January 26, 2025
Power of the People: Art and Democracy, Museum of Fine Arts, Boston, Massachusetts, October 26, 2024–February 16, 2025
American Sunrise: Indigenous Art at Crystal Bridges, Crystal Bridges Museum of American Art, Bentonville, Arkansas, November 9, 2024–March 23, 2025
Invisible Luggage, The Historic Hampton House, Miami, Florida, December 2, 2024–Feburary 16, 2025
The Lawrence Lithography Workshop: Highlights from the Archive, Nelson Atkins Museum of Art, Kansas City, Missouri, December 21, 2025–June 22, 2025

2025
Visualizing Survivance, Visualizing Permanence, Sheldon Museum of Art, Lincoln, Nebraska, January 21–July 13
Indigenous Identities: Here, Now & Always, curated by Jaune Quick-to-See Smith, Zimmerli Art Museum, Rutgers University, New Jersey, February 1–December 21
Past as Prologue: A Historical Acknowledgment, Part II, National Academy of Design, New York, February 6–April 26

SELECTED COLLECTIONS

Addison Gallery of American Art, Phillips Academy, Andover, Massachusetts

Albright-Knox Art Gallery, Buffalo

Akron Museum of Art, Ohio

Albuquerque Museum, New Mexico

Arizona State University Art Museum, Phoenix

Art in Embassies, Washington, D.C.

Autry Museum of the American West, Los Angeles

Baltimore Museum of Art

Birmingham Museum of Art, Alabama

Buffalo Bill Center of the West, Cody, Wyoming

Carleton College, Northfield, Minnesota

Carnegie Museum of Art, Pittsburgh

Chrysler Museum, Norfolk, Virginia

Colby College Museum of Art, Waterville, Maine

Colgate University, Hamilton, New York

College of Wooster Art Museum, Ohio

Cornell Fine Arts Museum, Rollins College, Winter Park, Florida

Crocker Art Museum, Sacramento, California

Crystal Bridges Museum of American Art, Bentonville, Arkansas

Danforth Museum, Framingham, Massachusetts

Denver Art Museum, Colorado

DePaul Art Museum, DePaul University, Chicago

Des Moines Art Center, Iowa

Detroit Institue of Arts

Eiteljorg Museum of American Indians and Western Art, Indianapolis

Eskenazi Museum of Art, Indiana University Bloomington

Figge Art Museum, Davenport, Iowa

Fine Arts Museums of San Francisco

Fort Wayne Museum, Indiana

Fralin Museum of Art, University of Virginia, Charlottesville

Fred Jones Jr. Museum of Art, University of Oklahoma, Norman

Georgia O’Keeffe Museum, Santa Fe

Goshen College, Indiana

Heard Museum, Phoenix

Hennepin County Library, Minnesota

High Museum of Art, Atlanta

Hood Museum of Art, Dartmouth College, Hanover, New Hampshire

Indianapolis Museum of Art

Jersey City Museum

Joslyn Art Museum, Omaha, Nebraska

Landschaftsverband Westfalen-Lippe Museum für Naturkunde, Münster, Germany

Lauren Rogers Museum of Art, New Orleans

MacKenzie Art Gallery, Regina, Saskatchewan, Canada

Manetti Shrem Museum of Art, University of California, Davis

Memorial Art Gallery of the University of Rochester, New York

Metropolitan Museum of Art, New York

Miami Dade College Museum of Art and Design, Florida

Midwest Museum of Art, Elkhart, Indiana

Mildred Kemper Art Museum, Washington University, St. Louis

Milwaukee Art Museum, Wisconsin

Minneapolis Institute of Art, Minnesota

Missoula Art Museum, Montana

Molloy College Gallery, Rockville Centre, New York

Montclair Art Museum, New Jersey

Muscarelle Museum of Art, College of William and Mary, Williamsburg, Virginia

Museum of Art, Rhode Island School of Design, Providence

Museum für Völkerkunde Hamburg, Germany

Museum of Fine Arts, Boston

Museum of Modern Art, Cuenca, Ecuador

Museum of Modern Art, New York

Museum of Modern Art, Quito, Ecuasdor

Nasher Museum of Art, Duke University, Durham, North Carolina

National Gallery of Art, Washington, D.C.

