![p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 9.0px BentonSans}](https://img.artlogic.net/w_660,h_660,c_limit/exhibit-e/57ab21f484184ea8138b4568/8807f5ed33e1e0e65127b0a16c59b58a.jpeg)
Aspen, 1989
Oil on canvas
50 x 50 inches
Born January 15, 1940 at the St. Ignatius Indian Mission on her reservation, Jaune Quick-to-See Smith is an enrolled Salish member of the Confederated Salish and Kootenai Nation, Montana. Smith received an Associate of Arts Degree at Olympic College in Bremerton, Washington in 1960, a BA in Art Education from Framingham State College, Massachusetts in 1976, and an MA in Visual Arts from the University of New Mexico in 1980.
Smith has been creating complex abstract paintings and prints since the 1970s. Combining appropriated imagery from commercial slogans and signage, art history and personal narratives, she forges an intimate visual language to convey her insistent socio-political commentary with astounding clout. Smith’s work carries tremendous weight and yet feels light and conversational—in large part due to this forged, personal lexicon of developed imagery. As critic Gerrit Henry, (Art in America, 2001) writes: “For all the primal nature of her origins, Smith adeptly takes on contemporary American society in her paintings, drawings and prints, looking at things Native and national through bifocals of the old and the new, the sacred and the profane, the divine and the witty.” For her ability to create and integrate her own visual language in her canvases, Smith produces multi-faceted work grounded in themes of personal and political identity.
Smith has received numerous awards such as the Academy of Arts and Letters Purchase Award, New York, l987; the Joan Mitchell Foundation Painters Grant, 1996; the Women’s Caucus for the Arts Lifetime Achievement, 1997; the College Art Association Women’s Award, 2002; Governor’s Outstanding New Mexico Woman’s Award, 2005; New Mexico Governor’s Award for Excellence in the Arts, 2005. Art Table Artist Honoree, New York, 2011; Visionary Woman Award, Moore College, Pennsylvania, 2011; Elected to the National Academy of Art, New York, 2011; Living Artist of Distinction Award, Georgia O’Keeffe Museum, 2012; NAEA Ziegfeld Lecture Award, 2014; The Woodson Foundation Lifetime Achievement Award, 2015 along with four honorary doctorates: Minneapolis College of Art and Design, 1992; Pennsylvania Academy of Fine Arts, 1998; Massachusetts College of Art, 2003; University of New Mexico, Albuquerque 2009.
Smith’s work in the collections of the Cornell Fine Arts Museum, Rollins College, Winter Park, Florida; Museum of Modern Art, Quito, Ecuador; the Museum of Mankind, Vienna, Austria; The Walker Art Center, Minneapolis, Minnesota; The Smithsonian American Art Museum, Washington D.C.; the Museum of Modern Art, the Brooklyn Museum, the Metropolitan Museum of Art, and The Whitney Museum of American Art, New York.
1940
Born: St. Ignatius Indian Mission, Salish and Kootenai Nation, Montana
Enrolled Flathead Salish #07137
EDUCATION
1960
Olympic College, Bremerton, Washington
1976
Framingham State College, Massachusetts
1980
University of New Mexico
SELECTED SOLO EXHIBITIONS
1978
Clarke Benton Gallery, Santa Fe, New Mexico
1979
Jaune Quick-to-See Smith, Kornblee Gallery, New York, November–December 1
1980
Galleria de Cavallino, Venice, Italy
1983
Galerie Akmak, Berlin, Germany
1984
1985
Jaune Quick-to-See Smith, Marilyn Butler Fine Art, Santa Fe, August 14–September 4
1986
Speaking Two Languages, Yellowstone Art Center, Billings, Montana
Jaune Quick-to-See Smith, Bernice Steinbaum Gallery, New York, November
1987
Jaune Quick-to-See Smith, Marilyn Butler Fine Art, Scottsdale, Arizona, February 5–21
1988
Jaune Quick-to-See Smith, Marilyn Butler Fine Art, Scottsdale, Arizona, August
1989
Centric 37: Jaune Quick-to-See Smith, University Art Museum, California State University, Long Beach, October 3–29
1990
Jaune Quick-to-See Smith: New Paintings, Bernice Steinbaum Gallery, New York, February–March 6
Jaune Quick-to-See Smith, LewAllen/Butler Fine Art, Santa Fe, August 17–September 7
1992
The Quincentenary Non-Celebration, Steinbaum Krauss Gallery, New York
LewAllen Gallery, Santa Fe, New Mexico
1993
Parameters Series, Chrysler Museum, Norfolk, Virginia, Parameters Series; Smith College Museum of Art, Northampton, Massachusetts
Sweet Briar College, Virginia
1994
SITE, Santa Fe, New Mexico
1995
Steinbaum Krauss Gallery, New York
Wabash College Art Museum, Crawfordsville, Indiana
1996–1998
Subversions/Affirmations: Jaune Quick-to-See Smith, A Survey, Jersey City Museum, New Jersey, December 11, 1996–February 15, 1997; Lehigh University Art Galleries, Bethlehem, Pennsylvania, April 9–June 14, 1997; Austin Museum of Art at Laguna Gloria, Austin, August 2–October 12, 1997; Missoula Art Museum, Montana, December 12, 1997–February 15, 1998
1997
Modern Times, New Mexico State University Art Gallery, Las Cruces
The Evergreen State College Galleries, Olympia, Washington
1998
Jaune Quick-to-See Smith, Sacred Circle Gallery of American Indian Art, Daybreak Star Cultural Arts Center, Dsicovery Park, Seattle, June 1–August 31
Jaune Quick-to-See Smith, Steinbaum Krauss Gallery, New York
1999
Bethel College, St. Paul, Minnesota
2000
New Work, Jan Cicero Gallery, Chicago
Art Museum of Missoula, Montana
2001
Anton Gallery, Washington, D.C.