National Museum of Women in the Arts, Washington, D.C.

New Mexico Museum of Art, Santa Fe

New Orleans Museum of Art

Newark Museum, New Jersey

Nicolaysen Art Museum, Casper, Wyoming

Pensacola Museum of Art, University of West Florida

Richard F. Brush Art Gallery, Saint Lawrence University, New York

Rockwell Museum, Corning, New York

Roswell Museum and Art Center, New Mexico

Saint Louis Art Museum, Missouri

Salish Kootenai College, Pablo, Montana

Sheldon Museum of Art, Lincoln, Nebraska

Smith College Museum of Art, Northampton, Massachusetts

Smithsonian American Art Museum, Washington, D.C.

Spencer Museum of Art, University of Kansas, Lawrence

Sweet Briar College Gallery, Virginia

Tweed Museum of Art, University of Minnesota, Duluth

Ulrich Museum of Art, Wichita State University, Kansas

University of Arizona Museum of Art, Tuscon

University of Northern Iowa Gallery of Art, Cedar Falls

Victoria and Albert Museum, London

Virginia Museum of Fine Arts, Richmond

Walker Art Center, Minneapolis

Whitney Museum of American Art, New York

Wichita Art Museum, Kansas

Yellowstone Art Center, Billings, Montan

 

 

SELECTED BIBLIOGRAPHY

 

BOOKS AND CATALOGS

Anreus, Alejandro. Subversions / Affirmations: Jaune Quick-to-See. Jersey City: Jersey City Museum, 1996.

Baltimore Museum of Art. Preoccupied: Indigenizing the Museum. Baltimore: Baltimore Museum of Art, 2024.

Berlo, Janet Catherine and Ruth B. Phillips. Native North American Art. New York: Oxford University Press, 2015.

Binstock, Jonathan P. American Kaleidoscope. Washington, D.C.: National Museum of American Art, Smithsonian Institute, 1996.

Bowles, K Johnson. A Journey Through Tribal Lands. Farmville, VA: Longwood Center for the Visual Arts, 2001.

Brodsky, Judith K. and Ferris Olin. Junctures in Women’s Leadership: The Arts. New Brunswick: Rutgers University Press, 2018.

Crystal Bridges Museum of American Art. Art for a New Understanding: Native Voices, 1950s to Now. Fayetteville: University of Arkansas Press, 2018.

Dawsey, Jill and Isabel Casso. For Dear Life: Art, Medicine, and Disability. San Diego: Museum of Contemporary Art San Diego, 2024.

Denny, Simon, Timon Beyes, Robin Holt, Claus Pias, Bettina Steinbrügge. Proof of Stake: Technological Claims. Milan: Lenz, 2022.

DeWitte, Debra J., Ralph M. Laumann, and M. Kathryn Shields. Gateway to Art: Understanding the Visual Arts. New York: Thames & Hudson, 2018.

Ewing, Heather. Arrivals. Katonah, New York: Katonah Museum of Art, 2021.

Fralin Museum of Art. Writer’s Eye 2018. Charlottesville, Virginia: Fralin Museum of Art, University of Virginia, 2018.

Gerhard, Jane and Dan Tucker. Citizen Woman. New York: Prestel, 2020.

Goodman, Abigail Ross, Molly Epstein, and Laura Beshears. Art for Rollins: The Alfond Collection of Contemporary Art, Volume III. Winterpark, Florida: Cornell Fine Arts Museum, 2018.

Herbert F. Johnson Museum of Art. A Handbook of the Collections. Ithaca: Herbert F. Johnson Museum of Art, Cornell University, 2018.

Kusserow, Karl and Alan C. Braddock. Nature’s Nation: American Art and Environment. Princeton: Princeton University Art Museum, 2019.

Martine, David Bunn. No Reservation: New York Contemporary Native American Art Movement. New York: AMERINDA, Inc., 2017.

McCarthy, Jeremiah William and Diana Thompson. For America: Paintings from the National Academy of Design. New York: American Federation of Arts, 2019.

New Jersey City University. The Persistence of History. Jersey City: New Jersey City University, 2018.

Robertson, Jean and Deborah Hutton. The History of Art: A Global View. New York: Thames and Hudson, 2021.

Rushing III, W. Jackson. Native American Art in the Twentieth Century. New York: Routledge , 1999.

Saltz, Jerry. How to be an Artist. New York: Riverhead, 2020.

Scott, Amy, ed. Art of the West: Selected works from the Autry Museum. Norman: University of Oklahoma Press, 2018.

Tanguy, Sarah. A View from Here. Moscow: State Tretyakov Gallery, 2000.

The History of Art: A Global View. London: Thames and Hudson, 2020.

University of Oklahoma School of Visual Arts. Ascendant: Expressions of Self-Determination. Norman, Oklahoma: University of Oklahoma, 2022.

Wyckoff, Elizabeth and Gretchen L. Wagner. Graphic Revolution: American Prints 1960 to Now. Saint Louis: Saint Louis Art Museum, 2019.

Yohe, Jill Ahlberg and Teri Greeves. Hearts of Our People: Native Women Artists. Minneapolis: Minneapolis Institute of Art, 2019. 

 

PERIODICALS

Archuleta, Margaret and Rennard Strickland. “Shared Visions: Part 3.” Native Peoples 5, no. 2 (1992): 28–33.

Baker, Lori K. "But Is It Indian Art?." Phoenix Magazine (November 1992): 94–99.

Bass, Ruth. “Jaune Quick-to-See Smith.” Art News 83, no. 3 (1984): 224.

Bell, David L. "Action Centers on San Francisco St." Albuquerque Journal North, July 20, 1983.

Berge, Carol. "Smith and Whitehorse: Painterly Leaps and Continuities". The Santa Fe Reporter, August 29-September 4, 1990.

Borum, Jenifer P. “Reviews: Jaune Quick-to-See Smith at Steinbaum Krauss Gallery.” Artforum 31, no. 5 (1993): 87–88.

Braff, Phyllis. “Myths of the American Indian and Significant Photographs.” New York Times, August 15, 1993.

Brown, Betty Ann. “Centric 37 by Jaune Quick-to-See Smith.” Artweek (October 21, 1989): 11–12.

Cain, Corrinne and Albion Fenderson. "Collecting with Heart: The Collection of Albion Fenderson.” Native Peoples 14, no. 2 (2001): 72–74.

Camper, Fred. “Self-Expressionism.” Chicago Reader 24, no. 7 (1994): 30–31.

Clark, William. "Artist Taps Into Politics, Environment.” Albuquerque Journal, August 26, 1990.

Cohen, Mark Daniel. “Regional Reviews: Jaune Quick-to-See Smith: Poet in Paint at Neuberger Museum of Art.” Art New England 22, no. 3 (2001): 44.

Cohen, Ronny H. “Review of Exhibitions: Jaune Quick-to-See Smith at Kornblee.” Art in America 68, no. 3 (1980): 116–17.

Conrad, Mary. “Art Knows No Boundaries: Tamarind Institute Goes Worldwide.” Mirage (Winter 1990): 4–5.

–––. "Conversation: Creative Paths.” Mirage. (Summer 2001): 29–31.   

Cornum, Lou. “Previews: ‘Hearts of Our People: Native Women Artists.” Artforum 57, no. 9 (2019): 99.

Corry, John. "A Current View of American Indians." New York Times, July 29, 1983.

Cortright, Barbara. "Photographing Ourselves: Contemporary Native American Photography." Artspace 9, no. 4 (1985): 12–13.

“Cover Art” Winds of Change 7, no. 3 (1992): 6.    

de Tolentino, Marianne. “Fourth Cuenca International Painting Biennial.” ArtNexus no. 16 (April–June 1995): 88–89.

“Entertainment and Performing Arts: Ethnic Village.” Native Peoples 15, no. 2 (2002): 70.

Fabricant, Don. "Shidoni Show Highlights Gallery Openings.” New Mexican, July 15, 1979.

“Faces and Places.” History News 46, no. 5 (1991): 31.