The Longwood Center for the Visual Arts, Longwood College, Farmville, Virginia
Western Michigan University, Kalamazoo
2002
Penn State University, University Park, Pennsylvania
Jan Cicero Gallery, Chicago
200 Years: Change/No Change, Palmer Museum, Pennsylvania State University, University Park
2003
Jaune Quick-to-See Smith: Made in America, Belger Arts Center for Creative Studies, University of Missouri, Kansas City; University of Scranton, Pennsylvania
LewAllen Gallery, Santa Fe, New Mexico
2003-2009
Jaune Quick-to-See Smith: Made in America, Belger Arts Center for Creative Studies, University of Missouri, Kansas City, April 5–June 27, 2003; University of Scranton, Pennsylvania, 2003; Milton Hershey School Art Museum, Hershey, Pennsylvania, 2004; Keene State College, Keene, New Hampshire, September 7, 2004; Polk Museum of Art, Lakeland, Florida, July 30–October 9, 2005; Museum of Texas Tech University, Lubbock, Texas, 2005–January 29, 2006; University of New Mexico Art Museum, Albuquerque, 2005; Montclair Museum, Montclair, New Jersey, September 17, 2006–January 14, 2007; Plains Art Museum, Fargo, North Dakota, 2007; Lauren Rogers Museum, Laurel, Mississippi, February 4–April 29, 2007; The Grace Museum, Abilene, Texas, 2008; Pensacola Art Museum, Florida, 2009
2004
Continuum 12 Artists, National Museum of the American Indian, Smithsonian, New York
2004-2005
2005
Connections: Old Work/New Work, Flomenhaft Gallery, New York
2005-2006
New Drawings: Jaune Quick-to-See Smith, Suffolk University, Boston
Jaune Quick-to-See Smith: New Paintings, Valdosta State University, Valdosta, Georgia
2007
Jaune Quick-to-See Smith: Paintings, Drawings and Prints, Ellen Noel Museum, Odessa, Texas
Jaune Quick-to-See Smith, Muscarelle Museum, College of William; Mary, Jamestown, Virginia
2008
Jaune Quick-to-See Smith, University of North Carolina at Pembroke, North Carolina
2009
Jaune Quick-to-See Smith, Newcomb Art Gallery, Tulane University, New Orleans, Louisiana
2012
Jaune Quick-to-See Smith: Landscapes of an American Modernist, Georgia O'Keeffe Museum, Santa Fe, New Mexico, January 12–April 29
Jaune Quick-to-See Smith, Anna Lamar Switzer Center for the Visual Arts, Pensacola State College, Florida, January 23–March 9
2013
Jaune Quick-to-See Smith: Water and War, Accola Griefen Gallery, New York
2014
Jaune Quick-to-See Smith, The Bernstein Gallery, The Woodrow Wilson School, Princeton University, New Jersey
Jaune Quick-to-See Smith, Robert E. Elberson Fine Arts Center, Salem College, Winston-Salem, North Carolina
Jaune Quick-to-See Smith, Maudeville Art Gallery, Union College, Schenectady, New York
2015
CUE Foundation 2016 Solo Exhibition Program, New York
Jaune Quick-to-See Smith: Art after the Drought, Museum of Texas Tech University, Lubbock, Texas
2016
Layered Stories: Jaune Quick-to-See Smith, Holter Museum of Art, Helena, Montana
2017-2019
Jaune Quick-to-See Smith: In the Footsteps of My Ancestors, Yellowstone Art Museum, Billings, Montana, March 23–July 16, 2017; Missoula Art Museum, Montana, September 20, 2017–March 10, 2018; Loveland Museum, Colorado, June 30–September 16, 2018; Colorado Springs Fine Arts Center, Colorado College, October 27, 2018–January 27, 2019; Tacoma Art Museum, Washington, March 9–June 30, 2019
2018
Jaune Quick-to-See Smith: Trickster in Print, Historic Fifth Street School Mayor’s Gallery, Las Vegas, March 29–April 14
Jaune Quick-to-See Smith: Making Medicine, Garth Greenan Gallery, New York, April 12–May 19
2021
Jaune Quick-to-See Smith: Woman in Landscape, Garth Greenan Gallery, New York, November 4–December 18
2023
Jaune Quick-to-See Smith: Memory Map, Whitney Museum of American Art, New York, April 19–August
SELECTED GROUP EXHIBITIONS
1976
Whittemore Gallery, Framingham State College, Massachusetts
1977
Arthur B. Mazmanian Gallery, Framingham State College, Massachusetts
1978
New Mexico Museum of Fine Arts Biennial, New Mexico Museum of Fine Arts, Santa Fe
Indian Art Now, Wheelwright Museum, Santa Fe, New Mexico
1979
Fall Invitational, Roswell Museum, Roswell, New Mexico
Grey Canyon Artists, Upstairs Gallery, Berkeley, California
Rick Dillingham and Jaune Quick-to-See Smith, Clarke-Benton, Santa Fe, July
Group Show, Clarke-Benton, Santa Fe, August
Summer Show, Droll/Kolbert Gallery, New York
1979–1980
1980
Cavallino Gallery, Venice, Italy
Three Visions, Massachusets College of Art, Boston
Work From the Tamarind Institute, Scottish Arts Council, Edinburgh, Scotland
Buscaglia–Casteliani Gallery, Niagara University, Niagara, New York
1981
Rosalind Constable Invites, Sweeney Center, Santa Fe, New Mexico, October
An Exhibit of Contemporary Art by Native American Artists, Whitney Gallery of Taos, New Mexico, April
Fiber Arts, Banff Center for the Arts, Banff, Alberta, Canada
Kornblee Drawing, Aldrich Museum of Contemporary Art, Ridgefield, Connecticut
Albright Knox Art Gallery, Buffalo, New York
1982
Galleria D’arte L’Argentario, Trento, Italy
University of Regina, Saskatchewan, Canada
Aspen Center for the Arts, Aspen, Colorado
Works on Paper, Foundations Gallery, New York
1983
The New Feminism, curated by Lucy Lippard, Ohio State University, Columbus
Grey Canyon, Portland Art Museum, Portland
Henry Gallery, Seattle, Washington
The Horse Show, Robert Freidus Gallery, New York
1983-1984
Common Ground, American Indian Community House, New York, May–June 18
Second Western States Exhibition/38th Corcoran Biennial of American Painting, Corcoran Gallery of Art, Washington, D.C., May 1983; Lakeview Museum of Arts and Sciences, Peoria, Illinois, May 1983; Scottsdale Center for the Arts, Arizona, October 1983; Albuquerque Museum, 1983–1984; Long Beach Museum of Art, California, 1984; San Francisco Museum of Modern Art, November 1984
1984
East Meets West, Brooklyn Museum, May 13
Western States Biennial, Corcoran Art Gallery, Washington, D.C.
Expanding Powers, University of Tennessee, Knoxville, Tennessee; Cal State College, Stanislaus, California
Academy of Arts and Letters Group Invitational, New York
36th Annual Exhibition, American Academy and Institute of Arts and Letters, New York
Artists Call – Reconstruction Project, Artists Space, New York
1985
Women of the American West, Bruce Museu, Greenwich, Connecticut
Twenty-Five Years of Printmaking at Tamarind, University of New Mexico Art Museum, Albuquerque
Signale, organized by Katrina Hartje, Galerie Akmak, Berlin, Germany
Women of Sweetgrass, Cedar and Sage: Contemporary Art by Native American Women, AICH (American Indian Community House Gallery), New York
1986
Views Across America, Museum of Modern Art, Art Advisory Service of Gannett Corporation and Pfizer Corporation Headquarters, New York
American Women in Art: Works on Paper – An American Album, Nairobi, Kenya
In Homage to Anna Mendieta, Zeus-Trabia Galler, New York
Visible/Invisible, Palo Alto Cultural Center, California
1987
Connections Project/Conexus, Women Artists from Brazil and U.S., Museum of Contemporary Hispanic Art, New York
39th Annual Purchase Exhibition, American Academy and Institute of Arts and Letters, New York
1988
Cultural Currents, San Diego Museum of Art
Committed to Print, Museum of Modern Art, New York
American Herstory: Women and the U.S. Constitution, The Atlanta College of Art Gallery, Atlanta, Georgia
1989
Cambridge Multi-Cultural Art Center, Cambridge, Massachusetts
The Natural Image: Nature as Image in Contemporary Art, Stamford Museum and Nature Center, Connecticut, March 12–June 4
100 Drawings by Women, Hillwood Art Gallery, Long Island University, New York
41st Annual Academy–Institute Purchase Exhibition, American Academy and Institute of Arts and Letters, New York
1990
Menagerie, Museum of Modern Art, New York
The Decade Show, The New Museum of Contemporary Art, The Studio Museum in Harlem, Museum of Contemporary Hispanic Art, New York
The Matter at Hand: Contemporary Drawings, University of Wisconsin at Milwaukee, Fine Arts Gallery, Milwaukee, Wisconsin
Coast to Coast–The Box Show, Art in General, New York
1991
Figuration, The Museum of Modern Art, New York
Presswork: The Art of Women Printmakers, Lang Communications Collection, London
Myth and Magic in the Americas, Museo de Arte Contemporaneo de Monterrey, Mexico
Okanta, A-Space, Toronto, Ontario, Canada
1992
Counter Colonialismo, Center Cultural Tijuana, Mexico; Centro Cultural de la Raza, San Diego
44th Annual Exhibit, American Academy and Institute of Arts and Letters, New York
One World, Kassel, Germany
Columbus Drowning, Rochdale Art Gallery, England
Wind and Glacier Voices: The Native American Film & Media Celebration, Lincoln Center, New York
Six Directions, Galerie Calumet, Heidelberg, Germany
1992–1993
In Plural America: Contemporary Journeys, Voices and Identities, Hudson River Museum of Westchester, Yonkers, October 2, 1992–January 24, 1993