Farris, Phoebe. "Contemporary Native Amiercan Women Artists: Visual Expressions of Feminism, the Environment, and Identity." Feminist Studies 13, no. 1 (2005): 95–109.

Ferber, Andrea L. “Jaune Quick-to-See Smith.” First American Art Magazine, no. 25 (2020): 62–67.

Frank, Peter. "Glimpsing the Nature of the True West.” Newsday, April 8, 1984.

Gabriel, Bertram. "The Nation: Santa Fe: From Main Street to Mainstream.” Art News 81, no. 1 (1982): 134–36.

Gallagher, Hugh. "Indian Art Show Seeks New Directions.” Albuquerque Journal, October 14, 1979.

“Gallery Row: Jaune Quick-to-See Smith.” Phoenix Home and Garden (February 1987): 28.

Galligan, Gregory. "Jaune Quick-To-See Smith: Crossing the Great Divide." Arts Magazine 60, no. 5 (January 1986): 54­–55.

Galligan, Gregory. "Jaune Quick-To-See Smith: Racing with the Moon.” Arts Magazine 61, no. 5 (1987): 82–83.

Garcia, Corinne. "Unsettled.” Western Art & Architecture 11, no. 4 (2017): 148–153.

Gerrit, Henry. “Jaune Quick-to-See at the Neuberger Museum,” Art in America 89, no. 11 (2001): 155.

Glueck, Grace. "Two Biennials: One Looking East and the Other West.” New York Times, March 27, 1983.

Goldman, Judith. “Talking About Collecting: Trailblazing Art.” Vogue 169, no. 9 (1979): 332.

Green, Christopher. “Stretching the Canvas: Eight Decades of Native Painting.” Art in America 108, no. 3 (2020): 84–86.

Halle, Howard. “Time Out Loves: Jaune Quick-to-See Smith.” Time Out, no 1130 (2018): 57.

Hammond, Harmony. “Exhibitions: Jaune Quick-to-See Smith at the Georgia O’Keeffe Museum.” Art in America 100, no. 5 (2012): 181–82.

Harjo, Suzan Shown. "Without Reservation.” Native Peoples 11, no. 3 (1998): 50–55.                           

Harnett, Joel. “Treasure Hunt of the Senses.”Native Peoples 13, no. 6 (2000): 48–50.

Herbert F. Johnson Museum of Art. A Handbook of the Collections. Ithaca, New York: Herbert F. Johnson Museum of Art, 2018.

Hice, Michael. "Contemporary Masters: The Eiteljorg Fellowship for Native American Fine Art." Native Artists 1, no. 2 (1999): 48–49. 

Highwater, Jamake. "Contemporary Native American Painting and Sculpture.” Native Arts/West (July 1980): 19–23, 29, 32–33.

Highwater, Jamake. "Indians in Painting." American Indian Journal 6, no. 1 (January 1980): 26–31.

Highwater, Jamake. "Noble Savages and Wild Indians." New York Arts Journal, no. 17 (January 1980): 22–24.

Highwater, Jamake. "Profiles of Contemporary North American Indian Artists: Jaune Quick-To-See Smith". Native Arts/West (November 1980): 69.     

Hirsch, Faye. “Working Proof: Jaune Quick-to-See Smith.” Art on Paper 7, no. 1 (2002): 88–89.

Hoffman, Gerhard. “Frames of Reference: Native American Art in the Context of Modern and Postmodern Art.” Artspace 2, no. 2 (1987): 24-30.                              

Hopkins, Candice. “Reviews: ‘Hearts of Our People: Native Women Artists’ at the Minneapolis Institute of Art.” Artforum 58, no 3 (2019): 218.

Houle, Robert. "Sovereignty Over Subjectivity.” C Magazine, no. 30 (Summer 1991): 28–35. 

Hunt, Joshua. “Jaune Quick-to-See Smith Maps New Meanings.” New York Times, December 2, 2021.

Hurst, Tricia. "Crossing Bridges: Jaune Quick-To-See Smith, Helen Hardin, Jean Bales." Southwest Art 10, no. 11 (1981): 82–89.