1993
Current Identities: Recent Painting in the United States, organized by Aljira: A Center for Contemporary Art, Newark, New Jersey
For the Seventh Generation: Native Americans Counter the Quncentennary, Columbus, New York; Art in General, New York
Indianer Nordamerikas, Kunst und Mythos, Internationale Tage Ingelheim, Ingelheim, Germany
Art and Enviornment: Imagine Celebrates Earth Day, National Arts Club, New York
Jaune Quick-to-See Smith and David Johns, Works on Paper, Peiper-Riegraf Gallery, Frankfurt, Germany
Indian Territories: 20th-Centry Native-American Artists Dismantle 19th-Century Euro-American Myths, René Fotouhi Fine Art East, East Hampton, August 30
1994
AD*VANCES, Museum of Modern Art, Art Advisory Service for General Electric, New York
Reuse / Refuse, Honolulu Academy of the Arts, Hawaii
Artistas Contemporaneo de Nueva Mexico, University of Guadalajera, Mexico
Multiplicity: A New Cultural Strategy, University of British Columbia, Museum of Anthropology, Vancouver, British Columbia, Canada
Toi te Ao, an Aotearoa World Celebration of Indigenous Art & History, Te Taumata Gallery, Auckland, New Zealand
Salon de Barbie: A Multi-Media Exhibition, The Kitchen, New York; Guild Hall, East Hampton, New York
Weltpremiere: Remember the Earth Whose Skin You Are, Kunsthalle, Bonn, Germany
1994–1996
Pintores en grabado, IV Bienal Internacional de Pintura de Cuenca, Panama; Honduras; Salvador; Costa Rica; Ecuador; Columbia; Uragauay; Venezuela; Paraguay; Dominican Republic
1995
Art at the Edge: Social Turf, High Museum of Art, Atlanta, Georgia
Old Glory, New Story: Flagging of the 21st Century, Capp Street Project, San Francisco, California
The Stephane Janssen Collection of Contemporary American and European Art: In Memory of R. Michael Johns, Fred Jones Jr. Museum of Art, The University of Oklahoma, Norman; SITE, Santa Fe, New Mexico
Justice/Injustice: Art Against Death, Puffin Room, New York
Heroes and Heroines: From Myth to Reality, New Jersey Center for Visual Arts, Summit, New Jersey
1996
Brücken und Abgrenzungen: Zeitgenössiche indianische Kunst, Taunua-Sparkasse; Kronberg, Germany; Haus an der Redoute, Bonn Germany; Kaisertrutz, Görlitz, Germany
American Kaleidoscope: Themes and Perspectives in Recent Art, National Museum of American Art, Smithsonian Institution, Washington, D.C.
V Bienal Internacional de Pintura de Cuenca
Sniper’s Nest (Collection of Lucy Lippard), Bard College, Hudson, NY
1997
New Prints, The Nelson-Atkins Museum of Art, Kansas City, Missouri
Text and Identity, Twelve Women/Twelve Artists, University Art Gallery, Staller Center for the Arts, State University at Stony Brook, New York
Real(ist) Women II, Northwood University, West Palm Beach, Florida
1998
City Series: Taos, Albuquerque, Santa Fe, Cedar Rapids Museum of Art, Iowa
National Invitational Works on Paper Exhibition, University of Hawaii, Hilo
Mouse: An American Icon, The Alternative Museum, New York
Indian Humor, National Museum of the American Indian, New York, May 31–August 2
1999
Ceremonial, Eight Native Americans, Venice Biennale, Schola Dei Tiraoro E. Battioro, Venezia, Italy
Outward Bound: American Art at the Brink of the Twenty-First Century, Washington D.C.; Vietnam; China; Indonesia; Singapore
23rd International Biennial of Graphic Art, Ljubljana, Slovenia
World Views: Maps & Art, Frederick R. Weisman Art Museum, University of Minnesota
Millennium Messages, SITES, Smithsonian
Mixed Blessings, Two person, curated by Dorothee Peiper-Riegraf, Amerika Haus, Frankfurt, Germany
Contemporary Masters, Eiteljorg Museum, Indianapolis, Indiana
Indian Reality Today, Westphalian State Museum, Munster, Germany
Barbie Doll Show, Walter Phillips Gallery, Banff, Alberta, Canada
2000
5th Triennale Mondiale d’Estampes Petit Format 2000, Chamalieres, France
Sharjah Arts Museum, Sharjah, United Arab Emirates
Tamarind at 40, University of New Mexico Art Museum, Albuquerque
2001
The View from Here, State Tretyakov Gallery, Moscow, Russia
Prints & Prints, Denise Bibro Gallery, New York
Passageways: Growing up in the World, Israel
2002
Women’s National Art Invitational, Clemson University, South Carolina
Unforgettable, Chelsea Studio Gallery, New York; Berliner Kunstproject, Berlin, Germany
The Fables of Jean de la Fontaine, Institute for American Universities, Aix-en-Provence, France
2003
Off the Press: Re-Contextualizing the Newspaper, Southeast Museum of Photography, Daytona Beach, Florida
Honorary Degree Exhibit, Massachusetts College of Art, Boston; Fine Arts Work Center, Provincetown, Rhode Island
Cross-Cultural Identities: An Artists Print Exchange Between South America and North America, Michaelis School of Fine Art, University of Cape Town, South Africa
2004
The Flag Project, Rubin Museum of Art, New York
Newer Genres: Twenty Years of the Rutgers Archives for Printmaking, Jane Voorhees Zimmerli Art Museum, State University of New Jersey, Rutgers
New Editions: Prints for an American Museum, Whitney Museum of American Art, New York
2005
Artists Interrogate: Race and Identity, Milwaukee Art Museum, Wisconsin
2006
The Missing Piece for the Dalai Lama, Fowler Museum, Los Angeles, California; Loyola University, Chicago
Chamalieres Carrefour Int'l de L'estampe, French Print Triennial, Clichy, France
Lessedra World Art Print, Sofia, Bulgaria
2007
Elizabeth Sackler Center for Feminist Art, New York
We Are All Knots, National Museum of the American Indian and Art in Embassies, Washington, DC
An International Printers Exchange, University of North Florida, Jacksonville
Unlimited Boundaries: Dichotomy of Place in Contemporary Native Art, Albuquerque Museum, New Mexico
2008
Burning Down the House: Building a Feminist Art Collection, Brooklyn, New York
Speaking Volumes: Transforming Hate, Holter Museum of Art, Helena, Montana
International Print Exhibition, USA and Japan, Tokyo Metropolitan Museum of Art, Kyoto Municipal Museum of Art, Tokushima Modern Art Museum, Japan
The Third Space: Cultural Identity Today, Mead Art Museum, Amherst, Massachusetts
The Human Condition: A Multi-Cultural Print Exhibition, Molloy College, Rockville Center, Long Island, New York
Print Lovers at Thirty: Celebrating Three Decades of Giving, Nelson-Atkins Museum of Art, Kansas City, Missouri
2009
Cuban Biennial, Havana, Cuba
Off the Beaten Path: Violence, Women and Art – Art Works for Change, Stenersen Museum, Oslo, Norway
Visual Power, Phnom Penh, Cambodia; London, United Kingdom; and Jeddah, Saudi Arabia
Land/Art, 516 ARTS, Albuquerque, New Mexico
Unconcquered Imagination, Ah-Tah-Thi-Ki Museum, Clewiston, Florida
Favorite Works, Jersey City Museum, New Jersey
2009–
Common Ground, Albuquerque Museum of Art and History, New Mexico, June 2009–
2010
Violencia Mujer Y Arte, Off the Beaten Path: Violence, Women and Art, Centro Cultural Tijuana, Baja California, Mexico; Museo Universitario del Chopo, Mexico
The Human Touch: Selections from the RBC Drain Rauscher Collection, Joslyn Art Museum, Omaha, Nebraska
Speaking Volumes: Transforming Hate, Montana Museum of Art & Culture, University of Montana, and Yellowstone Art Museum, Billings, Montana
2011
The Narcissism of Minor Differences, Maryland Institute College of Art, Baltimore
Tamarind Touchstones: Fabulous at Fifty, Celebrating Excellence in Fine Art Lithography, Portland Art Museum, Oregon
NASA|Art: 50 Years of Exploration, Smithsonian Institution, Washington, D.C.
Kunst der Indianischen Moderne und Postmoderne aus der Sammlung Peiper-Riegraf, Leon Berg, Germany
Montana Women in the Visual Arts, Emerson Center for Arts and Culture, Bozeman, Montana
Island Press: Three Decades of Printmaking, Mildred Lane Kemper Art Museum, St. Louis, Missouri
Pressing Ideas: Fifty Years of Women's Lithography from Tamarind, National Museum of Women in the Arts, Washington, D.C.
2012
...As Apple Pie, Whitney Museum of American Art, New York
Creating a Living Legacy, Cue Foundation Gallery, New York
Indianische Moderne – Kunst aus Nordamerika, Staatliche Museen zu Berlin, Germany
Shapeshifting: Transformations in Native American Art, Peabody Essex Museum, Salem, Massachusetts
Privacy Please, A.I.R. Gallery, Brooklyn, New York
Octopus Dreams, Ekaterinburg Museum, Novosibirsk State Museum, Togliatti Art Museum, Russia; Siberia
2013
National Academy Museum & School, New York
The Old Becomes the New: New York Contemporary Native American Art and the New York School, Wilmer Jennings Gallery at Kenkeleba, New York
Off the Beaten Path: Violence, Women, and Art – Art Works for Change, Johannesburg Art Gallery, South Africa, and Iziko South African National Gallery, Cape Town, South Africa
The Map Is Not the Territory, The Jerusalem Fund Gallery, Al Quds, Washington, D.C.