Indyke, Dottie. “Reviews: Jaune Quick-to-See Smith at LewAllen Contemporary.” Art News 102, no. 4 (2003): 130.

Jordan, Kyle and Rick Remien. "Images of Indian Women in Art." Eagle Free Press (October 1985): 3.

Josslin, Victoria. “Art With a Message Rubs Off on its Viewers.” Seattle Post-Intelligencer, August 7, 1998.

Kastner, Carolyn. Jaune Quick-to-See Smith: An American Modernist. Albuquerque: University of New Mexico, 2013.

Kotrozo, Carol. "You Name It—Arizona's Got It.” Arizona Arts & Lifestyle (Fall 1980): 20. 

Lanteri, Michelle J. “Larger Than Memory: Contemporary Art from Indigenous North America.” First American Art Magazine, no. 29 (2021): 84–85.

Larson, Kay. “Caribbean Visions.” New York Magazine 17, no. 25 (1983): 80–81.

Ledesma, Jared. “One Years of Modern and Contemporary Art.” VIEW (Spring 2022): 8–12.

Levin, Kim. "Jaune Quick-To-See Smith.” Village Voice 35, no. 10 (1990): 109.

–––. "Bad Timing.” Village Voice 35, no. 10 (1990): 102.

Lippard, Lucy R. “Native Intelligence.” Village Voice 28, no. 52 (1983): 102.

Lovell, Charles Muir. Jaune Quick-to-See Smith: Made in America. Kasas City: University of Missouri, 2003.

Luomala, Nancy. “Women of Sweetgrass.” Woman’s Art Journal 9, no. 1 (1988): 42–44.

Martin, Philip. “No Reservations.” Arkansas Democrat Gazette, October 21, 2018.

Montiel, Anya. “After Columbus.” Art in America 105, 9 (2017): 86–91.

Montini, Ed. "In a Group, Indian Artists Grow as Individuals." The Arizona Republic, February 3, 1981.

Montini, Ed. "Loyalties: Artist Brings Dual Tradition to Landscapes in Motion." The Arizona Republic, October 15, 1980.                   

Moore, S. Derrickson. “Quick-To-See Smith Offers Art with a Conscience and a Message.” Sun-News, January 25, 1997.

Murphy, Jocelyn. “Through Living Eyes.” Northwest Arkansas Democrat Gazette, October 14, 2018.

Nelson, Mary Carroll. "Etching: Contemporary Definitions of an Ancient Technique." Four Winds 2, no. 5 (1981): 24–31.                

Nelson, Mary Carroll. "Jaune Quick-To-See Smith: In the Mainstream." ArtWest (June 1983): 70–74.

Obrist, Hans Ulrich. “Die Kunst einer Native American.” Das Magazin, no. 6 (2021), 9.

Obrist, Hans Ulrich. “Was haben Sie gesehen, Herr Obrist?” Weltkunst, no. 181 (2021): 98.

Osborne, Tom. “Green Light.” Laguna Beach Independent, November 14, 2019.

P., S.M. “Jaune Quick-to-See Smith: In the Fog, Near the Cliff.” Artlines 4, no. 7 (1983): 6–8, 10.

Peterson, William. "Portrait: The Southwest.” Portfolio 3, no. 4 (1981): 71–76. 

Phillips, Deborah C. “New Editions: Jaune Quick-to-See Smith.” Art News 82, no. 8 (1983): 93.

“Plains Museum Focuses on Abstract Artists.” The Indian Trader (July 1980): 33–34.

Plett, Nicole. "Painter Draws Inspiration from Landscape.” New Mexican, July 22, 1983. 

Pyne, Lynn. “Abstract Visions Rooted in the Land.” Phoenix Gazette, February 18, 1987.         

“Recent Developments: Art Fairs.” First American Art Magazine, no. 29 (2021): 9

“Reception to Honor Lithograph Artists.” Albuquerque Journal, August 14, 1981.

Reese, Kelley. "Building a P.R.I.N.T. Layer by Layer.” North Texan (Spring 2002): 24–27. 

Rothstein, Edward. “‘Nature’s Nation: American Art and Environment’ Review: History Through an Ideological Filter.” Wall Street Journal, February 13, 2019.

Rose, Peter. "’Eclectic Image-Maker’ Paints Contrast.” Arizona Republic, January 10, 1982.

Ross, Deborah. "Indian Pioneer Blazes Art-World Trails." The Arizona Republic, February 24, 1989.

Schmitz, Jan. "Quick-To-See: Modernism in Native Tradition". Native Arts/West (November 1980): 7–9

Schulman, Sandra Hale. “11 Influential Native American Artists.” Artsy, November 9, 2021.

“Scottsdale Nabs Coup d’Art.” Phoenix Gazette, October 11, 1983.

“Shorter Takes.” Woman’s Art Journal 20, no. 2 (1999–2000): 65.

Simek, Peter. "Art of the Horse.” Cowboys & Indians 22, no. 6 (2014): 72–80.                         

Simon, Joan. "Report from New Mexico.” Art in America 68, no. 6 (1980): 33–41.  

Smith, Jaune Quick-to-See. “Celebrate 40,000 Years of American Art.” Frontiers: A Journal of Women Studies 23, no. 2 (2002): 154–155.

Smith, Katherine. "Outside the Pueblo." Portfolio 4, no. 4 (1982): 52–57.                                

Smith, Roberta. “There’s Plenty to See in Chelsea: Garth Greenan.” New York Times, April 27, 2018.

Tarzan, Deloris. "Indian Artists." Seattle Times, September 20, 1983.

“The Earth is Sacred.” Winds of Change 7, no. 3 (1992): 20–22

“The Grey Canyon Artists.” Turtle 2, no. 1–2 (1980): 14–15.

Thollem. "Great Basin Artists, C.N. Gorman Museum, Davis, California." First American Art Magazine, no. 16 (Fall 2017): 73–74.

Tobin, Richard. “Reviews: Jaune Quick-to-See Smith at the Georgia O’Keeffe Museum.” Art News 111, no. 8 (2012): 116–17.

Traugott, Joseph. "Artist's Sojourn Results in Exploration, Growth.” Albuquerque Journal, July 24, 1983,

Trembley, Gail. “Jaune Quick-to-See Smith at Bush Barn Art Center, Salem.” Art Papers 23, no. 2 (1999): 56.

Trevelyan, Amelia. "Jaune Quick-To-See Smith." Native Peoples 13, no. 2 (2000): 76–81.

Valentino, Erin. “Coyote’s Ransom." Third Text 38 (Spring 1997): 25–37.

VanderPlas, Jaap. “Smith, Jaune Quick-To-See: We Are Here to Stay.” ArtLines 6, no. 4 (1985): 13.

Walsh, Cory. “Five Artists Tap into the Humor and Rage of Philip Guston.” Missoulian, March 15, 2019.

Weathers, Chelsea. “‘Art For a New Understanding: Native Perspectives, 1950s to Now.’ at the IAIA Museum of Contemporary Native Arts, Santa Fe.” Artforum 57, no. 8 (2019): 185.

Wolgamott, L. Kent. “Marxhausen Gallery's 'Who Do You Say I Am?' Rare Effective Exhibition Exploring Human Identity” Lincoln Journal Star, March 7, 2019. 

Wood, Joe. “Welcome to the Club.” Village Voice 35, no. 23 (1990): 87–88.

Yellowstone Art Museum. Jaune Quick-to-See Smith: In the Footsteps of My Ancestors. Billings, Montana: Yellowstone Art Museum, 2017.

Young, Joseph E. "Two Exhibits Revitalize Native American Art." The Arizona Republic, December 23, 1979.

Zdanovics, Olga. “Reviews: Jaune Quick-to-See Smith at Jan Cicero Gallery.” New Art Examiner 22, no. 4 (1994): 42­–43.

Zimmer, William. “Drawing Visual Power from a Social Cause.” New York Times, December 22, 1996.

–––. “Three Shows of Independent Vision.” New York Times, March 11, 2001.

Zwinger, Susan. "Viewpoint: An Interview with Artist Jaune Quick-to-See Smith.” El Palacio 92, no. 1 (1986): 51–53.