2014
Women Only, Flomenhaft Gallery, New York
Face to Face, Wall to Wall, Yellowstone Art Museum, Billings, Montana
Re-Riding History: From the Southern Plains to the Matanzas Bay, Fred Jones Jr. Art Museum, Norman, Oklahoma
2015
Marks Made: Prints by American Women Artists from 1960 to Present, Museum of Fine Art, St. Petersburg, Florida
The Plains Indians: Artists of Earth and Sky, Metropolitan Museum of Art, New York
Weaving Past into Present: Experiments in Contemporary Native American Printmaking, International Print Center, New York
Octopus Dreams, Funabashi City, Japan
2016
Embassy of the United States, Ankara, Turkey
The Map Is Not the Territory, Lower Level Gallery, Arab American Museum, Dearborn, Michigan
2016–2018
Home: Contemporary Indigenous Artists Responding, Boulder Museum of Contemporary Art, Colorado, November 8–November 20, 2016; Sojourner Truth Library, State University of New York at New Paltz, December 4–22, 2017; Pattee Library, University Park, Pennsylvania State University, March 1–August 31, 2018
2017
BIG Deal: Sizable Paintings from the Permanent Collection, Palmer Museum of Art, Pennsylvania State University, University Park, September 5–December 17
Great Basin Artists, C.N. Gorman Museum, University of California, Davis, April 4–June 16
2017–2018
Conversation Pieces: Selection from the Permanent Collection in Dialogue, Plains Art Museum, Fargo, North Dakota, June 29, 2017–July 29, 2018
An Incomplete History of Protest: Selections from the Whitney's Collection, 1940–2017, Whitney Museum of American Art, New York, August 18, 2017–August 27, 2018
Dress Matters: Clothing as Metaphor, Tucson Museum of Art and Historic Block, October 21, 2017–February 18, 2018
2017–2019
Multiple Modernisms, Chrysler Museum of Art, Norfolk, Virginia, November 17–January 31, 2019
2018
Women with Vision: Masterworks from the Permanent Collection, Muscarelle Museum of Art, College of William and Mary, February 10–May 13, 2018
Random Search: Mining the Archives of Tamarind Institute, Tamarind Institute, Albuquerque, August 24–December 2018
Dreamlandia, Foyer Gallery, MIdwestern University, Wichita Falls, Texas, September 14–
2018–2019
Half the Picture: A Feminist Look at the Collection, Brooklyn Museum, August 23, 2018–March 31, 2019
From Paint Brushes to Camera Lenses: Creative Women of the Great Plains, Great Plains Art Museum, University of Nebrasks-Lincoln, September 7, 2018–April 6, 2019
Art for a New Understanding: Native Voices, 1950s to Now, Crystal Bridges Museum of American Art, Bentonville, Arkansas, October 6, 2018–January 7, 2019; IAIA Museum of Contemporary Native Arts, Institute of American Indian Arts, Santa Fe, January 25–July 19, 2019
Nature’s Nation: American Art and Environment, Princeton University Art Museum, New Jersey, October 13, 2018–January 6, 2019; Peabody Essex Museum, Salem, Massachusetts, February 2–May 5, 2019; Crystal Bridges Museum of American Art, May 25–September 9, 2019
We the People: New Art from the Collection, Albright-Knox Art Gallery, Buffalo, October 20, 2018–August 4, 2019
Graphic Revolution: American Prints 1960 to Now, Saint Louis Art Museum, November 11, 2018–February 3, 2019
2018–2020
2019
Common Bonds: Artists and Architects on Community, Art, Design & Architecture Museum, UC Santa Barbara, January 12–December 8
In Praise of Folly: Five Artists After Philip Guston, Missoula Art Museum, January 25–May 18, 2019
Who Do You Say That I Am?, Marxhausen Gallery of Art, Concordia University, Seward, Nebraska, February 10–March 29
Bring Her Home: Stolen Daughters of Turtle Island, All My Relations Gallery, Minneapolis, February 14–June 21
From Dürer to Digital and 3-D, Trenton City Museum at Ellarslie, New Jersey, March 8–April 28
Landscape Without Boundaries, Manetti Shrem Museum of Art, UC Davis, July 14–December 29
NOMEN: American Women Artists from 1945 to Today, Phillips, New York, June 19–August 3
2019–2020
Direct Message: Art, Language, and Power, MCA Chicago, October 26, 2019–January 26, 2020
From the Vault, Tandem Press, Madison, Wisconsin, November 15, 2019–January 11, 2020
2019–2021
Hearts of Our People: Native Women Artists, Minneapolis Institute of Art, June 2–August 18, 2019; Frist Center for Visual Arts, Nashville, Tennessee, September 27, 2019–January 12, 2020; Renwick Gallery, Smithsonian Institution, Washington, D.C., February 21–March 13, 2020; Philbrook Museum of Art, Tulsa, Oklahoma, October 7, 2020–January 3, 2021
Landscape Without Boundaries, Manetti Shrem Museum of Art, UC Davis, July 14–December 15, 2019
5 Ways In: Themes from the Collection, Walker Art Center, Minneapolis, February 14, 2019–September 12, 2021
Stretching the Canvas: Eighty Years of Native Painting, National Museum of the American Indian, Smithsonian Institution, November 16, 2019–Fall 2021
2019–2023
5 Ways In: Themes from the Collection, Walker Art Center, Minneapolis, February 14, 2019–January 1, 2023
2020
Someday is Now: A Century of Women, Art, & Social Change, New Britain Museum of American Art, Connecticut, August–November 2020
Larger Than Memory: Contemporary Art from Indigenous North America, Heard Museum, Phoenix, May 1–November 17, 2020
2021
Trade Canoe: Forty Days and Forty Nights, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, January 6–December 12
All Together, Amongst Many: Reflections on Empathy, Bemis Center for Contemporary Arts, Omaha, Nebraska, March 25–June 5, 2021
Now is the Time: Recent Acquisitions to the Contemporary Collection, Baltimore Museum of Art, Maryland, May 2–July 18
Learning to Look: The Addison at 90, Addison Gallery of American Art, Phillips Academy, Andover, Massachusetts, May 8–Fall
Shared Ideologies, Muscarelle Museum of Art, Williamsburg, Virginia, June 26–November 21
Crystal Bridges at 10, Crystal Bridges Museum of American Art, Bentonville, Arkansas, July 10–September 27
Proof of Stake – Technological Claims, Kunstverein in Hamburg, Germany, September 4–November 11
2021–2022
New Light: Encounters and Connections, Museum of Fine Arts, Boston, July 3, 2021–July 24, 2022
Poetic Justice, New Mexico Museum of Art, Santa Fe, October 9, 2021–March 22, 2022
Color into Line: Pastels from the Renaissance to the Present, Legion of Honor Museum, San Francisco, October 9, 2021–February 13, 2022
Indigenous Voices in Contemporary Art, Danforth Museum of Art, Framingham State University, Massachusetts, October 9, 2021–March 6, 2022
For America, Oklahoma City Museum of Art, Oklahoma, November 6, 2021–January 30, 2022
2021–2023
Transformed: Objects Reimagined by American Artists, Montclair Art Museum, New Jersey, September 12, 2021–December 3, 2023
2022
True Colors: Picturing Identity, West Virginia University Art Museum, Morgantown, January 22–May 15
Working Thought: Art, Labor, and the American Economy, Carnegie Museum of Art, Pittsburgh, March 5–June 26
Catching the Moment: The Ted L. and Maryanne Ellison Simmons Collection, Saint Louis Art Museum, Missouri, June 26–September 11
SELECTED COLLECTIONS
Addison Gallery of American Art, Phillips Academy, Andover, Massachusetts
Albright-Knox Art Gallery, Buffalo
Akron Museum of Art, Ohio
Albuquerque Museum, New Mexico
Arizona State University Art Museum, Phoenix
Art in Embassies, Washington, D.C.
Autry Museum of the American West, Los Angeles
Baltimore Museum of Art
Birmingham Museum of Art, Alabama
Buffalo Bill Center of the West, Cody, Wyoming
Carleton College, Northfield, Minnesota
Carnegie Museum of Art, Pittsburgh
Chrysler Museum, Norfolk, Virginia
Colby College Museum of Art, Waterville, Maine
Colgate University, Hamilton, New York
College of Wooster Art Museum, Ohio
Cornell Fine Arts Museum, Rollins College, Winter Park, Florida
Crocker Art Museum, Sacramento, California
Crystal Bridges Museum of American Art, Bentonville, Arkansas
Danforth Museum, Framingham, Massachusetts
Denver Art Museum, Colorado
DePaul Art Museum, DePaul University, Chicago
Des Moines Art Center, Iowa
Detroit Institue of Arts
Eiteljorg Museum of American Indians and Western Art, Indianapolis
Eskenazi Museum of Art, Indiana University Bloomington
Figge Art Museum, Davenport, Iowa
Fine Arts Museums of San Francisco
Fort Wayne Museum, Indiana
Fralin Museum of Art, University of Virginia, Charlottesville
Fred Jones Jr. Museum of Art, University of Oklahoma, Norman
Georgia O’Keeffe Museum, Santa Fe
Goshen College, Indiana
Heard Museum, Phoenix
Hennepin County Library, Minnesota
High Museum of Art, Atlanta
Hood Museum of Art, Dartmouth College, Hanover, New Hampshire
Indianapolis Museum of Art
Jersey City Museum
Joslyn Art Museum, Omaha, Nebraska
Landschaftsverband Westfalen-Lippe Museum für Naturkunde, Münster, Germany
Lauren Rogers Museum of Art, New Orleans
MacKenzie Art Gallery, Regina, Saskatchewan, Canada
Manetti Shrem Museum of Art, University of California, Davis
Memorial Art Gallery of the University of Rochester, New York
Metropolitan Museum of Art, New York
Miami Dade College Museum of Art and Design, Florida
Midwest Museum of Art, Elkhart, Indiana
Mildred Kemper Art Museum, Washington University, St. Louis
Milwaukee Art Museum, Wisconsin
Minneapolis Institute of Art, Minnesota
Missoula Art Museum, Montana
Molloy College Gallery, Rockville Centre, New York
Montclair Art Museum, New Jersey
Muscarelle Museum of Art, College of William and Mary, Williamsburg, Virginia
Museum of Art, Rhode Island School of Design, Providence
Museum für Völkerkunde Hamburg, Germany
Museum of Fine Arts, Boston
Museum of Modern Art, Cuenca, Ecuador
Museum of Modern Art, New York
Museum of Modern Art, Quito, Ecuasdor
Nasher Museum of Art, Duke University, Durham, North Carolina
National Gallery of Art, Washington, D.C.
National Museum of Women in the Arts, Washington, D.C.
New Mexico Museum of Art, Santa Fe
New Orleans Museum of Art
Newark Museum, New Jersey
Nicolaysen Art Museum, Casper, Wyoming
Pensacola Museum of Art, University of West Florida
Richard F. Brush Art Gallery, Saint Lawrence University, New York
Rockwell Museum, Corning, New York
Roswell Museum and Art Center, New Mexico
Saint Louis Art Museum, Missouri
Salish Kootenai College, Pablo, Montana
Sheldon Museum of Art, Lincoln, Nebraska
Smith College Museum of Art, Northampton, Massachusetts
Smithsonian American Art Museum, Washington, D.C.
Spencer Museum of Art, University of Kansas, Lawrence
Sweet Briar College Gallery, Virginia
Tweed Museum of Art, University of Minnesota, Duluth
Ulrich Museum of Art, Wichita State University, Kansas
University of Arizona Museum of Art, Tuscon
University of Northern Iowa Gallery of Art, Cedar Falls
Victoria and Albert Museum, London
Virginia Museum of Fine Arts, Richmond
Walker Art Center, Minneapolis
Whitney Museum of American Art, New York
Wichita Art Museum, Kansas
Yellowstone Art Center, Billings, Montan
SELECTED BIBLIOGRAPHY
BOOKS AND CATALOGS
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Bowles, K Johnson. A Journey Through Tribal Lands. Farmville, VA: Longwood Center for the Visual Arts, 2001.
Brodsky, Judith K. and Ferris Olin. Junctures in Women’s Leadership: The Arts. New Brunswick: Rutgers University Press, 2018.
Crystal Bridges Museum of American Art. Art for a New Understanding: Native Voices, 1950s to Now. Fayetteville: University of Arkansas Press, 2018.
DeWitte, Debra J., Ralph M. Laumann, and M. Kathryn Shields. Gateway to Art: Understanding the Visual Arts. New York: Thames & Hudson, 2018.
Ewing, Heather. Arrivals. Katonah, New York: Katonah Museum of Art, 2021.
Fralin Museum of Art. Writer’s Eye 2018. Charlottesville, Virginia: Fralin Museum of Art, University of Virginia, 2018.
Gerhard, Jane and Dan Tucker. Citizen Woman. New York: Prestel, 2020.
Goodman, Abigail Ross, Molly Epstein, and Laura Beshears. Art for Rollins: The Alfond Collection of Contemporary Art, Volume III. Winterpark, Florida: Cornell Fine Arts Museum, 2018.
Herbert F. Johnson Museum of Art. A Handbook of the Collections. Ithaca: Herbert F. Johnson Museum of Art, Cornell University, 2018.
Kusserow, Karl and Alan C. Braddock. Nature’s Nation: American Art and Environment. Princeton: Princeton University Art Museum, 2019.
Martine, David Bunn. No Reservation: New York Contemporary Native American Art Movement. New York: AMERINDA, Inc., 2017.
McCarthy, Jeremiah William and Diana Thompson. For America: Paintings from the National Academy of Design. New York: American Federation of Arts, 2019.
New Jersey City University. The Persistence of History. Jersey City: New Jersey City University, 2018.
Robertson, Jean and Deborah Hutton. The History of Art: A Global View. New York: Thames and Hudson, 2021.
Rushing III, W. Jackson. Native American Art in the Twentieth Century. New York: Routledge , 1999.
Saltz, Jerry. How to be an Artist. New York: Riverhead, 2020.
Scott, Amy, ed. Art of the West: Selected works from the Autry Museum. Norman: University of Oklahoma Press, 2018.
Tanguy, Sarah. A View from Here. Moscow: State Tretyakov Gallery, 2000.
The History of Art: A Global View. London: Thames and Hudson, 2020.
University of Oklahoma School of Visual Arts. Ascendant: Expressions of Self-Determination. Norman, Oklahoma: University of Oklahoma, 2022.
Wyckoff, Elizabeth and Gretchen L. Wagner. Graphic Revolution: American Prints 1960 to Now. Saint Louis: Saint Louis Art Museum, 2019.
Yohe, Jill Ahlberg and Teri Greeves. Hearts of Our People: Native Women Artists. Minneapolis: Minneapolis Institute of Art, 2019.
PERIODICALS
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